Love And Consequences

Looking at it, you wouldn't know that it has been heavily edited several times.

I'd wanted to put in more, but that would've given the piece a bias. So I had others look at it. They got rid of the oddly shaped, rough-edged parts.

Stunned as I was by what this girl did, I also wondered whether certain parties would use this case to highlight the 'dangers of Facebook' and push on with more efforts to combat 'online filth' and curb Internet abuse. This, in light of Facebook mulling whether it should let kids in - and why this could be a very bad idea.

What I also left out was that, for the 2009-10 period, Hispanic students made up the largest percentage (48.6%) of the total number of students, more than half of which were considered economically disadvantaged. One could, with some more reading, see that unwanted pregnancies and births and STD transmissions would occur more frequently within this group.

I'm no education or health expert. Nor do I have my own children. But I'm still frustrated and angry that, when it comes to the safety and sexual health of the young, we seemed to have either taken the hardline approach or dropped the ball entirely. So what if today's youngsters have access to more information? Smarter doesn't necessarily mean wiser.

But with issues, you often don't know what to keep and what to leave out - and when to stop.

Guess that's why I write mostly about books these days. At least a book has a beginning and an end. Issues can go on forever.

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Love and consequences

first published in The Malaysian Insider, 11 June 2012

"We're in love. I don't think what I did was wrong. How can it be when it is something personal between the two of us?" So said a 12- or 13-year-old girl who had slept with her 16-year-old Facebook boyfriend. Both families found out, and they made the news.

"She later confessed to the relationship ... but we decided to let it go," said the girl's brother. "They are still young and we did not want them to get into trouble with the law." The girl's family reportedly went to the press "to create awareness on what is happening to our youths these days."

I'm hoping at least one person was misquoted here.

Sex with a minor is statutory rape, a crime. If the family wanted no trouble, going to the press may not be a good idea. The girl's excuse that who she's in love with is a "personal thing" and that it's not "wrong" is an archetypal "liberal" defence conservatives love to tear to bits.


School of hard knocks
For those with a tendency to police morality, sexuality is low-hanging fruit: the youth's loose morals are caused by Hollywood, the Internet, etc. It is never our fault; there's a demon for everything. We're just doing what our good books are teaching us, like what they're doing in the US with what some call the "war on women".

The US state of Texas, which has among the highest teen pregnancy rates in the country, persistently pushes abstinence-only sex education programmes in schools while seemingly ignoring other aspects of sex ed such as contraception. This only makes sense if, according to Amanda Marcotte, the idea is to let teens deal with the consequences of premarital sex.

"At a certain point, you have to stop assuming it's an accident when you see politicians who, when given the choice between improving sexual health outcomes and punishing girls for sex, always choose the latter," she writes in Slate's XXFactor blog. The 2009-2010 student enrolment figures for Texas says there are over 1.2 million teenage high school students. Let's not forget about the teens who are not in school.

High teen pregnancy rates means a lot of young moms, and there are concerns about the state's "ability to rear, educate, and prepare all the little Texans" for their role in society.

Speaking of which...


Be fruitful and... overpopulate?
There were about 60 million Filipinos in 1990. That number went up about 50% in the last two decades or so. And it looks like its government is hard-pressed to accommodate the new arrivals - on top of its economic woes, corruption and sectarian tensions. Still, the topic of contraception is virtually taboo in the Philippines, where its bishops feel almost as if it's worse than murder. An attempt to introduce state-sponsored birth control measures last year was shot down.

"It's not the business of government to be promoting contraceptive devices," said Bishop Teodoro Bacani, according to the BBC. "It's like the government saying it will pass a law which will fund the promotion of pork-eating among the Muslims. Can you imagine what an uproar there would be among the Muslim population?"

Not all Filipinos agree with the good bishop. "I used to believe in the Church's teachings about having lots of children," said Clarita, a mother of ten kids, in the same BBC report. "But now I really think we should have family planning."

While it may not be their intent to punish rampant sexual behaviour, the Filipino clergy's intransigence on birth control sounds selfish, especially when the burden of the country's growing population is being borne by a state that still has no solutions to its all too earthly problems.


It's more than personal
Does the girl know what love is? I'm not sure, especially when adults can't figure it out, either. However, it takes more than a necklace or a hymen to seal a relationship, and 'taking it further' implies shared responsibilities in the future, as well as consequences should the relationship fail.

Sadly, of all the ways to convey this to our children, we seem to be taking the bully pulpit route: "Sex is bad, so don't do it." If that fails, blame the Internet, Lady Gaga and LGBT advocates, and blame the girl (while the boy slinks away unpunished), especially if she is pregnant or dumps the baby.

Could it be that youngsters aren't listening because we've stopped talking to them? What happened to plans for sex ed classes in our schools? Is that still on, or was the ball dropped due to complaints from concerned parents or teachers' fears?

We sure as hell need to start talking to them, like the adults we are, like the adults they will become.

And if they screw up anyway, throw the book at them.

News: Just Love, BookExpo and Nooking Books

Vatican says "No" to Just Love
The Da Vinci Code, Harry Potter, the Dark Materials trilogy, and now, Just Love: A Framework for Christian Sexual Ethics by Sister Margaret Farley, a nun and theologian. What's remarkable other than the book's topic, is that few knew it existed at all - until the Vatican raised hell over it.

The totally hip Ron Charles couldn't resist: "The Catholic Church delivered the nun’s treatise on Christian sexual ethics from the wilderness of obscurity into the promised land of fame. For any book publicist, such denunciation is an answer to a prayer. On Amazon’s Web site, 'Just Love' immediately ascended from No. 142,982 to No. 16."


Some BookExpo stuff
At BookExpo America, publishers lock horns over digital rights management. At a talk organised by Macmillan, sci-fi authors Cory Doctorow, Charles Stross and John Scalzi discussed the decision of sci-fi imprint Tor's decision to sell DRM-free books. Meanwhile, sneaking into the event are Chinese book publishers: NI HAO WE R IN BOOK-X-PO AMERICA, LOOKING AT UR MARKETZ.


Nookd!
Barnes & Noble, predictably, against the (allegedly) Amazon-aiding e-book lawsuit filed by the US Department of Justice, as well as the proposed settlement by the DoJ with regards to the alleged e-book price fixing by Apple and several major publishers. With news that digital copies of War and Peace in B&N e-readers were reportedly Nookd by sweeping Find and Replace function, maybe they should focus more on their own neck of the woods. Are we witnessing the birth of a new meme?


Other news

• Is there any reason for us to read, since we keep forgetting anyway? Short answer: Yes.
• Rules of storytelling by the company that made the 8-minute love story. A good reason to pay attention.
• Some news about new bookstore La Casa Azul and its owner's hopes and goals for the place.
• Unemployed and an expert on ... whatever? Write and sell an e-book on it. And here's how you can become an e-book superstar.
• An Israeli publisher stops accepting new writers to protest alleged bookselling duopoly in the country.
• Amazon buys Avalon, purveyors of romance, mystery and Westerns. A jungle's namesake encroaches further into the publishing ecosystem.
• Texas's abstinence programmes, apparently, enforce the view that premarital sex is sinful and punishes teens with its consequences.

When Labels Don't Stick

I was writing something else and this is what emerged. Originally meant for one of my end-of-week listicles, it just kept stretching and stretching... until I ran out of steam.

---

When labels don't stick

first published in The Malaysian Insider, 06 June 2012

Some time ago, Stephen Colbert's "Maurice Sendak-inspired" I Am a Pole (And So Can You) reached the top of the New York Times' list of best-selling "Advice, How-to, Miscellaneous" books. It also made Publisher's Weekly's list of best non-fiction.

Colbert is tickled. "A pole can't give you advice, it's pure fantasy," he cracked.

Yes, advice from a comedian on reaching new heights in life and work while staying on the straight and narrow? Tall order for a satirical book about a cartoon pole that's searching for a purpose in life - and bears a striking resemblance to the author. But maybe it'll rise to the occasion - who knows?


If the pigeonhole fits
Classification of titles has been a headache for anyone who deals with books and maybe movies and music. Particularly books, because every tome that's published has to have its cataloguing-in-publication (CiP) data registered with the respective countries' national libraries. Even this system isn't perfect, either.

Bookstores categorise books differently, too. At one bookstore's "Children's" section, some tween romance and Twilight-esque YA titles appear to be lumped together with picture books and Geronimo Stilton.

And what happens when it turns out that part or all of a non-fiction title was fabricated or plagiarised by the author? Should Greg Mortenson's books be shifted to the "Fiction" shelves or a new "Embellished Non-Fiction" corner?

Is it that hard to add a "Tween" or "Young Adult" category into the database? It could be, given the complexity in defining the database structure and all the possible attributes a book can have. But, Stephen Colbert... isn't it obvious that Pole belongs in the "Humour" section, or is there something I'm missing?


Not quite birds of a feather
With thousands of books published each year, bookstores, publishers and literary agents are hard-pressed to make their clients' books stand out of the sea of print, and we're not even adding e-books into the equation yet. So it makes sense for booksellers to take aim at specific demographics - a cheaper, more effective way of marketing. Hence, the need for genres.

Author Karen B Nelson suggests that readers who go for specific genres rely on this kind of pigeonholing to help them choose their reads, based on their needs and expectations. She also quotes English professor Dr Timothy Spurgin of Lawrence University, Wisconsin as saying that "as writers have become more and more interested in crossing boundaries and mixing genres, publishers and booksellers seem to have grown more and more determined to use genres as marketing devices."

But then, she asks, "...what about crossover books – the ones that could just as easily be classified in two distinct genres? Or those that shatter the whole idea of what a genre is supposed to be?"

Nelson recognises that crossovers are "a marketing department's nightmare, and every librarian's headache." The need for pigeonholing also affects authors. Emily St. John Mandel, author of The Lola Quartet, had some trouble defining it. She'd tried calling it "noir", which is usually associated with hard-boiled detectives, but what she was trying to do was literary fiction, with the usual trappings of noir.

"I think of noir as fiction infused with a certain sense of style," Mandel writes, "a certain darkness, an understanding of the essential unfairness and indifference of the world — this mysterious place we find ourselves in wherein terrible things happen to good people for no discernible reason — and an understanding that it's necessary to go on and continue to be honourable regardless." But does noir always have to be crime fiction?

And does sci-fi always have to entertain? Many tend to think so. But with productions such as Avatar, one can't be sure. Critics have pointed out how the film is but another 'noble savage vs civilised brute' trope. Some found the film entertaining but may chafe at the alleged morals spliced between the frames. And I believe that there's even a lesson in E.T. somewhere.

Writing in the Guardian, sci-fi writer Damien Walter argues that writers of what he calls "fantastika" with a more critical understanding of their genre create better, (maybe) multilayered stories than those who, I might hazard, merely pull things out of their hats.

One should note that Colbert and fellow funnyman and fake news commentator Jon Stewart are supposed to be entertaining, but because they peel open each news clip and point out the funny, misleading or outright lying bits in the process, they appear more credible than the news agencies themselves. Even the New York Times once pondered putting Stewart in the same league as the likes of Walter Cronkite.

So perhaps Mandel's interpretations and musings over noir may help her come up with something better, a sort of "literary noir". Which may not be a bad thing. Writing is, among other things, an art, and the tendency to stick to well-defined borders would make for a boring and sterile pool of literature.

In the end, what probably matters most to the reader is whether he'll enjoy the book, as Nelson suggests. And maybe the price tag.

Digested Peaches Gives Author Heartburn

Peaches for Monsieur Le Curé by Joanne Harris is digested in the Guardian. The resident 'reads digester', John Crace, apparently finds the book a bit too French. Could that piece have upset Ms Harris?

The Guardian's Digested Read, as I understand it, 'reviews' a book by (mostly) condensing the entire book into a 700-word parody of it using the author's writing style, plot and all.

Nor is Harris the first to complain. There was Jilly Cooper who, Crace said, complained to the Daily Telegraph about his treatment of her book, Wicked.

The Guardian's Digested Read, as I understand it, 'reviews' a book by condensing the whole book into a 700-word parody written in the book's style, which can be quite ...revealing.

"The primary goal is to entertain," Crace said in this look-back at ten years of Digested Reads, "something the book itself has often failed to do – but it's also intended as a (semi-) serious critique, for much of the fun is derived from clunky plot devices that don't work, pretentious stylistic tics, risible dialogue and an absence of big ideas."

Not an easy feat, according to Crace. "I read every word of every book I digest, scribbling notes on the pages as I go along. I can't afford not to because if I get something wrong, I'm stuffed."

Though the Digested Read has its brickbats, the response is largely positive. "I'm continually delighted – and astonished – by the number of writers who are more generous about my work than I am about theirs and get in touch to say how much they enjoy the column," he said. "Especially when it's someone else's books." ...Aha.

I suppose, as a writer, you'd be damn chuffed if a reader cared enough to "read every word", scribble notes, and "digest" your book in a way that really sums it up. If one can afford to be magnanimous, the effort behind a piece of criticism should be appreciated, even if it has an edge - or a hundred.

I can't see myself doing what he does, which is why I only - and will probably do nothing but - 'review' books.

Though Crace feels that "digesting" books for the Guardian may be a satirist's dream job, he acknowledges that for some people, it can be cruel. "Satire often is cruel, especially when it's accurate." Another thing to appreciate in an age of faltering credibility in the media.

No, I don't feel that the "digested" Peaches will affect the reading experience terribly. The archives will only be of interest to the curious who only want to know what a book is about without having to read it. It's a select list - names one thinks are more likely to survive Crace's digestive juices.

If you can't find the URL in the sidebar, go here and lose yourself in the Digested Reads archives for a while ... podcasts? I didn't notice.

You might as well join me. I don't think I'll be writing much for the next few days and I think you won't even bother dropping by until you're done.

News: Madeline Miller's Song, Book Prizes And Reviews

"Purple prose" gets the last Orange¹
Madeline Miller's debut, The Song of Achilles, drowns out seasoned voices to take the 2012 Orange prize for fiction. And here's Miller on why the classics deserve their revival.

Turns out the recipient of what would no longer be known as the Orange prize is a "breastplate-ripping romp" that "often reads like homoerotic slash fiction".

Somehow this 'revived classic' reminds me of the mouth-to-mouth Stephenie Meyer - among others - gave to vampire fiction. But maybe it's, you know ... a good book. Keep and open mind, keep and open mind...

¹ Idea from Ms Margaret Howie at the Bookslut blog.


The "B" word
ZI Publications will challenge the seizure and ban of the Malay translation of Allah, Love and Liberty by Irshad Manji (can't they keep the L-word out of this?), as well as the arrest of its director. It seems they may file several lawsuits against the authorities.

On a kind-of-related note, here's Salman Rushdie - of all people - talking about censorship. At least it's a topic he should be familiar with.

More recently, at the 2012 Telegraph Hay Festival, he talked about security and what is arguably his most controversial book. He also had this to say: "It's the people who love books that make them last, not the people who attack them."


Seeds of change?
Here's a review of Michelle Obama's American Grown, a book about a garden, eating healthy and raising healthy kids.

When the FLOTUS planted a garden in the White House compound, an agricultural lobby group reportedly wrote a letter to her reminding her of how Big Ag feeds America, etc. But perhaps, back then, they were not as worried about Americans turning to organic home gardens instead of commercially grown crops as the fact that the White House chef is Sam Kass.

And The Daily Beast thinks the "Obama-is-a-secret-Muslim" crowd won't be pleased that there's a recipe in the book for "braised pork shoulder".


Other news

• Oprah's Book Club returns with "Wild", by Cheryl Strayed. When Slate introduced a monthly books section, Strayed's was one of the books to be reviewed there.
• Terry Pratchett's Snuff gets PG Wodehouse prize. But what makes a classic - book prizes or time? A prizewinner ponders the question.
• Reading for the rushed: maximising reading times and motivation. May be good for bogged-down book reviewers....
• Can't write your book? Blook it, says Nina Amir.
• Giving the game away: Readers gnash teeth over Stanley Fish's spoileriffic piece on The Hunger Games. Fish justifies his piece.
• An essay on the future of book cover design. Would be better with a more straightforward layout....
• Ashok K Banker's remarkable childhood and road to publication. Would've loved to read more of that, though. Also: Indian author Rupa Bajwa on her second book, Tell Me a Story.
• Eight free, "terrible" titles show why Kindle is no writer's gold mine.
• Publishers Penguin and MacMillan hit back at e-book price-fixing charges.
• Five things they may be talking about at BookExpo America in New York City.
• Why the book industry hasn't suffered as much as the music industry - so far.

The Colour Games

What's this with Keeping certain characters 'in closets' - until they're more acceptable? And racist book covers?

Whitewashed! It seems the lead in Justine Larbalestier's Liar is a
person of colour, but it seems not everybody thinks that's okay....

I remember all that online bawling over the coloured character in The Hunger Games - and the urge to take a rolled-up newspaper to some crybaby heads. Infantile, for sure, but is it because of the readers' inherent biases or the market's?

A young adult writer dug around and came up with some stats, which show that, in 2011, "...90% of [YA novel] covers featured a white character, 10% featured a character of ambiguous ethnicity, 1.4% featured a Latino/Latina character, 1.4% an Asian character, and 1.2% a black character."

Also, female characters appear over-represented in YA books, at 79%. A fair number of these models are either in fancy dress, have part of or all of their heads missing, or - maybe - both. Characters with disabilities? "Zero."

Do note that in some charts the total exceeds 100% "because many covers feature multiple characters," goes the fine print.

So it does look as though writers, book designers and publishers are going for the more recognisable Twilight-ish mould, and change doesn't appear to be coming to the genre quickly enough. And the reactions to Rue's appearance in The Hunger Games film doesn't inspire hope that ethnic diversity in literature will catch on faster.

Cover of Ursula K Le Guin's Powers: the whitewashed Spanish
edition (at left) next to the final (English) edition

But even in heterogeneous societies, writers tend to plumb shallower depths for material: times, places and cultures from home. This is more so for many first-time authors writing stuff about themselves and their cultures and upbringing. This approach saves time, less for research and more for writing, talking book covers and spamming Facebook with work-in-progress updates.

Also: In places where race and religion are hot-button topics, a writer can get flak for 'misrepresenting' another ethnic or religious group even if the necessary homework was done and verified, because the writer is not an 'authority'. Who wants that kind of stress?

So the writer falls back on the old and familiar, forsaking the chance to explore topics and spheres of thought outside his box, either out of expediency (or laziness) or genuine concerns over his career, reputation or even his life.

One can argue that readers today are more sophisticated, mature enough to accept literature that mirrors real life, one that's becoming more ethnically diverse. That depends on the writer and whether he's writing for a certain audience. Whatever ambitions a writer has for his work, publishers care most for the bottom line (and not having to deal with the censors). The resulting compromise may not be to everyone's liking - that's something audiences will have to swallow.

Besides: When I need a dose of reality, the last thing I'd turn to is a YA novel. And the current reality of YA novels is dispiriting enough.

Reading List Update

I think I may have skipped at least one reading list update, but only because I felt the books didn't need much talking about. I've already reviewed one of the books in that missed update, anyway. And I'm beginning to get tired of the tedium.

From the few pages I've glimpsed, however, these two look promising.

• Beautiful Ruins
  Jess Walter
  HarperCollins (June 2012)
  337 pages
  Fiction
  ISBN: 978-0-06-192812-3
• We Are Anonymous
  Parmy Olson
  Little, Brown (June 2012)
  498 pages
  Non-fiction
  ISBN: 978-0-316-22765-0

So many items on my growing list of (non-mandatory) reads have not been read or reviewed yet.

But I still hope that these updates are the kick-in-the-butt I need to go through it.

News: Banned Book, Barbed Pens, and Stupid Sugar

No liberty or love in bookstores
Irshad Manji's Allah, Liberty and Love is officially banned. Well, that was quick. ...Wait... no, they weren't...

"The English version of Irshad Manji's book, Allah, Liberty & Love, has been published since June 2011 and there has been no issue taken with the book... until we published a Malay translation of the book (Allah, Kebebasan & Cinta)," said Ezra Zaid, director and owner of ZI.

Of course, that's assuming that the book had been in the country since June 2011, something I'm not sure of.

Food critics speak out
At the Guardian, Jay Rayner wonders why people love bad reviews - except for the victims. Speaking of bad reviews: has therapy and fatherhood mellowed out Giles Coren? Short answer: Not really.

Other news

• Tales of a Taiwanese author's struggles with Chinese book piracy made me think: imagine what he'd have to endure if Taiwan was part of China - probably more of the same.
• Crushed Mexican Spiders from crowdfunded publisher Unbound makes Britain's 2012 Fiction Uncovered list.
• Sober up. The path to self-publishing is not paved with gold.
• An engrossing essay about William Alexander Morgan, Cuba's Yankee comandante.
• The question being asked here seems to be: Are authors writing bigger books - and padding them with research - for purpose and pennies?
• Walter Cronkite not so trustworthy after all, says this biography.
• "You wait 55 years for a film of On the Road ... and then they go and cast the girl from Twilight." Ha.
• Confirmed: Sugar (or more precisely, high-fructose corn syrup) makes you stupid. But omega-3s can, it seems, save your brain. Always good to know.

Family Business

This book was great. That surprised me. And I didn't have to read the previous novels. My liking for this book doesn't really show in this review, and I didn't plan on writing so much about it. Once I started, however, I couldn't stop.

---

A dying breed of crook

first published in The Star, 27 May 2012


Apparently, Paramount Pictures had "allowed" the release of The Godfather Returns in 2004, the sequel to the original Godfather novel. But the next sequel, said to have been released without Paramount's knowledge in 2006 by the estate of Mario Puzo, reportedly didn't do so well.

Perhaps that's why Paramount, which claims it has rights over the Godfather franchise, sued to keep The Family Corleone, the "unauthorised" third book and possible bomb, from publication. Anthony Puzo, son of the late Mario and executor of his dad's estate, responded with a countersuit. A deal has since been struck to allow the book to be published, but nobody can be sure if there will be lasting peace between the two parties.

That's another book – or movie – by itself, but I'm talking about The Family Corleone today. It's a fine book, and it made me wonder if this legal battle is really about protecting the "legacy" of the franchise.

Set in the years 1933 to 1935, the prequel to The Godfather charts the rise of Vito Corleone from olive oil tauke to godfather of the New York crime families. A lot of this book also tells how Santino "Sonny" Corleone, Vito's impatient and reckless eldest son, came to follow in his father's footsteps.

Said to be adapted from unpublished material written by Puzo, it is divided into two "books" or arcs. "Mostro" (Monster) explores a bit about Vito and Sonny's pasts and how the latter, as a kid, came to know about his dad's other business. Years later, he's head of his own gang and shows how he's unlike his old man by robbing the liquor shipments of a powerful mob boss and selling the fruits of one such heist to the monster of this arc, the violent psychopath Luca Brasi.

The "Guerra" (War) arc kicks off soon after Vito finds out about Sonny's extracurricular activities, and that's when things get bloody for the Corleones and everybody else.

(I know some of you reading this online probably have or are going to open an extra window or tab with Wikipedia on, so I won't be telling you anything else about the plot. But I got help for the two Italian words from the glossary at the back. Thing is, 'bout half of 'em are swear words.)

The novel has a cinematic feel to it. Even the narration occasionally lapses into the informal lingo many of the characters use, lending it a certain warmth and familiarity.

Sprinklings of Italian add flavour to the delightfully engaging dialogue, from the Corleones' dinner table conversations and the salty, profanity-peppered exchanges between Sonny's gang members to the tense gangster round table conferences and "interrogation" sessions.

These guys are witty, charming and friendly. They can also pop your kneecaps or lop off your hands one heartbeat after you answer, "Oh, mother's fine, and the kid brother's in school, thanks for askin'." That being said, reading these guys lob racial epithets at each other, even in jest, can make one uncomfortable.

It's the closest you'll ever get to "watch" it, at least until the film adaptation comes out, if at all. Any other style wouldn't do.

Being what it is, there are some uncanny moments. At one point, Vito pays Luca Brasi a visit, seemingly unarmed and alone, and comes away unscathed. Several other characters escape death because of some unwritten code of honour or character quirk and stuff like that. But that's the stuff gangster movies – and novels – are made of.

Kudos goes to Ed Falco for his work on this novel. Incidentally, he's the uncle of Edith "Edie" Falco, who acted in The Sopranos, the TV series about an Italian-American mobster and his family.

I find myself thinking, though, whether the Mafia is still good grist for the fiction mill in the 21st century. What's the deal with mobster-inspired crime fiction, anyway?

So I look up a former chef turned author, who suggested in an essay that "...for purposes of fiction, organised criminality offers plenty of drama, ... plenty of situations in which characters find themselves in extreme circumstances with presumably difficult choices to make." Chef-Turned-Author also said that "All the real gangsters have seen The Godfather, One, Two, and maybe Three. They've seen Goodfellas. And these films made a powerful impression." No better seal of approval than that.

I suppose the kind of drama associated with the old-time gangsters offer writers opportunities to paint convincing psychological portraits of what would be complex characters that audiences can connect with. Another appealing aspect of such works, goes another school of thought, is the notion of honour. One tends to believe that it's Vito Corleone's conduct that inspires his capos' loyalty to him, a valuable asset in the long run. Who wouldn't want to work for a boss like that? Or be a boss like that?

But the Corleones' era seems to be over. And there are more bad guys out there now: religious fanatics, computer hackers, evil scientists, ecoterrorists and maybe even rogue Wall Street elements, plus a new breed of gangster who's all about bling, turf and power, and not much else.

Though some may feel that the novel's release is just business for the Puzos, I'd like to think that it has emerged as one last encore by the titular family whose on-screen exploits will, perhaps, forever remain legend. And what an encore it is.

Viva i Corleone.

---

The Family Corleone

Ed Falco
Grand Central Publishing (May 2012)
436 pages
Fiction
ISBN: 978-1-4555-1616-2

Coming Soon To E-Readers?

The book trailer. Is it the next big book marketing tool?

Take a gander at these teasers for Amish Tripathi's Shiva Trilogy. And here are some teasers for The Secret History of Elizabeth Tudor, Vampire Slayer. How about this nifty video for Scott Westerfeld's Girl Genius-like Leviathan?

Compare these with the promotional videos for the next big sleep-killing app of the year. Aren't they all kind of ... elaborate for what are book previews? And don't you think Blizzard Entertainment should totally go into movies, instead of pretending to be a games company?

Author AJ Walkley, for one, appears to like the idea of a book trailer. For her, it's one more way of selling a book, and she can get her videographer and musician friends to help her make it, preferably at lower cost and, ideally, at much higher production values.

Walkley cites another author, Rex Pickett, who makes the case for book trailers with culture. Good short videos nab attention, as they should in an age where everything is getting more and more visual, and a book or series with its own trailers tend to stand out from the rest.


Showpiece or showboating?
Of course, there's a tendency to overproduce a book trailer, which in turn may foster unrealistic expectations for the book later on. And, well... book trailers don't quite showcase the actual product, which is mostly text. Many responses to some of the book trailer videos I've seen have called for a film adaptation to be made.

"Trailers for movies make sense — a visual medium for a visual product," Walkley says. "If you aim to read a book, why do you need anything more than the synopsis of the book before you know whether you want to read it?"

A commenter who claims to be "one of the pioneers of book trailer production" makes several good points about video as another medium on the Web and the proper approach to book trailers. I broke up the latter half into more paragraphs:

I understand your impulse to over produce your book trailer but in doing so you run the risk (as you learned) of misrepresenting the experience. My approach is generally — less is more.

As a producer I do not want to substitute my images for the images that the reader will conger themselves. I want to use video to suggest the experience that the book promises. The trailer should not interfere with the relationship between the author's words and the imagination of the reader. Whenever possible I like to draw from the book's cover and any illustrations the book might have. Beyond that the images should be suggestive and not explicit.

I don't think trailers can convince me to buy a book. It was, however, the visually arresting previews of Tripathi's books that got my attention. This was how I'd learnt of the trilogy's existence, though you'd need to watch each video to see that, oh, they're pitching a book and not a film or a video game.

But I think some parts need more research. From the trailer for the second book in Tripathi's Shiva trilogy, Secret of the Nagas, segment 0:23:

Is that a European-style longsword in ancient India? And what's the
Dark Wanderer from Diablo doing there?

With books going digital, a book trailer might make more sense if it's embedded in the e-book itself as a preview for an author's next book or, if the book is part of a series, the next volume. Not too different from the preview chapters at the back of printed books.


Let it be good
I can imagine the kinds of other video previews that could go into the last few 'pages' of an e-book: author notes, spoken by the author himself/herself; promotional skits, outtakes, maybe ads (though I wish there wouldn't be). Maybe a link somewhere where they can open a page and write an Amazon review and put it up, or post their thoughts immediately on Goodreads, Facebook or Twitter. Maybe, on some kind of Foursquare-ish app for books, an automatically updated status.

Collaborative efforts in producing book trailers, such as in Walkley's, would also mean more work for other indie film, digital animation and music sectors. The book trailer in this case becomes a showcase of the moviemaker and musician's respective talents.

But let's have creative, good-quality video content, please. Blurb- and back cover copy-writing may fade away with print, but the need for quality is a constant. And what matters most is the book itself.

More News: Sedaris, Screen Adaptations and Taliban Poetry

• Naked lies: David Sedaris, fabricator? Yes, I know it's The New Republic. I'm sorry.
• Can anyone still be optimistic about the future of "serious pubishing"?
• Two books are coming to the silver screen: Jeffrey Eugenides's The Marriage Plot and Anthony Bourdain's Bone in the Throat.
• 25 famous rejections - perhaps you've heard of some of these before? I think rejections might have helped some - if not all - of these authors.
• Did the late Steve Jobs spook publishers into accepting the controversial agency model for selling e-books?
• NO, one book a year in the e-book era is not "slacking". One book a year is plenty.
• "Jackie the Ripper!" Could the infamous Whitechapel serial killer have been a woman? This book claims she may have been.
• Catholic Church "is not an institution for respectable people", says Hilary Mantel. Ow.
• Taliban poetry. Is surprisingly good.
• Phil "Sussudio" Collins, former Genesis drummer, singer, actor and ... expert on the Battle of the Alamo?
• The pleasure of being read to: the history of audio books.

News: Liberty And Love, And Other Pressing Matters

JAKIM's latest book promo
A big piece of book-related news last week was Uganda-born Canadian writer Irshad Manji's talk at the Selangor Chinese Assembly Hall last Saturday, which may or may not have anything to do with the Malay translation of her book, Allah, Liberty and Love, published by ZI Publications.

Manji is also known for another book, The Trouble with Islam. She's director of the Moral Courage Project at the Robert F. Wagner Graduate School of Public Service at New York University, and founder and president of Project Ijthiad, a "charitable organization promoting a 'tradition of critical thinking, debate and dissent' in Islam." Her presence here and her book have, naturally, raised some hackles.

I don't know about the book, but the reporting bums me out. Like, is it such a big deal that she's a "lesbian Muslim writer"? So it seems her books are not only "dangerous" but, oh, horrors, she's reportedly also a le-e-e-esbian. Like that is all you need to know.

Here, read some thoughts about this, because I don't think I can add to the debate.

Before JAKIM raised the alarm, I'd never even heard of Irshad Manji (bad books editor, bad!) Now, everybody does. And if her latest book is banned, say, nine months from today ... what's the point?

Censorship and sensibility
The Quote of the Week goes to Jessica Crispin at Bookslut: "Okay, it's nice and all that someone is fighting back against these stupid decisions to pull books off of library shelves, but does it have to be this book we're rallying around? They still yank To Kill a Mockingbird, you know."

Word.

Something else the West didn't invent
So Gutenberg, apparently, wasn't the first to invent the printing press or movable type. Gunpowder, the compass, paper money and now these. I'm getting a bit sick of experts unearthing Things That Came Out of China While Europe was in the Dark Ages but the Chinese Were Too Dumb to Perfect and Capitalise On. Today? They copy everything.

More writer tips
Reading the fine print: editing clauses in publishing contracts. It's a lot more comprehensive than what we have here, which is, "Make my manuscript SHINE!" And the raw material isn't always good. Also, here are 11 mistakes writers make when approaching literary agents.

Future career plan?
This infographic on the birth of a book is one of the more realistic representations of the book publishing process. Just so happens, I like mutton and goat's milk. And, like goats, I like coffee.

You know I will. And this pic needs to be on a t-shirt.
Original picture here.

Think I'll looking for a goat farm to buy when I'm too old to type shit. I might even plant coffee trees on the premises, too.