Eating For Disaster Victims

"So part of today's proceeds will go to the disaster victims in Burma and China?" I asked the waitress who gave me the change.

"Not part of," she replied. "All of it."

That caught me off-guard. "All the proceeds?"

"Yes."

Patrick Teoh for Prime Minister.

Then I remembered another thing. "There was a little girl going around collecting donations," I said. "Is she authorised to do that?"

The waitress laughed. "Yes, she's been approved by the management."

It started out rather poorly. I thought I memorised the map well enough, but I ended up loitering around The Atria for half an hour. By the time I reached the venue, I was sick with fatigue and hunger, and really damned thirsty.

Patrick Teoh's Damansara Village was holding a charity-drive for the disaster victims in Burmyan and China (I didn't know how it was done until I picked up the tab). Patrons can satisfy their physical, spiritual and emotional hungers in one sitting.

Amazing, the kind of info you pick up from blog aggregators. Previously, FunnyBunny's panic over a disrupted DiGi line was calmed by news of a nation-wide DiGi outage from Project Petaling Street.

I thought things were starting to look up until I saw the words "Steamboat" and "Pulau Ketam seafood".

Typically, a steamboat dinner revolves around a constantly boiling pot of stock and people throwing raw ingredients into it, preferably seafood and stuff you can quickly boil and eat. Eventually, noodles go into the now flavour-rich stock for a satisfying conclusion to a good meal. Nothing is fried, so it's also healthier.

Let me emphasise: people. Steamboat meals are rarely singleton affairs. My lone presence caught the attention of The Man himself. "You should put it all into the pot," he said, indicating the plate of veggies, quail eggs, assorted fishballs and bean curd products. "You can continue to eat as they cook."

The one thing that grabbed my attention was the single live and twitching prawn; too bad it died before I could cook the sucker. Despite my sorry skills, I didn't manage to make my seafood taste like old tennis shoes. Freshly-dead shellfish are a tad firmer and juicier than those from my old memories. Maybe I should do Pulau Ketam again - and do it right this time.

(I've never had boiled tennis shoes, but it's good to know other palatable substitutes are available if I ever get curious.)

Too bad I couldn't order the seafood. I suck at dissecting crabs, and fish heads can be challenging. And it was just little old me at the table.

However, I would suggest sprucing up the bathrooms, and mosquito repellents. And they should have let KY draw the map.

Looove the décor.

One East-West Train Wreck

To my frustration, I could say nothing nice about this book - nor could I say anything bad about it. It's a depressing read that the Internal Security Ministry would pass; everybody depicted here more or less fits the more popular stereotypes. The British are degenerate, amoral snobs; the Communist Chinese are bloodthirsty and ruthless, their sympathisers untrustworthy and cunning; and all Opposition party members are firestarters.

---

When the past and present collide...

first published in The Star, 18 May 2008


One year ago, this book might not have reached the shelves. Contents include British colonialists, Communist insurgents, May 13 rioteers and the DAP. Who would've thought so much could happen in 365 days?

But is it a ghost story, or not? While "ghost" is in the title, the ambiguity of The Orientalist and the Ghost is guaranteed to titillate, or irritate.

Here, Susan Barker delivers a Lemony-Snicketish tale of a dysfunctional British-Chinese family forged in the fires of the Malayan Emergency that crumbles as time marches on.

Young Christopher Milnar is an adventurous and somewhat naïve scholar enamoured with all things Chinese who gets shipped to insurgent-era Malaya as an assistant administrator of a Chinese relocation settlement in Yong Peng, Johore. Translated, Yong Peng means "Everlasting Peace"; he would later find out that the British aren't the only ones with a sardonic sense of humour. He gets no welcome from the locals, especially the resentful Chinese who have been separated from relatives and loved ones under the Communist insurgents.

As the harsh reality whittles down his romanticism, love and hate come in the emaciated form of Evangeline Lim, an older half-Chinese woman with whom Chris has a May-December fling. Evangeline unwillingly betrays Chris' trust in her and ends up in court where she is sentenced to death, but not before leaving behind a daughter. Chris takes it upon himself to look after the child, named Frances, but the "Yong Peng Irony" continues as Frances becomes estranged from her "foreign devil" father and commits suicide years later, saddling Chris with her children, Adam and Julia. Like mother, like daughter.

However, this tale of woe begins with an ageing Chris being visited by phantoms of his past: his superior officer, colleagues and other memorable individuals from those heady Malayan days. The narration suggests that it's more hallucination than haunting. I don't blame him. He's counting his days, and his grandchildren have inherited that psychological Great Wall of China from their grandmother's side of the family. Plus, he's no Jamie Oliver.

It's not long before Chris himself crosses over, and suddenly, the grandchildren are adults. While Adam becomes a lab technician, Julia falls in with the wrong crowd and ends up a heroine junkie, too stoned to care when a letter from her mother's old school-friend arrives, asking for a meeting. As Adam sets off to meet the sender, the rest of the Milnars' sad tale unfolds.

I'm not a fan of non-linear plotlines, even though some stories read well when written this way. I didn't like the way The Orientalist leaps back and forth between the present and the tumultuous Malayan days. The aged Chris Milnar narrates the beginning, but then someone else tells us that he's dead, and Adam has the keys to his flat. A couple of chapters later, it’s good old Chris prattling on again, as if he never left. All that bouncing around gave me motion sickness.

Another gripe I had with it was the (perceived) interactivity. OK, there are plenty of clues as to why Frances became estranged from her father, but I had to dig. Surely it wasn't simply because of her conviction that her dad betrayed her mum? What really happened when she went searching for the teacher she had a crush on in the riot-racked city? Who really was the assailant that drove a rift between Chris and Evangeline? It's supposed to be literary fiction. If I wanted intellectual stimulation, I'd have done a Sudoku puzzle.

Storywise, it's pretty authentic. The sounds, emotions and atmosphere of those bygone times are captured very well. In Chris' narration, there are flashes of Shakespearean melodrama and the famous British wit; too bad his performance couldn't save this sad tale. And the only ghosts in the book are probably in Chris Milnar's head all along.

Should I feel cheated, or not?

---

The Orientalist and The Ghost

Susan Barker
Doubleday
346 pages
Fiction
ISBN: 978-0-385-60980-7

Jumping My First Ship

Quote of the day: "Correct, correct, correct." It's so succinct, even he can't
comment on it.

So much is happening lately, it's hard to recall it all. The interviews, phone calls, assignments, and the island day trip.

After eight years and three months, I'm finally moving on. There are no comfort zones where I'll be going, and I'd be lying if I said I'm approaching this with little trepidation and doubt. What's unfortunate is that my schedule will be packed before my departure, which is just days from now. I just can't get a break.

Not many outside the company (or inside, for that matter) know I'm leaving. People change jobs all the time. It's not something worth dwelling over.

But it's going to be tough being the greenhorn again, after eight-plus years of seniority.

West Bashes West

After the hilariously entertaining Talk to The Snail, this was a bit of a disappointment - but I had fun reviewing it. I think the book speaks for itself.

---

Sardonic mirth

first published in The Star, 09 May 2008


Just how long can an Anglo-Saxon comedy writer spin humour out of cultural clashes? If you are Stephen Clarke, "as long as it pays the bills".

Following the runaway success of A Year in The Merde, Clarke produced the sequel Merde, Actually and Talk to the Snail, a comprehensive and hilarious guide to surviving France. So far, all of his books are based on his own experiences in the country. The next chapter in the comedy of errors that is British expatriate Paul West’s life is Merde (Shit) Happens.

And boy, does shit happen here. Not long after he sets up his English tea room in Paris, West is heavily fined by the local authorities – for having English words in the menu. His attempts to weasel his way out of the penalty fail, placing him in deep financial merde. On top of that, his English-speaking French girlfriend Alexa is hinting that the relationship is going nowhere – the same as West.

So he returns to London and secures a gig with a dodgy outfit to promote England as a premiere tourist destination, which he hopes will help him settle the fine and win Alexa’s admiration. The catch is – OK, make that catches are – he has to tour the United States in a Mini Cooper; organise and emcee the related promotional events at each stop; compete with representatives from other countries (including France); and do all that wearing a kilt (which is typically Scottish, but hey, since when has semantics ever stood in the way of an impetuous British venture?)

West extends Alexa an invitation to come along, and she accepts the deal with typical French grace – so she could make a documentary about the "real" (read: ugly) America. Her contempt for the US and its denizens becomes material for some of the jokes and punchlines.

Further mayhem ensues upon their arrival at the former British colony. Their transport is delayed, nobody knows they were coming and what they were coming for, and their link to London is an attendant from a call centre in India. Halfway through their journey, they are joined by West's linguistically challenged American friend and a Hispanic hottie. The "West Goes West" roadshow continues its downward spiral into oblivion while the merry band salvages what they can from it. Snafus haunt the party like monsters in pursuit, hinting at possible attempts at sabotage.

After writing two books that caricaturise his adopted homeland, Clarke broadens his horizons by sending his hero westward. New victims of his dry, scalpel-edged wit includes Americans, Canadians and Indians (not the red variety). Metaphors abound and punchlines are aplenty, making the book feel more like a comic strip than a novel. In no time the plot becomes less and less tangible as Merde Happens evolves into one long, sardonic diatribe by a Brit about the (exaggerated) strangeness of America – when his French girlfriend isn't snarking about it. After each chapter, I was like, "What... was this book about?" It's not just the plot; the author's brand of humour would be lost on less sophisticated readers. Still, that shouldn't discourage others from giving it a try.

It's hard to imagine that Merde Happens is actually part of a series. The way it is written gives no hint of a previous connection with the other books, which is both a strength and a weakness. You don't feel compelled to collect the whole set, since it's more of the same anyway (unless you are a fan, or immensely curious about how West ended up in France and acquired his tea room). On the flipside, copies would end up crawling (like a snail) – not flying – off the shelves instead. Which might spell financial trouble for a real Englishman living in France.

I wouldn't call the book a must-have but maybe we should help out by buying a copy, if only to stave off the nightmare vision of a kilt-clad Stephen Clarke, touring countries on behalf of Britain in a Mini Cooper because his books aren't selling.

---

Merde Happens

Stephen Clarke
Transworld Publishers
381 pages
Fiction
ISBN: 978-0-593-05631-8

Island Adventure

No time to wax lyrical over this latest misadventure. I'm tired, and my head is still in sync with the movements of the waves. I won't be walking in a straight line until I wake up tomorrow.


Pulau Ketam (a.k.a Crab Island) Labour Day adventure! In point form.

• Boat rides were OK, but wish they'd play more uplifting music instead of Chinese oldies and karaoke discs.
• It is not so bad when the boats move; it's even worse when they don't.
• The island is apparently the tourist destination for Klang Valley denizens too cheap to fly AirAsia.
• Try not to pay too much attention to the floatsam on the water.
• Who could imagine anything on stilts and concrete pylons could be so secure?
• Oyster and la-la omelette is made the Penang way - but still not up to par.
• Live crabs in plastic drums on display in the market district - animal cruelty.
• The umbrella-hats are real. Resisted the urge to buy one.
• Kim Hoe Restaurant no longer serves the very, very best crab bee hoon. A fact totally lost upon the holidaying rubes from the asphalt jungle. At least the crabs were nice.
• Sewage goes into sea; ocean bounty returns to land. Island-style circle of life. Yum.
• Most locals keep their doors open.
• On the island, Ah Sui is the Tesco of dessicated shrimp and dried seafood.
• When in the bathroom, make judicious use of tap water.
• Tragic to see so many people using the sea as a trash can.
• Eat light - or not at all - before getting onto a boat.
• What kind of maniac would spend days in a chalet that's more like a prison cell atop a floating fish farm, doing nothing but fish?
• Walk slowly and gently on the planks and don't look too closely at the wavelets showing through the gaps and cracks in the timber. Do not run, stomp or jump. Try not to fall in, either. The barramundi (siakap) are not picky eaters.
• Baby tiger garoupas are cute; red snappers are snappy.
• GreenWay fish farm tour was conducted mainly in two Chinese dialects. Not very educational. Maybe because I was in an all-Chinese group.
• Watch your head on boats.
• Weather behaved itself. And sea breezes can be cooler than air-conditioning.
• Next time, don't forget the motion-sickness pills. Maybe some sunscreen, too.

Starbucks and Stories

Coffee and conversation with the indomitable Yvonne Foong - and it's the second time I made her wait. This time, it's because I got lost. I hate Subang Jaya. Like everywhere else in the state, the signboards made no sense.

She has a debilitating disease, but it doesn't stop her at all. Earlier she'd written a masterful response to a journalist's poor professional conduct. There was talk about creating a branded charity foundation-or-whatnot. Discussions about psychology, marketing and, of course, blogs.

You do not want her angry at you.

Next time, I'm studying a map - and then, test-driving the route.

---

There was supposed to be something about this month's LitBloggers' Breakfast with Kunal Basu, but I couldn't be bothered. Besides, I wouldn't want people to think I attend all these meets just so I could post something... .

Some interesting and pertinent points garnered from the meet include:

• 's chemical. Stories are all chemical. Natural ones produced by your body, of course.
• Let the story take centerstage. Don't fit stories into themes.
• Don't give a shit about readers. Write what you want, write what you like. And pray the readers you don't give a shit about will like it too.
• Research is important (and from his tone of voice it could also be fun). If all else fails, fill the gaps with your imagination. Why else would you call it "fiction", duh?
• Most lit-fic readers are women; no woman, all (lit-fic authors) cry. In this case, Bob Marley had it wrong.
• MPH Bangsar can't get their hands on chicken mayo.

Kungfu For Kung Fools

Hearken, voices calling for the Forbidden Kingdom to be... forbidden. From cinemas.

(I wish I was talking about China, too. But I'm not.)

There were complaints about how rip-offish the set pieces were. Words like "silly", "unoriginal", "irreverent" and "sacrilegious" were waved like Tibetan flags in a Beijing '08 Olympics' torch run protest.

(OK, maybe I do want to write about China. Maybe.)

The indignation from kungfu movie afficionados was so thick nobody ever paused to think that it might have been done on purpose. If the directors were poking fun at martial arts culture - or more precisely, certain perceptions about martial arts - they did so with aplomb.

Consider the plot: kungfu-crazed American teen falls through a wormhole into ancient China; to get back, he must learn enough martial arts to survive and complete a mission scriptwriters say only he could accomplish. Right, make some white kid the hero, with two genuine kungfu grandmasters playing sidekick.

Wrong.

After Jackie's and Jet's characters meet halfway through the movie, it all becomes clearer. The on-screen intensity of their initial rivalry, the friction, the repartee. This was what everyone wanted - a Jackie vs Jet showdown - and they got it. Elated over their first collaboration, they take it over the top. But when the reluctant non-Oriental disciple turns on both masters, they both put their pride aside to dish out a dose of discipline.

They look like they're having fun. Why shouldn't they? They've been doing this forever. Jet's is pushing fifty; Jackie, sixty. Retirement beckons - why not have some fun while you're on the way out, even at each other's expense? (and the audience's as well, but since they got half of their movies through pirates and YouTube, they shouldn't complain) A paid vacation. That's what it is.

It is Jackie's admonishment of Michael Angarano's character, however - an extension of the lesson Bruce Lee gave the West - that is the gist of what the movie is about.

"You've watched every martial arts film, played all the video games. You know the moves and their names inside out. Big deal. You can't even swing a stick properly! You're not learning anything because your head's filled with garbage! 'No-Shadow Kick'? 'One-Fingered Death Touch'? You know jack-shit about kungfu, white boy. Now hump those concrete blocks and gimme a hundred! And no supper till you're done!"

You might think that's rather mean of Jackie, but in case you forgot, he did graduate out of a training regime that would unnerve even the Spartans. Jet's own credentials need no elaboration. With regards to teaching neophyte "kungfu" nerds, there is no one else more qualified.

In the movie, Jackie's animated, impatient and fiery temperament is artfully offset by Jet's mountain-like calm. At the lowest point of the white boy's journey while holed up in a desert cave, he has doubts about his chances of success. "What if I freeze?" he asks the meditating Jet, who replies, "Don't forget to breathe." Ooh, how Zen.

The Chosen One may be Caucasian, but the real stars were the so-called token Chinks - and they stole the show.

All of them.