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Monday 10 June 2013

News: Book Fests, Departures, And A Scarlett Novel

Not a lot of happy news last week in the book world. But life goes on, with upcoming book and lit fests such as #Word: The Cooler Lumpur Festival and this weekend's Art 4 Grabs + KL Alternative Book Fest.

The latter will, among other things, will see the launch of the second Fixi Retro title, Yang Nakal-nakal, a compilation of some short stories and poems by the late Usman Awang. The Black 505 rally's been postponed to next week, but it looks like the launch is still taking place on 16 June.



There may be a good reason why book publishers aren't swarming the e-publishing bandwagon: the "awkward and inconsistent" technology.

The closest thing to a single file standard, e-pub, is still far from platform-agnostic and notorious for destroying formatting elements, which limits what writers and designers can do structurally if they’re planning for digital.

Sounds like the argument over HTML standards all over again. But wait till technology catches up, or if the players in the e-book industry get their shit together and agree on something.



A publisher is being sued by Scarlett Johansson because a French novel featuring a woman who resembles the actress allegedly "violates her privacy and includes a 'fraudulent use of her image rights'." The report adds that "The heroine of Delacourt's La Premiere Chose qu’on Regarde ("The First Thing We Look At") is Janine Foucamprez, a small-time model from northern France who is blighted by her resemblance to Johansson."

Perhaps Ms Johansson (or her PR machinery) is miffed by the "blighted" part. And ... hold on, she's only 28?


Elsewhere:

  • RIP Iain M Banks. Less than three months after he announced he had terminal cancer, Banks passed on. Despite the efforts of his heroic publishers, his last novel failed to hit the shelves before his departure. As tributes poured in, Neil Gaiman eulogises him in the Guardian. Also, RIP Tom Sharpe. Pity I never read any of their books.
  • Are celebrity's kids books bad for literature and kids books in the long run? Probably, if quality doesn't improve. In that news report, Julia Donaldson, writer of the Gruffalo books, says writing for kids is not easy at all. "In some ways children are probably harder to please than adults and there are so many excellent children’s writers out there who in terms of style, plot and characterisation are just as good as any writer for adults."
  • Why John Green (Looking for Alaska) will never self-publish. "Impassioned" is kind of an understatement.

    Lev Raphael takes offense at what he sees as Green's attack on indie publishing via a "faux cultural belief" ("We must strike down the insidious lie that a book is the creation of an individual soul laboring in isolation. We must strike it down because it threatens the overall quality and breadth of American literature...").

    "If Green believes that indie books aren't ever edited, produced, and marketed by a team – though likely smaller than in legacy publishing – he knows less about the industry than he thinks," Raphael says.
  • When is it fine to not finish a book? When it doesn't pass the fifty-page test, apparently. You can always come back to it, anyway, this English prof suggests. However: "For my students, the answer is easy: if I assigned the book, it's not alright to quit partway through." Fair enough.
  • Eight rules for writing fiction, some of which, at some point in time, everybody who writes fiction forgets.
  • Americans, says Clive James, aren't good at hatchet jobs. "Any even remotely derogatory article in an American journal is called 'negative,' and hardly any American publication wants to be negative." Did James miss Ron Charles's opinion of Lionel Asbo, or did he feel it was too tame?
  • May she be forgiven: AM Homes denies Hilary Mantel a third straight award by winning the Women's Prize for Fiction, which will be sponsored by Bailey's next year - HIC. Meanwhile, Kevin Barry wins this year's International IMPAC Dublin Literary Award for City of Bohane.
  • Pages from the diary of Alfred Rosenberg, Hitler's aide and top Nazi leader, have reportedly been found. The documents look real, but one has to be wary, in light of a famous Nazi diary hoax.
  • Jonah Lehrer has a book deal - and people should be concerned.

Friday 7 June 2013

#WORD!

Oh, the things they did to publicise the Cooler Lumpur Festival 2013 at The Bee, Publika that Tuesday evening...


#Word: Thematic flavours from The Last Polka


Free ice cream is fine. The Last Polka created two lit-inspired flavours for the event: Green Eggs and Ham (a minty creation with chocolate fudge pieces that brings to mind The Cat in the Hat) and Wonderland (a peppery tribute to the soup in a certain kitchen).

Pop-trivia quizzes are fine too, even though some of the questions were hard for non-bookworms and non-moviegoers.

Readings? No problem - except if it's three grown men reading sex scenes from Fifty Shades of Grey. Especially when the three men are Ezra Zaid, Umapagan Ampikaipakan and Sharaad Kuttan.

Once you hear Ezra channel Anastasia Steele losing her virginity, you will never be the same.

I think they found it painful as well, given what we know of the trio. By the time they read the third scene, they were hiding their chagrin in foreign accents. Who knew Sharaad preferred Italian?

And what is it about this festival that inspired the creation of two far-out ice cream flavours and compelled these three fellows to go onstage and read fiction I'm sure they'd rather burn?


Wordy weekend
The inaugural Cooler Lumpur Festival is a multi-disciplinary "celebration of culture".
Curated by digital media purveyor PopDigital, this KL-centric festival will adopt certain themes each year to "expand the city’s cultural horizons, build stronger communities and cultivate the creativity and imagination of people."


#Word: The Cooler Lumpur Festival 2013


This year, the Festival presents #Word, Malaysia’s first – and only – celebration of words in all its forms. Expect workshops, talks and panel discussions, storytelling and readings - everything about the written word. #Word will also host the only Southeast Asian segment of the Edinburgh World Writers' Conference (EWWC), the world's largest travelling conference on the state of literature.

#Word will take place from Friday, 21 June to Sunday, 23 June, at several venues in Publika, Solaris Dutamas.


Gems in the mud
The online programme is a menu of lip-smacking items with something for wordsmiths of almost every stripe. Among the highlights are:

  • A panel featuring non-Malay writers who write in BM, and a panel on Asian Noir, which will see writers such as Shamini Flint, Brian Gomez and Rozlan Mohd Noor.
  • A book swap by the charity Novels for All.
  • An Evening with the Evening Edition, where you can meet the faces behind the famous BFM drive-home segment: HRH Caroline Oh, Ezra Zaid and Umapagan Ampikaipakan.
  • A one-on-one with Amir Muhammad, writer and indie publisher and filmmaker (considering his success, does the 'indie' label apply?). Two titles from his imprints, Fixi and Fixi Novo, will be launched as well during the festival.
  • Readings @ The Bee (not Seksan's), and a screening of ghost movies, followed by ghost stories told by Patrick Teoh and Jo Kukathas.
  • Borders Malaysia will be organising #Word Junior for kids, with a line-up of activities that includes a tea party with free ice cream (first 50 kids only) from The Last Polka, storytelling sessions and interactive events.


Crabbit Old Bat flying into KL
I'm embarrassed to say that I've only heard of one writer in the international line-up for #Word.

Jen Campbell, a bookseller at Ripping Yarns in the UK and author of Weird Things Customers Say in Bookshops and More Weird Things Customers Say in Bookshops had this URL in her blog to the blog of a "Crabbit Old Bat". Couldn't resist clicking the link.

That's how I heard about Nicola Morgan, award-winning writer, author of about 90(!) books, and an authority on young adult/teen fiction. Among other things, she will be holding a workshop on writing for teens. Places are limited, so please hurry.

As someone who's evaluated and rejected a number of children's/YA/teen fiction submissions, I'm glad she's coming here.

...Oh, my. Seems Ms Morgan's a bit nervous about her trip. This will be her first time in Malaysia. Let's make her feel welcome, shall we?


So come on down to MAP @ Publika for a wonderfully wordy weekend. Don't let all that ice cream, the efforts of las dos chicas from The Last Polka and the sacrifice of BFM's les trois garçons be in vain. The two ice cream flavours will be available at The Bee @ Publika throughout this month, in conjunction with #Word.

Go here for more details.

11/06/2013  Here's a BFM podcast with Yau Su Peng, Chief Operating Officer of Borders Malaysia, the Festival's official bookstore.

18/06/2013  Check out the radio podcast of an interview with several key Festival people. Seems that "Cooler Lumpur" does not merely hint at the proliferation of hipster hangouts in the capital, but also the mispronunciation of KL by the beer-swilling character Nabby Adams in Anthony Burgess's The Malayan Trilogy.

Wednesday 5 June 2013

News: Literary Magpies, Tweets, And The National Language

Did Rudyard Kipling cop to plagiarism in a letter? In the Daily Telegraph, Christopher Howse says no. Plagiarism might be "the fairy godmother of invention" but also of lawsuits, pulped books, and ruined reputations.

Writing in the Guardian, Sarah Churchwell suggests that Kipling was a "literary magpie" who reworked certain themes from other works into his own. "Shakespeare's reliance on various older chronicles for his characters and plots is a commonplace," she writes, "and it would be ludicrous to suggest that in Paradise Lost Milton was 'plagiarising' the story of Genesis."



"As the columnist at a literary website, I once wrote about tough truths related to self-publishing. ... That editing and cover design are hard. That most self-published books earn only a modest return. That a lot of the advocates are just selling themselves. ... And that resulted in scores of people calling me profane names."

Rob W Hart's shift from self-publishing to traditional opens his eyes to how indie publishing has become a cult.



Erna Mahyuni, our favourite Sabahan laments the "slow, sad death of Bahasa Malaysia", which she suggests is partly aided by state media agencies. "According to Bernama, 'hurricane' is 'hurikan' and 'billionaire' is 'billionair' in Englayu," she writes, coining a new word of her own. "Utusan has coined the very rempit-sounding 'dijel” instead of 'dipenjara'."

Not to mention 'subjek' (subject) and 'bajet' (budget), But 'hurikan' is not a recent coinage. I remember seeing it in an old geography textbook once in school, along with 'siklon'. Odd, considering both refer to the same phenomenon.

Are the alleged offenders going to chalk it up to the pressure of tight deadlines? Erna cheekily suggests that, "Perhaps this is an insidious plot by seditious individuals who are trying to make English the national language. At the rate Bahasa is 'evolving' into English, we might as well just give up and replace the Kamus Dewan with the Oxford Dictionary."

Dengar, dengar.



Some tweets to share, including one from Sufian Abas:




...and Michael Ruhlman, marriage counsellor:




All in jest, I'm sure.

Right. What else is out there?

Tuesday 4 June 2013

Golden Brown

I wasn't sure I was up to the task of reviewing a Dan Brown book. What's there to look at? Could I be fair, when others at more established names couldn't seem to be?

I didn't spend time dismantling the logic and history. Avoiding other reviews while I wrote my own as tough; the bandwagon's pretty big and easy to get into. But I guess that, considering the size and hard cover, it sufficed as light reading.

About "symbology" ...

Wikipedia lists the word as "a fictional academic discipline of which the character Robert Langdon is a professor." On a list of ten mistakes and oversimplifications in the book over at The Daily Beast, the word is "nonsensical".

So I used that article's 'correct' word for Langdon's occupation in the review (carelessly wrapping it in square brackets). But didn't some modern 'nonsensical' words become accepted, after being baptised by popular usage - and the Internet?

For now, I guess, it's "iconography" or "semiotics".



Golden Brown
Finger lickin' good Florentine fun from the Colonel Sanders of the genre

first published in The Malaysian Insider, 04 June 2013


Would you believe that this is the first time I've read any of Dan Brown's books?

Until now, I've only followed the news, read the hype and laughed at the brickbats. No way all of that could be true, I thought.

Then a copy hit my table with a thud.

I took just two hours to finish it.

My unfamiliarity with the author's work and the circus precludes me from fact-checking his alleged mistakes and gloss-overs, so I'll leave that to more capable hands.

But I will say this: Dan Brown's Inferno is, thus far, the greatest movie I've ever read.

From what I have gleaned of Brown's books, those who expect a refinement of his style will probably be disappointed. Fans, however, will be glad to know little has changed.


Italian job
After uncovering the secrets of the Freemasons in The Lost Symbol, Harvard professor of art history and iconography Tom Hank— sorry, Robert Langdon wakes up from a nightmare and finds himself in a hospital with stitches in his scalp and absolutely no clue how he got there.

After speaking to the "tall and lissome" and (one assumes) attractive Dr Sienna Brooks, Langdon, thinking he's still in the States, looks out the window and sees the Palazzo Vecchio — and learns that he's not quite in Massachusetts anymore.

Outside, a female assassin waits. Five miles off Italy's coast, her boss, a man Brown simply calls "the provost", waits for good news in a mysterious US$300 million (RM929 million) yacht and floating military command centre.

Nothing like that is forthcoming. But the provost isn't the only one having a bad day.

After fleeing another assassination attempt, Langdon learns that the willowy Sienna is not only a mutant but a former child prodigy with an IQ higher than Stephen Hawking's. He also finds that he's in possession of a biohazard canister.

Soon, armed men come a-knocking shortly after he calls the US embassy. With Sienna in tow, the inevitable chase begins as Langdon tries to remember what happened in the past couple of days — and unravel a madman's dastardly plot, partly inspired by Florentine poet Dante Alighieri's Divine Comedy.

To add to his list of "?!"-punctuated what-the-hecks, security cameras caught him "stealing" Dante's death-mask hours before he woke up in the hospital.

Nothing like having both sides of the law snapping at one's Somerset-clad heels to add excitement to a bit of historical forensics.


Abandon all prejudice, ye who read this
As the pages turned quickly, I began to see the appeal of novels like this. Cleverly written with hooks and cliffhangers at the end of each short chapter, you just can't put this 460-odd-page novel down until you're done with it.

The only other time I've experienced this compulsion to finish something was at a KFC outlet — or when I opened up a bag of Cheezels I bought last week.

You don't care that it's not literary writing. You learn to skip the piles of exposition and slipped-in trivia, obviously for the benefit of those who can't access their smartphones for some impromptu Googling. I saw less of the groan-worthy similes Brown's famous for; maybe I learned to skip those, too. The expository parts do mess up the flow of the story, like annoying pop-up ads.

Some of the descriptive passages, however, are written in such vivid detail one is compelled to actually fly there to see, for instance, the cringe-inducing "penile grip" featured in the sculpture of Hercules and Diomedes in the Hall of the Five Hundred, or the "intimidating array" of male nudes at the Palazzo Vecchio. Then, there's the superb copywriting on the Church of Dante.

All bound to reinforce the faith Florence's city officials have in Brown's apparent ability to revive flagging tourism industries.


Tripping over trivia
It's not all tourist spots and history. At one point the Harvard dreamboat shares some esoteric knowledge: "Regular gesso smells like chalk. Wet dog is acrylic gesso."

We also get a brief dissertation on the science of denial, along with aphorisms such as, "In the world of book publishing, late-night emergencies were as rare as overnight success." (Shouldn't it be "are"? Is the book publishing industry past tense?)

As well as an endorsement for the iPhone — and e-books. "I've got to stop being such a snob about leather-bound books... E-books do have their moments."

The wit and writing is sophomoric, the preachy bits on human folly are tedious, and the denouement might elicit a huge WTF, even among ardent Brownians.

And there is next to no chemistry between Hank-er, Langdon and the willowy tagalong Sienna. The mistakes she made, for someone of her superb IQ, is conveniently covered by her traumatic past.

Still, Inferno is a pretty solid potboiler that will have you hooked right until the last page.



Inferno
Dan Brown
Doubleday (May 2013)
463 pages
Fiction
ISBN: 978-0-385-53785-8

Saturday 1 June 2013

Masterclass in Session: Clicking With Kid Chan

Hot on the heels of Amber Chia's MPH Masterclass guide to a modelling career is Kid Chan's MPH Masterclass guide to starting a photography business.

I'd thought that the format for the cover would be similar to the previous one, but I guess photographers just have to be different. At least it means each book in the series will be unique.


Front and back of Kid Chan's Guide to the Business of Photography
(he might have comments about my photo-taking skills)


Malaysia's shutterbug to the stars was born with a silver spoon in his mouth. However, things soured when the family's fortunes declined and his parents divorced. After completing his tertiary studies, he became the personal assistant to the founder of the Metropolitan College Group.

Several years later, he left this somewhat cushy job to take over his sister's failing photography studio. This was the beginning of his uphill climb to where he is today. He learned practically everything from scratch and had to endure more batterings to his ego.

His foray into photography began taking off when he was doing weddings. Who would've thought that wedding photography had the stigma attached to it?

Once he bit the bullet and did his best at it, wedding photography started opening doors for him, especially after he adopted Denis Reggie's approach to shooting weddings.

These days people pay heaps for any photographer who can make their (generally) once-in-a-lifetime event look like a one-in-a-million spectacle. So you could say that Kid Chan was a pioneer of wedding photojournalism in Malaysia, albeit a reluctant one.

In this instalment in the MPH Masterclass series, Kid Chan shares what he has picked up in all his years in the field.

Tips include practical, down-to-earth advice on choosing equipment, premises, hiring help, projecting a professional image, leveraging on social media, photo retouching, and navigating some of the pitfalls of the job. Photos from Kid's past and him on the job brings his story and career to life.

"Success stems from many things," he wrote. "Luck certainly plays a role and I have indeed been very lucky. I've had some great mentors who guided me along the way. And I also created some of my own luck by being willing to do all the small little things that needed to be done along the way."

Maybe getting this book could be one "small little thing" you can do if you're considering the life of a professional photographer.

Kid Chan's Guide to the Business of Photography will be launched some time in June and will be available at all major bookstores.



Kid Chan's Guide to the Business of Photography
Kid Chan
MPH Group Publishing
191 pages
Non-fiction
ISBN: 978-967-415-121-8

Buy from MPHOnline.com

Thursday 30 May 2013

Wandering Woman

Reading some of the tales in this book, one wonders why Zhang Su Li does the things she does to herself. But I suppose that - and the honesty - is part of the book's charm.

Way back in 2007, Marshall Cavendish published some of Zhang's travel tales in a collection called, A Backpack and a Bit of Luck. Some months back, more stories from her travels in Malaysia appeared in another travel story collection, Sini Sana ("Here and There" in Malay).

The boss would know the details about why Zhang wants to republish A Backpack with MPH. For me, it was a chance to read the book for free, after hearing about it for so long.


Old trails, revisited
Zhang had been a copywriter for years, and it shows. Occasional flashes of what I would assume is literary flair shows up in the book. Colourful, vivid descriptions attempt to put the reader in her shoes as she trots, hikes, stumbles and saunters her way through life and the exotic locales in the collection.

A showcase of her talent can be found in her (mis)adventures as an apprentice Odissi dancer in India, which is worthy of its own staged epic and takes up over a third of the book. What is perhaps the best story in the book also captivated a fellow editor.

For Zhang, the classical Indian art is physically, emotionally and spiritually demanding, particularly the physical part: "In learning Odissi, you become aware of the muscles you never knew you had," Zhang writes. "You also have to disregard the bones you always knew you had."

She describes the sights and sounds from an Indian roadside that conjures all the mental images and feelings needed to fill in the blanks.

Vivid memories of standing by a roadside littered with rubbish, cows, donkeys, pigs, dogs, crows and peacocks, barefoot children in rags with lice in their hair, snot down their noses and possibly somebody else's wallet in their pockets. A dog was dying on one side of the road. On the other, a cow was giving birth. Children were laughing and crying. People were chatting and quarrelling. Animals snorted, barked, mooed and squawked. Cars. Vans. Buses. Motorbikes. Bicycles. Honking their horns and ringing their bells. Swerving around the mobile landmarks and carcasses of small unidentifiable animals. At remarkable speeds, with impressive accuracy.

India is a land of extremes, from her point of view. Living and learning at her Odissi guru's neighbourhood at the New Okhla Industrial Development Authority (Noida) in Uttar Pradesh was, I take it, an enlightening experience that builds character, nurtures the spirit and sharpens hyperbole:

Only God knows why in India, there is no such thing as medium, or 'just nice'. On a scale of one to ten, all the numbers from two to nine seems to be missing. In winter, the water is so cold your tits get numb just looking at the bucket.

And isn't it just like a copywriter to anthropomorphise dust? Indian dust, to be precise:

The seams of my mobile phone were packed with dirt no matter how often I tried to clean it with the edge of a fingernail. Anything with a screw top ... oooh, baby ... here they come! Flat surfaces are just too easy for them; they're already occupied by less ambitious dust particles anyway. ... Nothing, nothing, nothing escapes the clutches of Indian dust.

Not all adventures are as action-packed, dramatic or memorable. Zhang appears to find Helsinki boring. The city boasts a Stockmann's departmental store that seems to have become a reference point to all other places in the city. But even in a squeaky-clean utopia of a Scandinavian city, she finds a silver lining:

"Excuse me, where's the railway station?"

"You go past Stockmann, turn left, then past the traffic lights, and take a right..."

Or, "Excuse me, how do I get to the Pyramids of Giza?"

"You go past Stockmann, and you turn right, and..."

Or, "Hello, where can I get a large rubber hose with fur attachments to hit myself on the backside with?"

"You go past Stockmann..."

...Aww nuts, she's just being cheeky. The fur-augmented rubber hose didn't happen ... right?

But if there is a place where Finns can indulge in their own Fifty Shades of Grey fantasies, their country isn't all that boring.


Meet, greet and (maybe) eat
Zhang's penchant for travelling and talking to strangers may have begun when, as a schoolgirl, she met an old British chap who was posted to Malaya and had lunch with him at his home. This pattern of meet, greet and eat would repeat itself at various points in her life.

During a Kruger Park safari, she 'cures' a travelling companion of 'malaria' and, later, helps raid an ostrich nest at a farm in South Africa for a monster-sized sunny-side-up.

Job searches in the UK lead her to quirky and often charming characters in a British pub and its landlady's peace-making custard cream biscuits; and a gambling den and its greasy, chauvinistic manager's "turkey stew" ("Tin 'a turkey roll, baked beans, mix 'em together." Then, keep it in a safe for one night. Eww.)

A flat tyre along a dark silent highway ends in a late-night tom yam and lessons on patience, humility and the kindness of strangers. Answering a call from another kind stranger while searching for Atlantis in Santorini nets her some salt-cured sardines, ouzo and an olive-branch wreath for protection.

At a cemetery in Vienna, she toasted marshmallows with an old bag lady. And a throw of the dart sends her to Myanmar on a bumpy cross-country bus ride to a feast of salad, fried bugs and sago palm worms.

Not bad for a former student at an English school who's terrified of earthworms. Come a long way since then, she has.

And there's more where that came from.

Poignant, funny, punny, a little pugnacious and kind of fun, Zhang is not shy about her own shortcomings even as she strives to overcome them, documenting every misstep for our entertainment and education.

So go on. Pick this up and find out what one phone call, a swing of the steering wheel or a knock on the door can lead to. You might be surprised.


Zhang Su Li's A Backpack and a Bit of Luck will be republished by MPH, plus some edits. Copies of the original Marshall Cavendish edition may still be available at bookstores.



A Backpack and a Bit of Luck
Stories of a Traveller with No Sense of Direction

Zhang Su Li
MPH Group Publishing
285 pages
Non-fiction
ISBN: 978-967-415-866-8

Buy from MPHOnline.com

Monday 27 May 2013

News: Open Letter, Blurbs, And Amazon Kindles Fanficdom Fire

A certain blind Socialist woman penned a letter to a bunch of German university students in 1933 who planned to burn some books, including hers. That was the year Adolf Hitler became the German Chancellor, by the way.

"History has taught you nothing if you think you can kill ideas," it begins. "Tyrants have tried to do that often before, and the ideas have risen up in their might and destroyed them."

Not that she's unaware of the issues behind it. "I acknowledge the grievous complications that have led to your intolerance; all the more do I deplore the injustice and unwisdom of passing on to unborn generations the stigma of your deeds."

That this blind lady sees the value of and appreciates what some of us take for granted: ideas and letters on a page should shame book-burners everywhere and through the ages.

What? You've never heard of Helen Keller?

Okay, what else?

  • Amazon has started a publishing model to crowdsource fanfic. Authors Malinda Lo and John Scalzi has some thoughts about it - few of them good.
  • Beth Hayden over at Copyblogger on why writing is scary, and why writers must write through fear. "If we let fear stop us, our content will have no spark, no life. And everything we write will be completely unremarkable."
  • "Do snippets of inflated praise on dust jackets make any difference to potential readers standing in a bookstore? Is anyone buying Benjamin Percy’s werewolf novel, 'Red Moon,' because John Irving called it 'terrifying'?" Book blurbs are "terrifying", Ron Charles suggests.
  • How a writer used Wikipedia to buff his ego and settle scores - and cast more doubt upon Wikipedia as an online info source.
  • After doing some homework, restaurant critic Jay Rayner eats crow over a past outburst over food miles. This is why Rayner deserves respect, even if he is a little shouty and abrasive.
  • Why literary criticism still matters. I know I'm beating a dead horse.
  • A farmer in the US explains certain questions you shouldn't ask at farmers markets in the US.
  • Nationalist politics in China's film industry is kind of ... worrying.
  • Manila's city chairman roasts Dan Brown for calling the capital the "gates of hell" for its "six-hour traffic jams, suffocating pollution [and] horrifying sex trade" in his latest book, Inferno.

    Some commenters on the original news report, however, say that Brown, who is reputed to be fond of re-interpreting history and science to suit his plots, was kind of spot on about Manila in that book.

    So, I guess he won't be helping much with Filipino tourism as much as, say, Florentine or Venetian tourism.

Sunday 26 May 2013

Lost, Then Found

first published in The Star, 26 May 2013


♪ ... we are poor little lambs who have lost our way
Baa, baa, baa! ♫


In those lines from the opening sequence of the old TV series Baa Baa Black Sheep (aka, the Black Sheep Squadron), one feels all that's heroic, heartwarming, harrowing and horrific in World War II. The book I'd finished in just one night had the same effect, albeit with a few chuckles.

While rummaging through old newspaper archives, former journalist, and now professor of journalism at Boston University, Mitchell Zuckoff uncovered lots of hidden gems. One of these became Lost In Shangri-La, an airplane crew's story of survival and salvation in the dense jungles of Papua New Guinea during World War II (which I reviewed in 2011).

Now Zuckoff is back with another, similar epic: Frozen In Time. This time, he became more involved with the story he was writing, going so far as to visit plane-crash sites in freezing cold weather and giving a stranger his credit card. The things authors do to write books these days....

Greenland, according to Zuckoff, was a source of natural cryolite, used in processing the aluminium that went into American and Canadian warplanes during World War II. That, and Greenland's potential as a staging area for a blitzkrieg-style attack on Europe, led to the US setting up bases there.

Greenland was a tough posting. It's cold, of course, and layers of snow hide deep gaps in the glaciers underneath. When fog or a storm rolls in and covers the horizon, the ground becomes indistinguishable from the sky. Even experienced aviators can't tell which way is up when caught in this hazardous phenomenon, known appropriately as "flying in milk".

This book is about not one but three plane crashes. In 1942, the crash of a C-53 Skytrooper in Greenland sent planes in the air in a search operation. One of those planes, a B-17 bomber, crashed while searching for the C-53. Much of the story revolves around the crew of this B-17.

Unlike Zuckoff's other war tale, some of the people involved perished trying to rescue the victims. One of the rescue planes that didn't make it home was a Grumman J2F-4 piloted by Coast Guard members Lieutenant John Pritchard Jr and Radioman First Class Benjamin Bottoms. The plane, also known as the "Duck", crashed while carrying a crew member of the crashed B-17.

Zuckoff not only unearthed the story of the three planes and their crew, he also learned about the people who were trying to bring the Duck and its crew and passenger home. To write a complete account of the three plane crashes, the author joined the 2012 quest to find the Duck.

As I see it, the "Duck Hunt", as the search was called, was primarily driven by two figures. Zuckoff is wary of photographer and explorer Lou Sapienza whose "default posture" reminds the author of a certain windmill-tilter, especially after Sapienza gets him to pay for a shared taxi. And "Don Quixote" wanted Jon Krakauer (of Into Thin Air fame) to write this story. The other guy, retired Coast Guard captain Tom King collects Coast Guard relics to preserve them and keep them away from profiteering wreck-hunters. As Grumman Ducks were rare WW2 planes, the Greenland Grumman may be worth several million.

Tom King has another, more personal reason: "I don't want to see John Pritchard's wallet being sold on eBay."

Those who read Lost In Shangri-La can expect a similar kind of narrative from Zuckoff here, except with even more testosterone. Imagine Band Of Brothers set in an icy landscape and made by National Geographic. There's plenty of drama to keep the pages turning, and heaps of background information to slow things down, too. Zuckoff has done his homework, as attested to by over 20 pages of source references.

As we follow the travails of the B-17 crew and their rescuers amidst dangers that lurk in the white, we are taken back to each major character's beginnings in relatively fairer climes and times and told how they got to Greenland and, later, learn of their ultimate fates.

Back in the present, we see how the search is hampered by inaccurate maps, a lack of thorough planning, expertise and funding, a clash of personalities, and the harsh Greenland winter.

Zuckoff helps out by giving Sapienza cash and, later, his credit card number. "In no time, Lou (Sapienza) blows past the limit I set." The author's sacrifices provide much of the humour in the latter-day part of this saga, for which I was grateful.

Too many names to mention this time around, as we go from the crash victims' makeshift weather-beaten shelters against the cold to the meeting rooms where creases in the Duck Hunt are being ironed out and, finally, what may be the Duck's final resting place.

Throughout his potentially quixotic mission to bring us the tales of these brave men – in the past and present – Zuckoff is at times asked, "How does the book end?"

Not in the way you would think. History buffs, however, will thank him for getting this story out of the ice.


02/01/2014: Amended this bit to clarify exactly who perished; people died in the plane crash in Lost in Shangri-La, not the rescuers.



Frozen in Time
An Epic Story of Survival and a Modern Quest for Lost Heroes of World War II

Mitchell Zuckoff
HarperCollins (2013)
391 pages
Non-fiction
ISBN: 978-0-06-226937-9

Thursday 23 May 2013

Reading 'Readings' Again

first published in The Malaysian Insider, 23 May 2013


For reasons I'll only divulge over coffee, I haven't gotten involved in anything related with Readings since 2011. But is the latest release of Readings from Readings 2 that bad?

Not really.


Collective camaraderie
Local poet, writer, and lecturer Bernice Chauly founded Readings about eight years ago. The "live" reading event, which usually takes place on the last Saturday of each month, is currently held at Seksan's, a house in Lucky Garden in Bangsar that landscape architect Ng Seksan turned into an art gallery and office.

When Bernice could no longer manage Readings, it was bequeathed to Sharon Bakar, a writer, editor and creative writing teacher. Readings has hosted more than 400 writers, from the man-on-the-street types to names such as Tan Twan Eng, Tash Aw, Hishamuddin Rais, Kam Raslan and Preeta Samarasan.

I've lost count over the number of Readings sessions I've attended, but it must've been somewhere between 10 and 12. Most of these took place on warm, often muggy Saturday afternoons. Trees provided little shade, and the breeze mostly stayed away.

The crowd is a mix as eclectic as the reader line-ups. Some were new faces who have never been published before, let alone read their work aloud in front of strangers, some of whom are formidable figures in writing and publishing.

For new or unpublished writers, Readings can be a launchpad to greater heights. Simply showing up and, maybe, buying a copy or five of the books on sale helps.

Because of the current state of the local writing pool, seasoned Malaysian writers, editors and publishers are eager to share and help grow local talent ― and they should be! Every achievement, every success story, no matter how small, is celebrated.


From Seksan's to the shelves
Coming out of over eight years of Readings, this second volume in the Readings from Readings series more or less lives up to its billing as a collection of new writing, and it's a gorgeous production, thanks to writer, poet and artist Shahril Nizam's unique touch.


Reports of their suckiness were greatly exaggerated


Many contributions are short, written as they were for their 15-minute time slot. Crafting exceptionally effective and powerful short stories is hard, so, kudos to those who managed to pull it off in this collection, like Chuah Guat Eng, who manages to channel the tortured mind of a child whose ignorance sparks a terrible tragedy.

For me, Fadz Johanabas's is arguably among the better pieces, as is Amir Hafizi's outlandish, rib-tickling paean-of-sorts to his dad which, one hopes, is not "fiction."

Even without the cadence of her calm voice, Lilian Tan's poems ― including the one about a stubborn raindrop ― manage to retain some of their potency. And how not to pity the poor girl in Cynthia Reed's tale of a makeover that ends badly?

This volume overall is a slight improvement over the first, with a good mix of new and familiar names. This would also mean that more will be expected from the third book, if it comes out.


Perils of podium to print
Translating the creative energy from people into a publication can be a dicey affair. There's plenty of that energy coming out of Readings, and even more potential. The people behind Readings and CeritAku are justifiably proud of what's coming out of their years of toil, and it's natural for them to feel it's all worth sharing.

As a collection of stories, it's lovely and well-crafted. No doubt a lot of work went into it, perhaps to make it representative (somewhat) of what Readings is and what comes out of it.

But like many multi-author short story collections, R from R 2's fruit-salad nature and the brevity of many of the contributions might also work against it. Not every writer's talent and voice can be effectively conveyed by a shortie.

In spite of frequent references to Malaysian identities, issues and idiosyncrasies, the "diversity of genres" from this "eclectic bunch" of writers is vast. Like a box of chocolates, certain flavours will be preferred over the others.

And it's likely that the newcomers' efforts will be unfairly judged and compared with those by the more well-known names, diminishing this book' significance as a showcase of new (read: previously unpublished) writing.

Putting poems in the mix without some form of segregation reflects the inclusive, freeform nature of the line-ups, but such a scheme doesn't translate well into print and the random appearance of genres tends to affect the reading momentum.

We can probably expect more Readings from Readings volumes, as the event marches towards its ninth year. Regardless of the reception given to this labour of love by the Readings people, they should be lauded, at the very least, for their efforts to bring the balmy, lit-filled weekend afternoon atmosphere at Seksan's to the world at large.



Readings from Readings 2
New Writing from Malaysia, Singapore and Beyond

edited by Bernice Chauly and Sharon Bakar
Word Works Sdn Bhd (2012)
206 pages
Fiction
ISBN: 978-967-10292-1-3

Tuesday 21 May 2013

Muslim Culinary Heritage

Proofreading this book was hard. I kept losing focus - and getting hungry.




The descriptions of food, ingredients and the chefs who made them kept returning me to my younger days and the nasi kandar I knew as a child in Penang: white rice, half a hard-boiled egg, and a chicken leg or breast, slathered with a spicy brown gravy that had the texture of sawdust.

But the flavours, the aroma, the spice, and the heat! I remember being hooked on it, and eagerly awaiting my father's return from work and the spicy package he'd bring home for himself and those in the family who could take the heat.


From the book: "Classic" nasi kandar which resembles my
childhood memories of it


I haven't had anything like it since arriving in KL about two decades ago. I don't know if it's still there...

Right, the book.

Usually, chefs write cookbooks, while academics write papers. It's perhaps the first time I've seen an academic write a (sort of) cookbook. Not credible? Not if the academic also cooks the food she writes about.

Wazir Jahan Karim, economic anthropologist, Distunguished Fellow and Founder of the Academy of Socio-economic Research and Analysis (ASERA) and Life Fellow of Clare Hall at the University of Cambridge, is also a Jawi Peranakan, one of the many Indian Muslim communities along the Straits of Malacca.

Heir to her mother's culinary repertoire, Wazir Jahan is also said to host really great dinner parties. It was during one such dinner that a guest, impressed by the food and table setting, suggested that she write and publish something about both.


Pictures from the book: murtabak maker (left) and guy with
sup kambing and roti Benggali


She has delved into the historical, cultural and societal aspects of her family's cuisine and, perhaps, found more than she needed. The result is Feasts of Penang: Muslim Culinary Heritage.

Her book, which took almost a year to finish, was based on favourite hereditary foods from Penang's oldest families. "There are many anecdotes in the book which trace the history and origin of these Muslim heritage foods within families and how they were invariably linked to the spice trade in Southeast Asia from as early as the 14th century," she told the New Straits Times.


From the book, also an old favourite: fried fish roe - delicious, but not healthy


Penang's 18th- and 19th-century Jawi Peranakan and Jawi Pekan communities were mostly English-educated. The women were leaders and educators who also did charity work. Using their unique culinary alchemy, they brought crowds to charity bazaars.

From her impressive CV and bits and pieces from this book, it looks like the author is keeping that tradition going.

She stresses that the book is "not a text on the 'anthropology of food' or 'history of food'", but "a narrative and personal search into Malay and other sub-cultures of Muslim cookery in Penang and to a lesser extent, the northwestern states of Peninsular Malaysia" that "tries to capture, through memory and anecdotes, the kind of plural Muslim culture of food which has emerged in this region."

It's also a huge book, loaded with facts about the Straits Muslim communities and their cuisine - the better to sate hungry minds and whip up appetites for the food itself. The author's own memories of food, family, community and heritage, along with an occasional dash of humour, add a personal touch.

Famished types will salivate at pictures of some of the dishes inside. The cuisine is divided into several categories, including herbs and spices, breads and breakfasts, rice, nasi kandar (so good, it seems, that it has its own category), cakes and puddings, and bridal table spreads.

From simple starters and cakes to complicated stews and curries, there is enough in the book to keep one occupied - whether one really want to try his hand at the recipes, or to reminisce wistfully on a weekend afternoon.

Feasts of Penang: Muslim Culinary Heritage is available at all major bookstores. The book is jointly sponsored by Think City Sdn Bhd, ASERA and the Al-Bukhary Foundation.



Feasts of Penang
Muslim Culinary Heritage

Wazir Jahan Karim
Nurilkarim Razha (culinary editor)
Rashidah Begum Fazal Mohamed (editor)

MPH Group Publishing
307 pages
Non-fiction
ISBN: 978-967-415-879-8

Buy from Kinokuniya | MPHOnline.com

News: Inferno in Hell's Kitchen As Farm-Lit Takes Off

Eight of the worst sentences in Dan Brown's Inferno will chagrin those who were hoping he'd dial down his signature tell-not-show style. But that's what sells millions, so why fix something that ain't broken?

While we're on the subject of 'bad' writing: Have some absurd quotes from Guy Fieri's book. ..."Fierifying".


Meanwhile:

  • Josh Ozersky's take on food writing/criticism can also apply to book reviews. Plus, bacon and grilling tips.

    Update: A rebuttal of Ozersky's suggestion that restaurant critics serve a more selfish agenda. "[Restaurant] critics, at least the serious ones, try not to pal around too much with chefs they might review," says Joshua David Stein, writer and editor of and contributor to all sorts of publications. "They aren’t the chef’s friend. They aren’t the chef’s enemy. They are the reader’s advocate."
  • Four kinds of author appearances, defined. Not every author wants to do a 'reading'.
  • Young adult novels are getting more sophisticated - and reaching more adults.
  • Goodbye, chick-lit; hello, farm-lit - where "a roll in the hay" can take place in real hay. Hey, hey, hay.
  • Book-hoarding behaviour now has a name: "tsundoku". Too close to 'tsundere' for comfort.

...What the heck did I just call this update?

Wednesday 15 May 2013

Lit And The Law Of The Jungle

Lots have been said about the review system on Amazon. It's not perfect, and next to no monitoring means all sorts of interesting input- (OMGZ, EA Poe's "The Raven" repurposed into a review of Tuscan Whole Milk!

But takedowns of products, driven by outrage or money, happen just as often. Maybe more often. More odious is the hiring of faceless online mercenaries in the effort. The bile in your veins must be really thick for you to do that.

As a reviewer, I have a personal beef with those who use feedback platforms in such a manner. Flooding a product's feedback section with lazy, lying, ill-informed 'reviews' - without even a look at the actual product - is destructive, unproductive and grossly unjust.

On top of it all, they're unconvincing and, in a way, taints what honest reviewers are doing.

I got a copy of the book to see if it was that bad. The one-star 'reviews' of it? All bull.

It is not an awful book, though I wouldn't call it great.

It is not a "far-left ultra-liberal" socialist manifesto. (What.)

It does not disrespect the Boston bombing victims. (What the heck?)

I've proofed even more error-ridden stuff.

The neurosurgeon in the book should sue for libel.

And would anyone with half a brain know if he was insulted?

And isn't it odd that some of the Amazon 'reviewers' five-starred almost the same things?

Only one error stood out after a casual pass: a name in a story appears to have two spellings. Several pieces feel rushed, written for its own sake with no apparent denouement. And several stories need better paragraphing - except maybe one.

I'm not defending the book or the publishers as much as I'm venting my spleen against the practice. I have made my feelings known about Amazon's feedback/review 'system', as well as 'reviewers' who think the number of posts on Tripadvisor, etc translate into power and authority. Unregulated feedback/review platforms are like mosquito-breeding swamps that need to be drained.

Tuesday 14 May 2013

News: MPH Warehouse Sale, Grammar, And Dan Brown's Inferno

MPH Distributors is having its annual blowout sale from 21 to 26 May, 8am to 6pm at its premises at 5, Jalan Bersatu, Section 13/4, 46200 Petaling Jaya. Come one, come all, and avoid all that post-GE13 unpleasantness.

And glad to see that Fixi is doing well.


Elsewhere:

  • "...it haunted my office for a decade in the form of a file cabinet labelled "DAB" – the Damned Africa Book. Into that cabinet I stuffed notes, clippings, photographs, character sketches, plot ideas, anything that struck me as relevant to the huge novel I wished I could write. I did not believe I would ever be writer enough to do it. So the files grew fat, in proportion to my angst about the undertaking." Barbara Kingsolver talks about that "Damned Africa Book", The Poisonwood Bible.
  • "Tourism is down in Florence by 10%, and if this new book does well, we will get that 10% back." Eugenio Giani, head of the city council of Florence, Italy, is apparently banking on Dan Brown's latest book, Inferno, to set the city's tourism industry ablaze. Never thought of Brown as a tourist site resuscitator.

    Speaking of Dan Brown: seems the translators working on Inferno had a taste of Hell because the publisher(s) wanted to keep a lid on the book before its simultaneous worldwide release. It's just one of some crazy ways publishers enforce a code of silence.

    Before I forget: here's twenty of St Dan's worst sentences, just in case you're wondering what to expect in Inferno - thank you, Daily Telegraph. After all, dude sells millions. Maybe half of that are editors and English teachers looking for case studies.
  • Candace Bushnell, author of Sex and the City, became a victim of a hacker who posted excerpts of her new novel online. Someone suggested (forgot who) that Bushnell use the hacking as publicity for said book but, hey, we can't all be like Paulo Coelho.

    Bushnell's case, however, is nothing compared to the angry reactions to how Charlaine Harris ended the Sookie Stackhouse saga. Death threats and suicide threats over the ending of a book? SRSLY?
  • The art of translation, examined via the response to Haruki Murakami's latest.
  • How different is book-signing in the digital age, and are signed e-books just as much relics as signed hardcopies? (the short answer is "yes", I think). Also: a brief history of the pantelegraph.
  • How John Scalzi packs for a three-week book tour. Even then, he admits he's no expert. Mary Robinette Kowal can pack as many days worth of clothing into a carry-on as I can, and still — unfathomably — have space for a ball gown."
  • Dude's writing about comics, but he brings up a good question: Will fretting over production details mean that professionals in publishing - editors, writers, book-makers, etc - will enjoy reading less?
  • The Guardian asks, "Is good grammar still important?" Comedian and author Charlie Higson spars with Daily Mail columnist and sketchwriter Quentin Letts over whether the grammar Nazis have had their day. Maybe some rules need not be adhered to, but here are some grammar rules 'everyone' should follow. Or not.

    Recent news about the ancient Egyptian pyramids makes the case for some flexibility in language. Thanks to their precise engineering, the expansion and contraction of the limestone blocks due to temperature changes led to the outsides cracking and eventually crumbling. Without room for improvisation, language may end up the same.
  • 'Discarded lines' from Robert Palmer's "Simply Irresistable". Sounds like parody because ♪ the writer sounds irascible, yeah yeah... ♫
  • This 7-minute, research-based workout plan leaves you with almost no excuse not to exercise. And here's a handy guide on storing your favourite foods. What to keep on the shelf, fridge or freezer. Not exactly book-related, but handy.

Monday 13 May 2013

Kampung Boey Abroad

Last January, I received an e-mail that began thus:

my name is boey, and a friend referred me to your blog, where i ninjaed this address.

i'm best known for my works on foam cups since they went viral 4 years ago, and ive amassed quite a following on my blog that i update 6 times a week, and i am actively promoting the book now, especially so in asia, because it is rather disheartening that my artwork is better known in other parts of the world, but hardly at all back home.

I ignored all the typos in the e-mail for some reason and looked at the attachments. It was good, like a rough version of Lat's Kampung Boy, but I had a feeling we wouldn't be able to publish it for him.

I replied, and then forwarded the e-mail to the distributors' office upstairs. He had to self-publish in the end, but at least they would help him bring his book into the local market - if they agreed to.

I don't think anybody saw what came next.

A year later, the book has gone for five reprints - with 10,000 copies sold or in circulation; made the best-seller lists of major bookstores; and landed the author spots on TV, radio and the papers, in print and online.

All of that happened because a) he made a good product and believed in it and b) kept knocking on doors. We just so happened to be around and ready to give him a break.

Perhaps it was for the best that he self-published it. Otherwise I would've been the one doing his author's note and wouldn't have let him call himself "handsome", even if many readers think so.

I'd like to think that this was a modest success story. As with all success stories, it's the protagonist who sets things in motion with the first step.



When he was a kid...

first published in The Malaysian Insider, 13 May 2013


Childhood stories. Most people wrote theirs; fewer have drawn theirs. But one thousand words is not easy to write, and a picture does not have to be too detailed to tell a good story.

Boey Cheeming's collection of hand-drawn childhood stories, When I Was A Kid, is an example of how simple lines and words are all you need to tell a tale.

Years back, I came across what looks like the blog of a young lady's (mis)adventures in life and love, comprising mostly of simple single-frame comics.

The artwork in Boey's collection is not much different. His avatar is easier to draw, however, and though his collection has more text, his roughly drawn figures fill in when words fail.

One should note that he's not afraid to speak or draw his mind. Nor is he inclined towards political correctness. Despite being advised to choke back the F-word numerous times during his book tours in Southeast Asia, one or two managed to slip past - without incident, I should add.

And some wouldn't like what he had in mind for his mom in her old age, though I personally saw one fan guffaw at it. His mom has read the book and is fine with it.


Okay, maybe she's not fine with everything


I guess there's a certain appeal in his honesty and irreverence, much of it all too apparent in his blog, where his own (mis)adventures continue online.

Even the non-graphic blog entries, all handwritten and scanned, are just as expressive. The handwriting, crossouts and assorted scribbles hints at a tendency to wear one's heart on a sleeve - or one's brain on a T-shirt.


Kampung Boey abroad
Malaysian by nationality, Boey went to school in Singapore before flying off to the States to do advertising at the Academy of Art University (AAU) in San Francisco.

He moved to computer animation, and eventually landed a job at Blizzard Entertainment(!) where he was an animator on projects such as Diablo II (!!) and Diablo III (!!!)

Before he found fame with his graphical autobiography, one of our country's crouching tiger/hidden dragon was known for gorgeous, intricate pieces painstakingly inked on styrofoam coffee cups with markers, from the first stroke to the last ("Wayward Boey comes home - for a short while", 02 August 2012).

He has since quit his job, and gone on a book tour, giving talks, meeting fans and signing copies of his book. He currently resides in Oakland, California and is working on his next book.


Poignant and punchy penstrokes
Though these are Boey's recollections, he promises that they will have you reminiscing about your childhood. Do you want to, though? It can be a tough question, and not just for those with difficult childhoods.

For most of us, when we were kids, childhood is a mixed bag, like Forrest Gump's "box o' choc'lutz" that should be partaken slowly and in small bites. Who knows what emotions a particular scene would evoke?


I've been to shops that looked like this


The sight of a well-drawn old-school Chinese-run sundry shop, for instance, returns the smell of dried goods, old rice and stale air to your nostrils. Then your eyes threaten to spill when you think of the days you badgered your parents for snacks or trinkets your adult self now recognises as unhealthy or frivolous indulgences - and feels awful for.

Other scenes from the author/artist's childhood seem familiar as well. Forced to do unsavoury chores? Yes, though burying dead birds is a breeze compared to whacking a trapped rat to death, which is harder than it sounds.

Fought with your younger sibling and got thrashed for it afterwards? Been there, done that. Felt your other talents were underappreciated because of your mediocre academic performance? So did I.

And hey, my grandma smoked too.

But it's not all about his parents or other people. Boey pokes fun at himself as well. In one chapter, he mimes kung-fu moves and gets teased by his mom. Another chapter sees his chubby tween self climb out of a pool with all the grace of a manatee. Getting chased and pecked by angry geese can be a harrowing experience for a kid, but he manages to make us laugh at that.

A friend who probably grew up a thousand miles away from any large body of water gawped incredulously when Boey told her that he used to believe that there were sharks in a swimming pool.

"I was a KID," Boey said defensively.

Weren't we all?

Boey calls his book a time-travel device and, in a way, it is. Combined with hindsight, a wry eye and the impious touch of his pen, he revisits his "mundane" growing-up years and manages to make it more interesting.

It's nice to think that, as he takes his trips back through time, the book becomes a prism through which he examines himself to see how much has changed since he was a kid and whether there's still room for improvement.

If it could do the same for those who read it, all the better.


When I Was A Kid is available at RM34.90 a copy and is available at all major bookstores. When I Was A Kid 2 is being Kickstarted.



When I Was A Kid
written and published by Cheeming Boey (2010)
183 pages
Non-fiction
ISBN: 978-0-9849786-0-1

Friday 10 May 2013

Shadows, Secrets and Starstone Spears

We wanted to get this out sometime last year, but one or two issues held it back. The art shift, for one.


Books one and two of The Jugra Chronicles


We couldn't get the illustrator for the first book to work on the second, but isn't the cover as lovely?


I've seen this kind of face before. Where, I wonder?


The long-awaited release of the second volume of The Jugra Chronicles begins three years after Miyah and village outcast Rigih rescue the former's younger brother from the clutches of a forest demon. Miyah, however, is seized by the demon instead and suffers a cruel curse.

Three years later, the denizens of Miyah's village, Tapoh, have largely moved on from the incident, though Rigih and Miyah's brother Bongsu remain the most affected by her disappearance. Especially the latter, who has been plagued by dreams and memories of things he doesn't remember experiencing.

An illustration from the book


One day, Malidi, younger daughter of the village chieftain and one of Miyah's friends, finds a bracelet of glass beads in the jungle. The item horrifies her sister and mother; they now believe that she, by picking it up, is under the spell of the penyamun, dreaded marauders who use black magic to ensnare their victims.

She is placed in confinement while a way to break the spell is devised. Like Miyah before her, she defies the wisdom of her elders and escapes, taking the beads with her. Then, she vanishes. Her disappearance leaves a cloud hanging over Tapoh, on top of rumours of a strange man-beast prowling the jungle with the penyamuns.

More potential trouble comes in the form of the Dutch and their interest in the natural resources of Borneo - a worry for the royal house of Tanjungputra.

Meanwhile, Bongsu's visions intensify, even as he struggles to forget his abduction and imprisonment by the forest demon. Heeding the advice of Nenek Kebaya, he seeks out Rigih, convinced that the time has come to find his sister and put the demon to rest.

It's not long before Rigih and Bongsu are joined by the young warrior Temaga and the headstrong Suru on their quest, which will take them to a hidden valley where the secrets of the man-beast, the dreaded forest demon and the Jugra bloodline, and the truth behind the penyamun will be revealed.

Who is Jugra, the legendary shaman and what are his connections with Rigih, Miyah, Bongsu, Nenek Kebayan, the demon, and the mysterious woman with the tattooed arms? Will they overcome the jungle's mortal and supernatural threats to find and rescue Miyah?


The second volume in The Jugra Chronicles, Rigih and the Witch of Moon Lake, will soon be available at all major bookstores.

Material for this series is by Tutu Dutta-Yean, whose repertoire includes fairy tale collections such as Timeless Tales of Malaysia, Eight Jewels of the Phoenix, Eight Fortunes of the Qilin, and Eight Treasures of the Dragon.

Art for this book is by prolific children's book illustrator Tan Vay Fern, whose vast body of work includes Hayley's Vegemania Garden and Hayley's Fruitastic Garden by Mohana Gill; The Zany Zebra, The Ugly Green Umbrella and The Xenophobic Xylophone by Wong Ching Hsia; and Dutta-Yean's Eight Treasures of the Dragon. Also, the cover for Wee Su May's Nine Little People Who Lived in a Chest.




The Jugra Chronicles: Rigih and the Witch of Moon Lake
Tutu Dutta-Yean
illustrated by Tan Vay Fern

MPH Group Publishing
148 pages
Fiction
ISBN: 978-967-415-085-3

Buy from MPHOnline.com

Thursday 9 May 2013

Late News: Bestseller Figures, Rejection, And A Publishing Miracle

Last week's general elections was definitely eventful, but it seems a new circus is forming around the aftermath. So I dropped the ball on what's been happening in the book/publishing thing. On top of several planned articles and work.

  • Another reality check for self-publishers.
  • Rejection sucks. So take that rejection letter, shove it and carry on writing.
  • How many copies makes a self-published book a bestseller? Some success stories share some figures.
  • "...simply publishing e-books is already a thing of the past...". The Rumpus interviews writer Miracle Jones.
  • Microsoft is thinking of buying Nook after the B&N division was sort of spun off from the main retail arm. If this sale goes through, TechCrunch thinks B&N and Amazon might as well stop competing over e-books.

Monday 6 May 2013

A New Quill For A New Year

They said they were revamping Quill into a lifestyle mag. However, I wasn't quite prepared for the new look, which was finally revealed last week.


The new Quill, not quite like the old Quill


It's like watching your prim-and-proper little girl grow up into Lady Gaga.

While book-related pieces will have a place in the 'new' Quill, expect to see more everyday stuff behind the covers. As this incarnation of Quill evolves, we hope to feature more great stuff as the mag finds its voice (because now everybody can contribute, not just authors and book people).




What you'll find in this issue:

  • With her new guide book on how to be a successful model, Amber Chia pays it forward. Find out how she made her name.
  • Stephen HB Twinings of Twinings Tea, talks about the beverage and the company, and shares his reading habits.
  • A note from Datuk Abdul Kadir Jasin of Berita Publishing on Tun M's Blogging to Unblock: A Citizen's Rights.
  • An excerpt from Adibah Amin's As I Was Passing II: "A laughter of eggs" and other odd-sounding collective nouns.
  • Chef Malcom Goh from AFC's Back to the Streets re-invents several hawker delights.
  • Strategies to start saving for one's retirement, from Yap Ming Hui.
  • An excerpt from Only 13 the "sordid sexposĂ©" about a young victim of Thailand's sex industry.

And more. It's still RM8 per copy and available at all major bookstores and news stands.

Monday 29 April 2013

News: Book Snobbery, Copyshop Capers, And "Am I Good Enough?"

Among 30 things to tell book snobs:

People should never be made to feel bad about what they are reading. People who feel bad about reading will stop reading.

...Stories, at their essence, are enemies of snobbery. And a book snob is the enemy of the book.

I suppose it's a fair point, but a world without book snobs can be potentially dreadful. Another point:

...Snobbery leads to worse books. Pretentious writing and pretentious reading. Books as exclusive members clubs. Narrow genres. No inter-breeding. All that fascist nonsense that leads commercial writers to think it is okay to be lazy with words and for literary writers to think it is okay to be lazy with story.

What about commercial writers who think it is okay to be lazy with story? Hate to trot out Fifty Shades for this, but there you go.

In other stuff:

  • A teacup whirlpool is being stirred in India over whether photocopying of textbooks will kill their publishers. An on-campus copy shop in Delhi University apparently drew the ire of several big publishers over photocopied material from some of their textbooks.
  • These famous quotes are grammatically incorrect - but only technically. Linguistic perfection is seemingly overrated when the message is the most important thing. Thoughts?
  • Books are said to be reviewed in The New York Times at the reviewers' own discretion - and that's the system. Probably the same story elsewhere.
  • How to write about nature. Probably not like how Nabokov does it.
  • The nine ways big publishers are like Big Pharma.
  • The Hitler diary hoax - how did it happen?
  • Words like "penmanship" and "fisherman" are gender-biased? For the love of...
  • Here's one question every new writer asks and wants answers to: "Am I good enough?" The next question then, is: "Do I wanna be 'good enough'?"

Monday 22 April 2013

News: Farmers And Some Boring Stuff

After the deluge of interesting news last week, things seem to be slowing down. Really slowing down. Or maybe I just feel that there's really nothing of note. Last week was also a downer, what with bombings, earthquakes and the rise of 'independent' candidates for GE13.

One would think that Feedly could help find more bookish stuff to highlight.



Urban women in US apparently flocking to greenmarkets hoping to get down and dirty with farmers. A natural progression, I suppose, after hot chefs.

...a 6-foot-1, strapping-but-married dairy farmer — a grandfather — tells of a barrage of texts sent from an all-too-regular customer, a green-eyed beauty in her 40s who was eager to milk their exchanges for more.

We could really have some fun if you weren’t married, read the first sext. Then came: Are you going to be at USG this weekend? What are you doing after the market today? Do you need somewhere to stay in the city?

Milking exchanges with a dairy farmer for more... love the phrasing. But OMG WATS WITH DAT PIC.

Well, it's interesting reading, isn't it?


Also:

  • A review of Michael Pollan's Cooked. It's more than applying fire or fermentation to a bunch of ingredients.
  • Tips on building a library on the cheap. Maybe #11 could be, "social networks"? People junk books all the time.
  • Miranda Richardson, actress and this year's chair for the Women's Prize for fiction, takes a hard swing at tall poppy syndrome in the UK. Meanwhile, Gaby Woods reminds us of another poppy who should be allowed to flourish.
  • Do you read author interviews to glean writers' tricks from them? There may be no such holy grail.
  • Has modern religion become a MacGuffin? A Q&A with author (and possible heretic) Peter Rollins about his book and how "'God' has fallen prey to our grasping, market-driven existence — just another shiny thing we acquire to make ourselves feel OK."
  • Randy Susan Meyers wonders whether readers owe writers $#!+. Of course they don't, but that doesn't stop some writers from being pushy. Self-promotion can go too far, like this author who thinks he may have 'predicted' the bombing of the Boston Marathon.

Tuesday 16 April 2013

More News: Ink, Steak, Tweeting 'Turk' And Inside The Kindle

  • Ancient ink says "Gospel of Judas" is "most likely authentic". Feel like some Lady Gaga now.
  • Of these ten ways self-publishing has changed world of books, not sure if "self-publishing brings happiness".
  • A 'letter' to Filipino immigrants from a Filipino writer: "We'll be here if you want to read us." Dawww. If not for the Filipino hacks (and their emotion-stirring eloquence) hating on us over Sabah I'd be all teary-eyed.
  • Of these eleven stories of book burning, most were perpetrated by warmongers and religious fanatics.
  • Cats reign on the Internet, while dogs rule in print. Two schools of thought on the matter: one involves attention spans, the other, human narcissism.
  • A profile of the People's Recreation Community, a tiny Hong Kong bookstore that holds a trove of books banned in China, illustrates (as if it's not obvious by now) just how futile book bans are.
  • Is English spelling is 'so messed up'? Doesn't feel that way to me.
  • I'm OK, you're okay, we're all O.K. The most annoying or blah non-word began as a joke and took on a life of its own. Is it among history's first memes?
  • When I Was A Kid II headed for Kickstarter. Is it too early to book a copy?
  • Jason Merkoski, former Kindle development team leader, dishes on e-books, personal data, and Amazon. His inside story on the Kindle was serialised in The Huffington Post: Part 1 | Part 2 | Part 3 | Part 4 | Part 5
  • Picking up Mahir "I Kiss You!" ÇaÄŸrı's baton is the Twitter feed of a London-based Turkish restaurant. I'm not sure if the mind(s) behind the edgy, witty Tweets are actual Turks or local sockpuppets. Feel free to follow them, but no kisses - they have knives.
  • Steak is "manly"? Try some blood in a gourd cleaned with cow piss, like AA Gill says he did. Apparently it's the same. Gill goes on to write more about steak, which reminds me: I haven't eaten that in years.