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Thursday 17 October 2013

Another MPH Warehouse Sale 2013

It's back, from 31 October to 6 November, at this address:


MPH Distributors @ Bangunan TH,
No 5, Jalan Bersatu,
Section 13/4, Petaling Jaya
Call 03-7958 1688 for directions

Hours: 8am to 6pm


And here's a map:




If I remember correctly, there was another warehouse sale earlier this year. More books to dispose of this time? They already put up banners advertising the sale, so it should be happening.

And it'll be a bit different. For one, there's an Artisan Roast café nearby, in case you can't wait to get home and read your purchases.

Tuesday 15 October 2013

Some Afterthoughts

The fevers are gone, but my blood pressure is lower than usual, leaving me with low energy levels. Still filling up on supplements, probiotics, herbal teas (mostly chrysanthemum, with or without ginseng strands), and Brand's Essence of Chicken, in lieu of adding more fruits and veggies to my diet.

And, a couple of days from now, I'll be coffee-free for a whole month. I don't miss the taste and aroma, which feel alien to by partially detoxified body.

I miss my old, more energetic self, though.



Reviewing this book was a challenge, given how much exposure the press gave the author. It's not as if she won. And now some have started taking about burying hatchets (damn good time to forget where the links are) and how maybe, just maybe, critics shouldn't be too harsh with authors these days.

All things considered, I don't see myself as a 'serious' reviewer - not yet. There's still more of me rather than the book or author(s) in a review, mostly because it's easier to riff on one's emotions - did I like or dislike the book and why - rather than drilling down to the author's history, body of work and going off on possibly unrelated tangents.

One thing I believe some reviewers miss is - even though one may not be enough of an expert to critique instead of 'review' - asking why the author does what he does in a book or body of work. Apart from hitting the right spots with the hatchet and justifying that violence, anybody who reviews something should be curious enough to explore an author's motives where his work is concerned - and not inventing targets to attack.

At times, when I want to get a review out of the way, this becomes a blind spot. As it was when reviewing this book and several others.

"It's literature," I was told. "You can't simply judge it with your emotions."

Until I've read more books, my emotions are all I can go with.

So, no, I don't believe in burying the hatchet. There's still room for professional hatchet jobs, which can be fun to read.

I don't think I'll be writing those, however.

Monday 14 October 2013

News: Chabris vs Gladwell, Munro, And The Everything Store

Christopher Chabris has issues with Malcolm Gladwell's David and Goliath. Gladwell tells Chabris to chill the heck out.

"I was simply saying that all writing about social science need not be presented with the formality and precision of the academic world," Gladwell writes. "There is a place for storytelling, in all of its messiness."



Munro, Munro, Munro. Was her Nobel Literature win unexpected? Seems that way, judging from the sudden outpouring of affection after the announcement was made.

Meanwhile, Someone thinks that "No American author should win the Nobel Prize" ... and explains why that may be a good thing. I don't think so - why set limits? But yeah, why don't more Americans win the Nobel Prize in Literature?


Happening elsewhere:

  • Writer and inveterate wanderer Adrianna Tan is writing a book about travelling solo in India, especially for single female travellers, and she's crowdsourcing the funds for it. Help her out, please?
  • RIP Pulitzer Prize-winning Cuban-American writer Oscar Hijuelos.
  • Behold: Outgoing Microsoft CEO Steve Ballmer's buzzword-packed letter. Do not write like this.
  • A very brief history of @#$%&! How did the grawlix become a stand-in for swearing in comics?
  • The endearingly crabbit Nicola Morgan's guidelines on working for nothing. "...do it when it's right, but understand when it isn't."
  • I suppose if you're Andrew Wylie, who's published the likes of Vladimir Nabokov, Phillip Roth and Saul Bellow, you could get away with spouting one-liners in interviews.
  • From The Horologicon, some lost words that might be useful today.
  • The hidden library of Dunhuang, discovered about a century ago, and the effort to preserve what's left of its contents.
  • At the Frankfurt Book Fair: What is a publisher now?
  • OMG. Joseph Stalin was also an EDITOR? Explains a lot about him - and the profession.
  • Here's the incredible story of how Amazon became "the everything store", which can be found in this book . Not sure if I'd want to work there, considering how Amazon chief Bezos reportedly rebukes employees who annoy him: "I'm sorry, did I take my stupid pills today?" "Do I need to go down and get the certificate that says I'm CEO of the company to get you to stop challenging me on this?" "Why are you wasting my life?" Stomp, stomp roar, JB.
  • A new book suggests that the man who became Pope Francis secretly helped people during Argentina's "Dirty War".
  • How France is protecting independent bookstores. But is something missing from this 'protection'?
  • So, many of history's first artists were women? Cool.
  • Are TED talks overrated?
  • The Delhi University copy shop in the centre of a fight against custom-made "course packs" - "de facto 'textbooks' made of photocopied portions of various books" - by several publishers.
  • Former Granta editor John Freeman's five favourite books of criticism.
  • Do unsuccessful writers give better advice than the big names?
  • In this review of James Franco's Actors Anonymous, somebody asks, "Why does James Franco make people so angry?" Maybe the question should be, "Why are people having issues with James Franco?"
  • Some people weren't thrilled that Helen Fielding killed off Mark Darcy in her latest Bridget Jones novel. Several Bridget Jones fans in the UK tell us why that had to happen. In The Guardian, Rachel Cooke looks at the long literary tradition that states all single women must want to - gaaah! - get hitched.
  • Author-reviewer feuds on Goodreads force changes to moderation policy ... and confirms that human beings can and will convert any place into a battlefield.

Sunday 13 October 2013

Hard To Like

This novel was, like the title says, hard to like.

Once The Lowland was released, Jhumpa Lahiri was everywhere. It's like she already won the Booker. To not like the book seemed like a bad thing.

Then she says something like, yes, The Lowland is not easy to like.

But for some reason, I don't feel better.

Though there was, perhaps, a good reason why Gauri left her child and husband - which kind of makes sense once you piece the whole story together - I don't think it would've made me appreciate the book more.



Hard to like

first published in The Star, 13 October 2013


Shortlisted for the Man Booker Prize 2013, Jhumpa Lahiri's The Lowland is a multi-generational tale that tells of two brothers and what follows after the death of one.

Subhash, the older of the two, is the reserved, dutiful son – the opposite of the impressionable, adventurous Udayan. Yet the brothers grow up as part of a close-knit family in Tollygunge, Calcutta, during the tumultuous era following India's independence.

Then comes news of the Naxalbari incident in 1967 (police opened fire on a group of villagers demanding their right to farm a particular piece of land). The idealistic Udayan becomes a Communist Party supporter while Subhash, who wants no part in his brother's politics, eventually moves to the United States and becomes a scientist there.

The elder sibling receives updates from home on occasion. A picture arrives in the mail one day, that of his sister-in-law Gauri. Not too long after that, news of Udayan's death follows; the lowland near the family home is where he hid in vain from his fate.

Subhash returns home to Tollygunge for the funeral and learns that his brother was killed because of his involvement with the Naxalites. But was it his attraction to Gauri or the duty to his late brother's unborn child that drove him to marry his sister-in-law and take her to the United States?

Of course the union is ill-fated, otherwise this would be a very short book. In America, Gauri eventually abandons Subhash and her young daughter Bela. But, as they say, life goes on. And it really goes on and on....

This book is probably not a good introduction to Ms Lahiri's body of work, which includes two short-story collections praised by a colleague and numerous others. I wanted to enjoy this book but couldn't.

Earlier, I'd read a novel about displaced characters and felt comfortable with it, probably because they were created by a fellow countryman and, therefore, felt familiar and more relatable.

Lahiri's vivid depiction of the life of Bengalis in India and the United States is greatly helped by what she and her family had witnessed and been a part of – and is an exemplary showcase of her writing talent.

But I feel her kind of polished, flourish- and gimmick-free prose is better sampled in small doses. This is not a novel you'd want to relax with.

And, for me, Tollygunge is too far away in terms of history and geography – except perhaps for the Communist violence. Closer to home are the struggles of one who has to pick up the pieces after a loved one's untimely demise. Nearly all the main characters seem be struggling to fill the void carved out by the death of Gauri's husband.

The slow decline and passing of her parents-in-law is particularly poignant, a powerful admonishment to children who embark upon violent careers that might work for places such as India, where Naxalite insurgents are still active.

Most notable is Gauri who tries just about everything but can't seem to patch that Udayan-shaped hole. Her attempts to do so, culminating in her ditching Subhash and Bela, is responsible for dragging the melancholy across two generations and over 200 pages.

For me, the book's atmosphere finally lifted when, after a grown-up Bela tells a suitor about her past and why she can't be with someone, the dude says, "I'm not going anywhere".

A strong art-house-film vibe comes off this book, and it might find a second wind in the form of a silver screen adaptation (hello, Mira Nair!). The way The Lowland drags on, though, begs me to concur with another critic (I forget who) who wondered if Lahiri is only good at short stories. That would be unfortunate, considering her way with words.



The Lowland
Jhumpa Lahiri
Bloomsbury Publishing
352 pages
Fiction
ISBN: 9781408828113

Thursday 10 October 2013

Boey's Back

Something told me I shouldn't be reviewing this book, even as I thought, "Well, why not? I was honest about the first."


Yes, you can believe that


It's the first time this has happened to me, so I'm not sure if being blurbed in a previous book by the same author disqualifies me from reviewing his future book(s).

Most would say it does. If I like the latest book, it would look like I'm trying to help him sell it; if I don't I might sound 'inconsistent'.

By now, he's pretty much a celebrity. He doesn't really need a lot of help, not like when he published his first book. What I want to see now, more than his next book, is what he's going to do with his celebrity.



Boey's back

first published in The Malay Mail Online, 10 October 2013


I had waited weeks for this to arrive — and now it's here.

I turned a page. Hmm.

I turned another page. This is funny.

And another. Ha ha.

And another. Whoa.

And another. How did he get away with that?

And ... another. Oh my G*d.

I stopped myself from planting my oily face onto the page.

If I thought his hijinks in the first book were outrageous, the ones in this follow-up are more so.


Return of the kid
About a year has passed since Boey Cheeming first released his autobiographical compilation of comics When I Was A Kid — and his personality — upon an unsuspecting Malaysian public.

In the wake of the unexpected success of this book comes When I Was A Kid 2. The ending of his previous book suggested that the next one would be a sequel that explores his college years and adult life in the US. Instead, we get another collection of his childhood stories, an add-on to the first book.

Fans of his work will welcome this latest collection. We can expect the same style of art and storytelling, but the stories all look new. The tone, however, appears more sombre as the author leans more towards tugging our heartstrings instead of tickling our funny bones.

We smile, laugh, cringe, and shudder in horror at his childhood antics and, by proxy, at our own. While we still get some of a kid's wide-eyed wonder at the strange and new around him, like the time the author "touched a rainbow", we also see that the cracks around that innocent worldview are starting to show. In this book, "The Kid" that is Boey is beginning to grow up.

His remembrances of his grandmother brought me back to my own, as did his wonder over a simple bicycle ride with his dad, a prominent figure in this collection. I found his thoughts on toys profound and his memories of the slides at his childhood playground poignant. I think there's also some criticism about how kids these days are spoiled...


...and damn spoiled some of them are, too...


...which I'm hard-pressed to disagree with.


Hazy memories
However, the collection has some amusing moments to keep it from getting too maudlin; this is Boey we're talking about.

So I turn a page. I used to play with fire, too. Don't tell anyone.

And another. Ew. Good thing I didn't see anything like that.

And another. Yeah, I hated maths and physics.

And another. Crank-calling people? Duuude.

And another — OMG I WILL NEVER UNSEE THAT AGAIN DAMN YOU BOEY.

When one revisits the past, some things appear hazy. In WIWAK 1 some of the recollections were so outrageous you wonder if Boey made it up or remembered it wrong.

This time, we have notes from his parents at the end of the book that contain clarifications on some chapters such as "Terrarium" ("...mom and dad NEVER eat all these bird in wine.") and comments ("ADD & SUBTRACT - Not so interesting" and "Onion - Already on your face book [sic] last month").

Of course, she's also in the "testimonials"...


Boey's mom sets something straight


Still, this doesn't dent the impact this book has on one's own memories. While the notes were a nice touch, making this book feel more like a family affair, it could've benefitted from some editing.

I said some things about the previous book, much of which still stands. But I'm not sure if I find Boey's growing-up years "mundane" anymore.


07/10/2014  Forgot that I got pimped a few months back but couldn't find the online version. One thing: I did say I like it, but it was MPH Distributors (a sister company) who agreed to ship the book around Malaysia and Singapore if he self-published.

A couple of years later, there are also T-shirts, calendars and - yes - notebooks, with caricatures of him instead of cats. Plus, livery on an airplane. And his books are still selling. Nobody expected just how big Boey would become, not even me.

Good thing he didn't quit.



When I Was A Kid 2
Boey Cheeming
199 pages
Non-fiction
ISBN: 978-0-9849786-1-8

Monday 7 October 2013

News: Tom Clancy, Dave Eggers's Circle, And Malcolm And Goliath

So I was sick for a total of two weeks due to a low-grade infection, according to the doctor. Though the fevers have subsided, my energy levels are about that of a newborn goat's. I'd shed about 4kgs, my appetite shrank, and had no coffee of spicy stuff for nearly three weeks. But enough about me.

Sunday 22 September 2013

Was Sick As Heck

...so I went offline for a bit. The fever began around early Tuesday morning and came and went like a ninja until this morning. Felt better enough to put real food in my belly: something soupy, with meat. I heard it helps. Soupy things with meat also helps because they are tasty.

So here I am, halfway to recovery (one hopes), with a bunch of bills, an MC, a DVD of Inside the Colon (and maybe Stomach) of Alan KW Wong and enough pharmaceuticals to start my own shop - that's private healthcare for ya. Fortunately, most of that was covered by the company's insurance provider (there are reasons you shouldn't run down your employers wherever).

This March I had to fix my 'congenital' a.k.a. 'pre-existing' sinus condition; I'm still clearing the bill which I paid via credit card.

Don't be uninsured medically. Better yet, don't get sick. Ever.

Excuse me, need to lie down a bit...


Book on the left, reviewed; book on the right, considering review


Much earlier, I received those two books. I didn't find The Lowland that stimulating, and I'll be talking more about it in lieu of the review slated to come out by the end of this month.

Crazy Rich Asians? Sounds like a code phrase for "yellow skin, bulging pockets, zero soul". But not after I get well.

Now excuse me while I lie down again.

Tuesday 17 September 2013

News: Local Book News, Open Book(er), Life After Potter

Some local book news:

  • "Malaysian books boleh!" And the chief's in there, along with Silverfish Books' Raman and Amir Muhammad of Fixi. But I'm sure they could've come up with a better title.
  • Here are the brave people at Borders asking for justice on behalf of a colleague.
  • Meet Ridzuan Mohd Ghazali, a.k.a Iwan Reaz or Iwan Ghazali, local author.
  • Did you know that Dewan Bahasa dan Pustaka, the Malaysian Institute of Language and Literature, has guidelines for abbreviating words and terms in text messages?


And here are some other book news:

  • Lit journal Ploughshares' People of the Book features Leah Price, "professor of English at Harvard University and frequent writer on books, old and new media."
  • Are they opening the Commonwealth-focused Man Booker Prize to American participation? Zounds!

    Scott Pack, for one, thinks it might be a good thing. Point number five: "Some people are up in arms about the move, suggesting that this will result in British writers ending up as the poor relations in the new set up. If British, Australian, Canadian, Irish etc. writers carry on writing great books I am not sure what they have to worry about."
  • Not just a suitcase of old papers: Class project reveals a Boston man's amazing life.
  • No, Lance Armstrong did not lie in his autobiographies; it really was "not about the bike".
  • "The juice ain't worth the squeeze." Chuck Wendig's take on why authors probably shouldn't critically review (read: bulldoze) other authors' books - and why the reviewed probably shouldn't respond to negative reviews.
  • MSN shuts its Page-turner book blog. A darker future for books coverage?
  • Jon Krakauer, who wrote about the brief life of Chris McCandless in Into the Wild, posts the latest findings on how McCandless may have died.
  • Translating Holden Caulfield in Russia. Catcher in the Rye's apparently big in Russia because, well, "who knew phony better than these daily consumers of official Soviet language?" But damn, DAT COVER. Is that supposed to be Caulfield?
  • "... the argument that some books transcend genre is incoherent: Genres aren't conceptually solid enough to be transcended. Any genre is going to be made up of things that both fit and don't, and over time those things will change and shift. Frankenstein, as John Rieder argues, was Gothic romance first, but now it's science fiction. Jimmie Rodgers was hillbilly music, now he's country." Why the notion that novels can transcend genres is flawed.
  • Does anybody care what Jonathan Franzen thinks is wrong with the modern world? Me neither (at least, not right now), but some of you do.
  • Lit-journal editor shares some tips on how to get published in lit mags and journals.
  • Ben Yagoda highlights some comma mistakes.
  • Looks like Vikram Seth's A Suitable Girl has found a suitable publisher. But will the 2016 scheduled release be a suitable timeframe for Seth-starved readers?
  • "...we've managed to take the 15 years of children's lives that should be the most carefree, inquisitive, and memorable and fill them with a motley collection of stress and a neurotic fear of failure." AA Gill makes a good (and funny) case against the "education-industrial complex" (school system).
  • Fantasy author Terri Bruce stops selling her book, Thereafter, because 'errors' introduced into it including "grammatical mistakes and changes to the style and meaning of sentences" made her "sound like an illiterate git."
  • Now that the fever has subsided, charity shops are stuck with thousands of unwanted copies of Fifty Shades of Grey.
  • No idea if those teenage exorcists are actually for real (the UK is a "hotbed of witchcraft"? Not Salem, Massachusetts?) Meanwhile, more heresy is coming our way as JK Rowling announces the continuation of the Potterverse. Who d'you think will win?
  • So, hell yes, there is life after Harry Potter.

Monday 9 September 2013

News: Local Lit, Libraries, And Linguistics

"Whatever has happened to Malay literature?" Someone at Silverfish Books asked. Here's one thing:

National laureate Datuk A. Samad Said was detained from his home in Bangsar early this morning for his alleged involvement in the flying of the Sang Saka Malaya flag on the eve of Merdeka celebrations at Dataran Merdeka.

He was picked up by three police officers at 12.40am and taken to the Dang Wangi district police headquarters where he was interrogated for more than an hour.

Pak Samad, as he is popularly known, is being investigated under the Sedition Act for the incident.

The flag in question was said to have been a proposed version of the Malayan national flag. The authorities' treatment of Pak Samad has been widely criticised.



The Malaysian High Court liberated ZI Publications' Malay translation of Irshad Manji's Allah, Liberty and Love", making it okay to sell it. The next step: freeing the Borders store manager arrested for the 'crime' of selling the book. The arrest was already ruled unlawful.

Though I'm glad this issue is being resolved, I'm not sure if it's going away. So far the Federal Territories Religious Department, responsible for the store manager's arrest, seems to be dragging its feet in resolving this issue.



Some may be excited over Sophie Hannah's 'resurrection' of Agatha Christie's Hercule Poirot, but one person sounds ... ambivalent about it.

"The reason I hate the idea of this boiled-over Agatha Christie is that the story of the "last Poirot" is so moving, and such a credit to the queen of crime as a person," writes John Sutherland in the Guardian. "The new book (and let's face it, money is the driving motive) will muddy one's sense of the dignified way she wrapped up the life of Hercule Poirot." Having said that, though, "...of course I'll download it 30 seconds after it comes out in 2014."



"...the true mark of a grammar snob is she doesn't like to be told how to use grammar herself; she just likes to tell other people that they're wrong." Why Mary Rolf stopped being a grammar snob.

This was after attending a linguistics class, where she learned, among other things, that: "there is no such thing as 'standard English' with a capital E. Instead there are many 'englishes' with a lower case E. There is the english of the Caribbean and the english of the southern United States and the english of Oxbridge and the english rappers use in their music. Traditionally we're taught that one of these is better than the rest, but in this class I learned that that's an arbitrary distinction and not necessarily the case."



How not to sell books online, specifically those 'ambitious' self-help books. Maybe they shouldn't even. But why do they even bother?

Adam Plunkett thinks "the writers are drawn to the marketers because they speak the same language of personal ambition and vague, vaguely Soviet optimism, and because the writers, as good businesspersons, want to delegate their marketing to someone who can achieve real success in the Internet book world. In turn, the marketers are happy to churn out the writers' vision of successful PR."

Does it work? He doesn't think so: "No one is fooled."


Moving on:

  • Haslina Usman, daughter of the late Tongkat Warrant, on her father's work, our culture, and those syiok sendiri (self-congratulating) writers.
  • My Malay is rubbish, so I can't really comprehend the entirety of this article in Malay by Uthaya Sankar SB. I think it talks about a local Malay author's latest novel, and how she was allegedly cheated of royalties due to her, on account of her works being used in schools to teach the Malay language via literature.
  • RIP Ann C Crispin, author and co-founder of scam-fighting blog Writer Beware, the bane of dodgy (mostly US) publishers. I often check on what's new on the blog. It'll feel weird, bringing up the URL (that still bears her name) from now on.
  • In the New York Times' new Bookends section: "Are novelists too wary of criticizing other novelists?"
  • In Japan, local e-reader industry struggles as Amazon's Kindle dominates.
  • Writer's block, we know. But "reader's block"?
  • Found: Book that went missing from library in St Paul's Cathedral.
  • "Is what is essentially a public vote rather than peer-judgment necessarily a bad thing?" Why the Hugos are good.
  • The ancient roots of several punctuation marks. The hashtag (#) was once called the octothorpe.
  • Malala Yousafzai opens the new Birmingham library: "one book, one pen, one child and one teacher can change the world".
  • The Mattituck-Laurel Library in New York has a virtual clone in the world of Minecraft.
  • They're making a movie out of Markus Zusak's The Book Thief?!

Friday 6 September 2013

Masterclass In Session: Wellness with Jojo

Too much coffee plus too little sleep the previous night equals one cranky, tired editor. Resuming work, I pored over this unusual manuscript.


The path to balance: Jojo Struys's Guide to Wellness (that's a heavy necklace)


"...imagine you are in a place that could be real or imagined that makes you feel totally relaxed ... a beautiful island, a sandy beach, mountaintop, or green forest. Choose a location you will find therapeutic.

"...imagine your eyelids starting to grow heavier. As you feel more and more relaxed, your mind starts to drift into a state of total relaxation ... imagine sinking deeper and deeper into complete relaxation. Imagine the back of your calves growing heavier as your body starts to sink into the mattress.

"As your body grows heavier, you are becoming more relaxed and tired by every count. As you start sinking deeper and deeper into total relaxation, you can positively affirm something to yourself that will promote deep uninterrupted...."

Then I lost consciousness. For about three seconds.

Who needs to follow the instructions when reading them is just as effective?

I've always imagined celebrity Jojo Struys as a bundle of energy, so it's hard to reconcile that with one of her other hobbies: getting people to relax. Or that a caffeine-peddling franchise is selling her relaxation CDs.

I believe it's called "balance".

Which is lacking in many of our lives.

What a coincidence that the latest volume in the MPH Masterclass series will be launched around a time when the air is thick with the haze and people's outrage of things reported in the media: crime, prayer rooms, 'historical' films...

Time to chill. And Struys is going to show us how.

Struys doesn't talk much about herself (the wealth of photos of her compensate for that), except for her love of helping people and how she seems to be the agony aunt of her circle. "There was a time I thought I would become a counselor or psychologist because I seemed to have a constantly flashing neon sign pasted on my forehead that read: 'Please come to me if you have problems. I’m here to listen.'"

Personal anecdotes are weaved in to frame the problems and issues she addresses in the book: anger, insomnia, weight management, depression, stress, fear, self-esteem, and love and relationships, and what may happen if they are not addressed.

I was surprised when she described what I believe is the practice of tummo, a form of yoga practiced by Tibetan monks, and that she tried something similar herself. So she's not exactly peddling typical personality-driven feel-good tips.

There's not enough space to cover every topic, so it looks like Struys is focusing on the areas she's most familiar with - areas where one's state of mind is a crucial factor.

You get checklists and, where applicable, tips and exercises to focus your mind to align it towards solving whatever it is that ails you.

"Thoughts have so much power, so we must be careful what we think about," Struys writes. "I am hoping that by writing this book, it may help to shift your thoughts into positive gear because if you can change the way you think, you can change your life."


Now that MPH Group Publishing's 'official' Facebook page is up, I'll probably be announcing less new stuff here. The marketing elves are doing a fine job with updates and they have access to more exclusive material I can't get my hands on.



Jojo Struys's Guide to Wellness
Jojo Struys
MPH Group Publishing
204 pages
Non-fiction
ISBN: 978-967-415-131-7

Buy from MPHOnline.com

Wednesday 4 September 2013

Remembering Steve

A widow's tribute to her late croc-wrangling husband glows


Some might say they won't be surprised to hear news of Steve Irwin's death by animal one day, including me. But when the news did come, I was surprised. Partly because it was really out of the blue and did not involve reptiles.

So it's been seven years since The Crocodile Hunter left for the big billabong in the sky. Much has been said about his methods, but I think few would doubt that old Dances with Crocs made us pay attention to the animals he'd spotlighted on his shows.

I'm less optimistic about the wild-action-man genre he helped inspire.

While musing on the descent of the 'wildlife warrior' on TV, I picked up the book written by his widow, a memoir of her life with one of Australia's favourite sons.

Steve and Me: My Life with Steve Irwin traces the couple's lives, telling how their similar paths converged. Both of them started out rescuing animals, though the latter's repertoire was more danger, danger, danger. Imagine, catching red-bellied black snakes as a kid and stuffing them into the schoolbus driver's cooler?

Small wonder his critics feel that he deserves another 'boot to his bum', like his dad had done after the snakes-in-a-box incident.

Terri Irwin's (nee Raines) wildlife rescue career, meanwhile, began in the US with the animals her trucker father saved while on the road. From mergansers and dogs, she graduated to cougars (or mountain lions). It was during a hunt for new homes for the cats she'd rescued that she first encountered the man who would change her life.

The book's pretty much what it says on the cover. Mrs Irwin recalls her life with her late husband - the bits she chose to share with us, anyway - with fondness and sadness: from the day they first met, the pangs of longing while they're apart, their affection for their children, pets, and zoo animals, their plans for what is now Australia Zoo, to the story of how they started their family, the controversies, and the September 4 tragedy.

Want an 'objective' look at the Croc Hunter's life? You won't find it here. Within the plaintive voice of a grieving widow is a fierce defence of her slain white knight. Off-screen Steve is the same as on-screen Steve: an Australian-born stand-up guy and all-round humanitarian.

Supporting evidence includes his heartache over appalling conditions in a croc farm, how he faced down other crocodile 'hunters' (who actually caught and stuffed baby crocs) at a pub, and his rescue of his best mate Wes Mannion when the latter was attacked by one of the large reptiles at the zoo.

And, of course, she makes much of his intense love of wildlife and how close he wanted to bring his audience to them - a love that his detractors might have used against him.

Such is the price of celebrity. Perhaps it was Irwin's instincts that led to his observation of a particular animal: "Crocodiles are easy. They try to kill and eat you. People are harder. Sometimes they pretend to be your friend first."

Irwin's greatest mistake, from the looks of it, was that he let people into his life too much - the way he did with his beloved reptiles.

Of the heartbreaks he faced, however, the greatest was the death of his mother, Lyn Irwin, in a road accident. "Lyn's death was something that Steve would never truly overcome," Terri writes.

She also remembers one time when he, presumably to escape the pain, went out into the bush with his dog Sui, like he did when he was young and carefree. "But his grief trailed him ... I was not sure he would ever find his way back."

I'm not sure if he did, either, judging from the way he threw himself into his work since his mother's passing.

Maybe it's 'normal' for the Irwins to grow up among wildlife, but most of us who don't have that privilege will never understand that world. Even more so now, with all the wildlife shows that seem to emphasise the killer jaws, claws and venom of some of these predators for Shark Week-grade shock value and ratings.

Nor do the latest crop of 'wildlife warriors' inspire like Irwin did. He knew the benefits that publicity gave his cause, but at least he convinced us that he believed in it. All we're getting these days appear to be "danger, danger, danger" and not much else.

Or maybe I'm just biased and hankering a bit for a time when I allowed myself to believe in dreams, believe that my passion for something will move others to feel the same - or inspire them to live their own dreams.

Just as how Steve Irwin inspired a girl out of Oregon to live hers - and then some.

Writing this book might be an act of closure for his widow, and his fans and supporters may finally get to know the man behind the boisterous khaki-clad character. But these words, however heartfelt, are unlikely to mollify Irwin's staunchest critics.



Steve & Me
My Life with Steve Irwin

Terri Irwin
Pocket Books (2007)
273 pages
Non-fiction
ISBN: 978-1-84739-147-6

Monday 2 September 2013

News: Clichés, Letters, And "Someone Wrote MY BOOK!"

"Anyone who has worked on a creative project for years will understand the horror that filled me when I realized that, in structure and in writing style (even in fucking title!) someone had written a book bizarrely similar to what I had just finished. My novel was no longer unique, no longer fresh, no longer, well, novel. I felt like I'd been gutted. I screamed. I laughed. I called my partner, who was shaken, but not nearly as unhinged by the news as I was starting to become..."

A writer's worst nightmare: When someone else writes your book.

Also:

  • RIP Seamus Heaney, Irish poet and Nobel Laureate.
  • "Part of the reason for the shorter life of such books is the endless news cycle that rapidly churns through stories. That makes event-driven celebrity books especially tough. Publishers considering 'ripped from the headlines' books have to ask: will anyone remember this event in a year? And is this really a book or just a magazine article?" The perils and potential in celebrity books.
  • Here: six easy tips for self-editing your fiction.
  • So the twilight of the YA movie is, according to this article, is that the Chosen One trope that is the staple of most of these films is being worn out. "...far from wanting to watch other kids save the world time and again, kids would like to watch them just being kids."
  • An excerpt from Aboriginal writer Tony Birch's keynote address at the Edinburgh World Writers' Conference. Too good to grab quote snippets from.
  • Should we avoid these clichĂ©s like the plague?
  • How to kill your boss, annoying neighbour, or irritating relative - in fiction.
  • Penguin and Macmillan's is thinking of giving customers who bought a New York Times bestseller from iBookStore to US$3.06 per title; buyers of other titles would be entitled to $0.73 per book, as part of a settlement with the US Department of Justice over the Apple price-fixing thing.
  • So US prez Obama visited an Amazon fulfilment centre. Author groups and indie publishers freaked, so Obama wrote a letter. An ndie bookseller association director is not impressed. Be it scriveners or Syria, the dude just can't win.
  • ¡Hola! Kindle Direct Publishing arrives in Mexico.
  • The wind rises ... and off he flies. Veteran Japanese animator Hayao Miyazaki reportedly retires.
  • Apparently, Oxford Dictionaries Online has 'recognised' the word "twerk", among others, due to overwhelming popularity (i.e., the Huns overran the gates).
  • Here: Eleven reasons to love listicles.

Friday 30 August 2013

Ingenious Iban Fable

After clicking "Send", I went to bed and woke up the next day and looked at it again.

Dear G*d, did I actually write that?

Feels like a tuak-induced hangover. But I really, really found it hard to be harsh to this novel.

And I didn't expect them to publish it so soon. Many thanks, and Happy Independence Day.

02/09/2013: Fixed a typo somewhere here.



Ingenious Iban fable

first published in The Malay Mail Online, 30 August 2013


In a land of ancient gods, animal spirits and omens, a war party leaves a child without family. The survivor is adopted by apes, grows up to be a warrior and is pitted against savage headhunters, terrifying beasts, marauders from a foreign kingdom, and the wrath of a vengeful deity.

Golda Mowe's Iban Dream; pua
and mat are from Nanga Ukom,
Batang Ai, Sarawak
But Golda Mowe's Iban Dream is no supernatural Tarzan fable set in the Land of the Hornbill. The world she conjures in this novel is almost as real and vibrant as any computer-generated fantasy world James Cameron can come up with.

After his home and family are decimated by a band of headhunters sent by the warpath god Sengalang Burong, young Menjat is doomed to a similar fate until the demi-god Keling intervenes.

Adamant that the boy should follow the way of the headhunter, the warpath god allows him to grow until adulthood. Tok Anjak, the leader of an orangutan troop, adopts Menjat and renames him Bujang Maias ("ape man").

Years later, shortly after Tok Anjak's passing, Bujang encounters Sengalang Burong and passes the warpath god's test. The deity marks him as his and sets him on a violent path which begins with him slaying the warrior who orphaned him. He would kill several more, to aid the people of a longhouse who eventually makes him their chief. But trouble looms over the horizon...


As real as it can get
Mowe spins this fable like a master pua kumbu weaver, incorporating aspects of Iban lore into this rich tapestry of words. At times, she tends to get carried away with details, slowing down the flow of the story to an uncomfortable level as she demands that we stop and smell the air and taste the water.

From feasts of durian, sweet fragrant rice, and a demon-boar buffet to the clash of steel and spilled blood in life-or-death battles, we walk with Bujang as he goes from lone warrior to longhouse chief and family man.

You can almost smell the cempedak as it comes down from the tree, and the scent of the heady rice wine will drive you to the nearest watering-hole.

To those who have read about or experienced stories of longhouse life in Sarawak, the scenes and rituals depicted here will not feel alien. Iban Dream is probably a misnomer; when it comes to the life of the Iban, it's as real as it gets in this book. I'll leave it to the experts to find any discrepancies.

Apart from the attention-grabbing story, the stilted, theatrical prose begs to be on stage; almost everyone, including killers and louts, recite, rather than speak their dialogue with little emotion.

Bujang's saintliness might also be problematic, even for what is essentially a fairy tale. Raised by apes and almost guile-free, his glowing near-perfection starkly contrasts with his enemies' ugly characters.

With relative ease, he battles and overcomes bloodthirsty men who have no respect for custom and the will of the gods. A real Disney prince if I ever saw one.

Still, there's something beguiling about this dream world that kept me going back to revisit certain scenes. I turned a few pages to check if I got things about the book right and ended up losing about half an hour — proof that Mowe's lavish, colourful Iban dream is one that's easy to get lost in and hard to wake up from.



Iban Dream
Golda Mowe
Monsoon Books (2013)
288 pages
Fiction
ISBN: 978-981-4423-12-0

Tuesday 27 August 2013

News: RIP Elmore Leonard, Public Speaking, And Learning English

The really huge news last week was the passing of Elmore Leonard. I'm not qualified to write my thoughts on this because I haven't read any of his stuff, other than "RIP Elmore Leonard". His son Peter reportedly said he hopes to finish his dad's last novel.

  • More JD Salinger books coming our way beginning 2015?
  • "Like a person who dislikes the outdoors but tries to be into camping, or who isn't fond of large parties but goes anyway for fear of missing out, it was something I thought I was supposed to want. Teachers and speech therapists and career counselors and even stupid Gwyneth Paltrow movies had convinced me that it was shameful not to want confidence and charisma to display in front of a crowd. As though everything worth doing required sparkling speaking skills and an outgoing personality." Public speaking may not be for everybody, even if it's said that you can learn how.
  • How hard is it to learn English? Short answer: "It depends." Long answer: "A native speaker of German or Dutch—Germanic languages closely related to English—will find English relatively straightforward. Learners whose first language is Chinese (completely unrelated) or Russian (distantly related) will find English much harder. ... If you learn a language geographically close and from a common ancestor of your first language, there will be fewer nasty surprises, at every level from sound to word to sentence."
  • "It's not just the value of certain books; it's also the time and place when they happen to fall into our hands." When it come to books, sometimes it's all about the moment we find them.
  • Problems pitching your novel? Check out 23 query letters that worked, one for each (sub)genre.
  • In pictures: the sixth Hargeisa International Book Fair in Somaliland.
  • Board of a Japanese school restricts access to Keiji Nakazawa's ten-volume manga Barefoot Gen "because of the manga's graphic violence". Right.
  • "Cats now face possibly more hostility than at any time during the last two centuries." Says John Bradshaw, author of Cat Sense: The Feline Enigma Revealed.
  • Is Samantha Shannon, author of the hyped-up dystopian YA novel The Bone Season, "the next JK Rowling"? Shannon doesn't think so. "...it is kind of uncomfortable for me, because if you say that someone is the new something, it suggests that there is something wrong with the old. We don't need a new J. K. Rowling, so, you know, I'd rather be the first Samantha Shannon." Also: "...The Bone Season is violent. There's sex."
  • In the wake of an author's alleged bullying on Goodreads, a group of authors are calling for an end to such behaviour. Goodreads is owned by Amazon, which also - unintentionally - hosts a similar kind of bloodsport in the review section.
  • Someone actually compiled "the collective wisdom of Chris Rock". His "bullet control" idea is genius.
  • This piece on brewing the perfect coffee will only send you to the nearest barista.
  • Now that Batffleck looks set to spread his wings, he won't be helping out with the silver-screen adaptation of Stephen King's The Stand.

Monday 26 August 2013

Afterlife Adventure

first published in The Malay Mail Online, 26 August 2013


It wasn't too long ago that I'd read a novel set in pre-war/post-war Malaya. Now I get another one. How many times must we re-visit this era like some old propaganda reel?

Nevertheless, I soldiered on with the hope that this one will be different. Thank my ancestors that it is.

Set in 19th-century Malacca, The Ghost Bride is a supernatural tale of love, tradition, and taboos. The protagonist of Choo Yangsze's novel is Pan Li Lan, a somewhat bookish young lady of a once-prosperous family. Her father spends his days chasing the dragon (smoking opium) and not much else.

Out of the blue comes a proposal from the prosperous Lim family for Li Lan to become a ghost bride to their recently-deceased scion. All seems fine and dandy until the dead boy Lim Tian Ching starts courting Li Lan in her dreams and repulses her. That'll teach her to think about husbands before bedtime.

Then she learns that she'd been originally betrothed to Tian Ching's kinder and cuter cousin Tian Bai, before it was scrapped for the current arrangement. Oh, how the tears flowed.

And when Tian Ching's night-time visitations become unbearable, the desperate Li Lan overdoses on a medium's nostrum which kicks her soul out of her body. But she soon learns to make the best of her situation, thanks in part to a female ghost called Fan who teaches her some of the basics.

As she adjusts to her new situation as a real ghost, she takes the opportunity to satisfy her curiosity about her family's past, Tian Bai's past, and how Tian Ching was able to enter her dreams. This eventually takes her to the realm of the dead and an adventure of an afterlifetime.

Things get hairier when corrupt hell officials and animal-headed demon constables get involved. Coming to Li Lan's rescue include the Pan family chef Old Wong (no relation), who can see ghosts, and Er Lang, a mysterious young fellow who appears to be a spirit-world constable.

I was told — and can see why — this novel is categorised as young adult fiction in the UK; a few times I've wanted to rename this book HuánghĹ«n. Li Lan sounds like a typical teenaged girl who reads the likes of Judith McNaught or Stephenie Meyer. Here, Pan Li Lan is speaking to an audience.

We're treated to her thoughts, hopes and fears in a narrative that on occasion includes details about things like Malacca, Bukit China, Qing Ming, and the blue pea-flower used to make Nyonya kuih. Rare attempts at wit include her giving her nursemaid "a ghost of a smile" when she assures her she's fine.

Even in her panic upon discovering an ox demon guarding the door to her room, she manages to tell us, like a schoolteacher, that it looks like a seladang, a kind of wild ox found in the Malayan jungles, yada yada. Her descriptions of the street food she sees as she floats by some hawker stands is enough to make you hungry like a ghost.

Is it a coincidence that this book — about a young Straits-Chinese girl's adventures in the spirit world — was officially released during the Hungry Ghost Month?

We get no incredible heroics from Li Lan, apart from some attempts at subterfuge that end badly because of bad luck. After all, she is a normal girl and how she is portrayed here — an interloper in a dangerous realm — is as realistic as suspension of disbelief allows.

We also get the love triangle, an indispensible aspect in many YA plots — albeit a thin one. In Team Tian Bai versus Team Er Lang, the former is soliticious and gentle to our lovely orchid, while the latter is snarky, abrasive, and doesn't seem to care about her. We know how this ends, don't we?

But ah, how Choo paints the backdrops: the old Malacca neighbourhoods, the interiors of Peranakan houses and the din at the mahjong table. Even her vision of the afterlife is kind of credible, except perhaps for the comparison between the ancient and "modern" offerings for the dead.

The way Choo Yangsze's The Ghost Bride demands its readers' attention, it almost seems taboo to skim it. Fans of lush, descriptive writing styles will dive straight into Li Lan's world. Others like, say, jaded, slightly bibliophobic reviewers would probably be content to paddle on the surface, at the cost of missing out some good parts.

Other than that, it is a somewhat good book. Don't just take Oprah's word for it.



The Ghost Bride
Yangsze Choo
William Morrow (2013)
368 pages
Fiction
ISBN: 978-0-06-227553-0

Sunday 25 August 2013

Arguably Apostrophic

A debate on possessives and apostrophes was sparked by a book project, which I assumed was because of aesthetics.

Barring some circumstances, the apostrophe-S is generally placed in front of nouns ending with "S" to denote that they own whatever that follows, e.g. "Charles's apples" or "Hermès's summer collection".

For some situations, the Americans have largely done away with the "S" after the apostrophe, but the Chicago Manual of Style is okay with either "Dickens' novel" or "Dickens's novel", though they prefer the latter.

Online comic The Oatmeal has a simpler, more concise guide to apostrophe usage. It's okay with both.

However, Strunk and White say 'ancient' names such as Jesus and Moses don't need the "S". While "Jesus' home" is fine, you can write it as "the home of Jesus" if you think the former is harder to pronounce. Maybe Hermès qualifies as well. Other situations where the apostrophe-S can be omitted is when it makes something hard to read out loud.

I never liked the tendency to simplify everything for the sake of 'efficiency'. Coding web pages that only look fine on Internet Explorer back in the day meant not having to strictly adhere to W3C standards, but it made programmers and designers sloppy. Same goes for copy editors.

In the end, when standards are all over the place, you gotta have a style guide to refer to. Pick a set of conventions for proofing copy and stick to them.

I much prefer the apostrophe-S. Cumbersome as it is, at least it implies that "Charles" or "Hermès" are not plural forms of "Charle" or "Hermè".

Tuesday 20 August 2013

News: Local Authors, Books, And Brazilian Bites

Tanggal dua puluh lima, bulan lapan two oh satu tiga, meet the authors of Fixi Novo books Dark Highways and Wedding Speech at Borders, The Curve from 3pm to 5pm.

Also: Boey is back with When I Was a Kid 2 and he's currently on tour in KL. Here's the latest schedule of his appearances.



"What if everyone could be persuaded to stop scribbling for a period of, say, 12 months? Of course we would lose some marvellous work during The Year of Not Writing, and that's not to be taken lightly. But look at the compensations: we could all kick back, take stock, and get off the spinning carousel of keeping up with the latest offerings. Just think what could be done with the free time: books we've loved could be revisited; philosophy or poetry could be afforded the time they demand; tomes of previously forbidding length could be tackled with languorous leisure."

Somebody at the Guardian thinks it'll be great for everyone if writers took a year off from publishing books.



The Edinburgh international book fest may be seeing the rise of the author-as-performer, but that might have its problems.

"Certainly a disquiet is growing among some authors about the economics of the live performance, especially when many festivals pay their authors nothing, and book sales frequently fail to compensate for lost working time. (Edinburgh pays authors, whether Nobel laureate or first-time novelist, £150.) According to McDermid it is 'outrageous' that some book festivals 'pay the people who erect the tents, staff the box office, run the bar – but don't pay the people on the stage'."

Also at the Festival: "When you've had any contact with real persecuted minorities you learn to use the word very chastely," says former archbishop of Canterbury Willam Rowan during his appearance, among other things.



Though Violet Duke's (or whoever 'her' name is) self-published novels have reached the best-seller list, book prizes still won't touch selfies (my terminology). Someone at the Guardian asks why books of literary merit aren't considered unless a "proper" publisher picks it up.

The Guardian piece seems to argue that disconnect between what 'literary' critics like and what the reading public likes will shrink as the latter's influence grows - making traditional gatekeepers such as publishers and book-prize panels increasingly obsolete.

"It's safer for an editor at a mainstream publishing house to buy a book that reads a lot like last year's bestseller, than to stick out their neck in support of an unproven concept that might not deliver. But readers have no such reason to be cautious, so buyer power is increasingly setting the agenda in mass-market publishing."

In light of this, comments such as this one make me cringe, however truthful they may be: "You still think the book industry is created for and by intelligent people? That only clever people read books? Think again. Just remember that the last best seller was a badly written soft porn. (The smart ones are those tip-toeing around the manure to pick the lovely flowers and fruits, trying not to step on the crap or get it onto their clothes.)"

But have a look at why this curmudgeonly fellow gave up reading certain books before passing judgement. Guess there's no accounting for taste.


Elsewhere:

  • In the 'rediscovery' of Muriel Rukeyser's Savage Coast, a novel about the Spanish Civil War, the question arises over what old, forgotten books are worth saving and re-introduced to the world.
  • The Borders raid by JAWI over Irshad Manji's book and the arrest of store manager Nik Raina Nik Abdul Aziz last year has been declared illegal. Will it happen again?
  • Go anywhere that the Google Play store doesn't operate and the app will delete all your e-books. Gizmodo picked up the incident, which happened to a fellow who travelled to Singapore and found all his e-books gone. What it all boils down to, says Gizmodo, is that "you're buying a license, not a book. And licenses can come with strings attached. Obnoxious strings."
  • "It's not just the intrinsic value of certain books — their 'greatness' — that makes them existentially arresting; it's also the time and place when they happen to fall into our hands." When the time and place is right, books can become one's "personal touchstones".
  • "Sicha has spent the past decade developing what has become the lingua franca of the Internet: un-snobbish endorsements, presented in a candid, self-consciously hysterical tone. ... His humorously helpful parentheticals, doubt-inducing scare quotes, casual 'like's dropped carefully amidst otherwise competent sentences, and gratuitous exclamation points litter the online landscape. When typed by Sicha, though, these superficial markers of style—so easy to replicate!—communicate a set of core values that he's carried with him from job to job: genuine egalitarianism, acrobatic diplomacy, unregulated intimacy."

    Sounds like Alice Gregory really likes Choire Sicha's book or writing style. Sicha himself talks about how the Internet kills and saves book culture.
  • From George Orwell: A Life in Letters: Mr O wants to know if a friend could take up his reviewer's slot in an English daily. The lowdown: "It's rather hackwork, but it's a regular 8 guineas a week ... for about 900 words, in which one can say more or less what one likes."
  • "Big books are epic, dense, packed with plot and content and ideas, aren't they? They weigh more, cost more, take more time to read. And now that time spent reading has to compete with films and on-line everything and facebook and twitter ... surely that means that big must be more important than ever, to justify all that time they take us away from our PCs?" So, are big books making a comeback?
  • Good stuff: how South American chef Alex Atala is introducing Brazil's indigenous culinary delights to the world.
  • So not the Man Booker longlist: Kirkus Reviews thinks these novels of 2013 (so far) are overlooked.
  • "...Cartland's world was for ladies only. That Berlin Wall between women's and men's popular fiction persists to this day. While we men get Chris Ryan's SAS yomping and throat slitting, women get the chilly fantasy of EL James's Christian Grey. Yet with the distance of time, Cartland's work now deserves to be analysed, like a Fifties recipe for braised veal Orloff, with a mix of admiration and horror." Before EL James, there was Barbara Cartland.
  • $#!+ book snobs say - with translations.
  • These one-star reviews sting even more when superimposed on the photographs of the authors of the books being panned.

Monday 19 August 2013

Rushmore Revelations

So it's a bit odd that I reviewed this book after Flashback. Not so odd if you know that this was written months before Flashback was released. Wish I'd thought of a better title, though.



Rushmore revelations

first published in The Malay Mail Online, 19 August 2013

Dan Simmons's time-tripping historical novel, Black Hills, can perhaps be considered among his better works of historical fiction. It chronicles the life and times of Paha Sapa, a Lakota Sioux named after his tribe's most sacred region, the Black Hills at what is today South Dakota in the US.

The novel starts right in the middle of the Battle of The Little Bighorn. A young Paha Sapa touches the body of a dying George Armstrong Custer and, with his supernatural talents, absorbs his ghost. He also divines Sioux war chief Crazy Horse's violent death in the very near future.

Soon after, Paha Sapa's guardian, his tribe's holy man, sends him to the Black Hills on a vision quest, far away from the paranoid Crazy Horse's deadly fury. What Paha Sapa sees there horrifies him: four stone giants, rising up from Mount Rushmore to literally devour the "fat of the land": trees, animals, and people.

Mount Rushmore was originally known as Six Grandfathers to the Lakota Sioux, and lies along a path taken by a chieftain on a spiritual trek. In the novel, it is the spirits of the mountain, also dubbed the Six Grandfathers, who show young Paha Sapa the dreadful vision.

However, he never gets to tell his tribe what he saw. While escaping an enemy tribe's patrol, he loses his tribe's treasure that was placed in his care. Feeling suicidal, the boy leads the white cavalry unit that captured him to Crazy Horse's war party, hoping to die in the ensuing skirmish. The plan fails, and Paha Sapa's life in a new America begins.

As William Slow Horse, Paha Sapa rides with Buffalo Bill's Wild West show, marries the daughter of a French missionary, and has a son with her. As Billy Slovak, he ends up working for sculptor Gutzon Borglum, who is raising four stone giants out of Mount Rushmore: carvings of former US presidents George Washington, Thomas Jefferson, Theodore Roosevelt and Abraham Lincoln.

Believing that these were the stone giants he saw in his vision quest — the future he's supposed to prevent, Paha Sapa begins planning his version of 9/11 for the Mount Rushmore monument.

Simmons is quite the storyteller. He weaves lots of history and Native American culture and language into this tale with ease. Minor complaints, such as the non-linear storyline and the eye-gouging italics used to render much of the spoken dialogue and Custer's monologues, all fade from memory as one turns the pages.

Paha Sapa's observations of the white man's world through the lens of his tribal roots are interesting, even though he feels he no longer belongs in what is now the white man's country. So it's perhaps understandable when his son Robert enlists in the army, saying "My country is at war", Paha Sapa feels like exploding.

There's also Custer's ghost, lodged inside his mind. For decades he's endured the naughty love notes he dictated to his widow, or his taunts during the few "conversations" they have had.

And he believes that by leading the US cavalry to Crazy Horse that day, he may have played a role in the events that led to the eventual surrender of the sacred Black Hills to the US. Small wonder he needs to blow up something.

The epilogue, however, reads more like an article, and is perhaps too quick a wrap-up. I found the ending a bit too fantastical, even for a work that's part sci-fi, but it does sort of explain how Paha Sapa does, indirectly, save his beloved Native American culture.

While there's a bit of posturing about how all of humanity in general — natives and newcomers — are "fat takers", there is, I think, also a warning for all of us, spoken through the Six Grandfathers in one of Paha Sapa's visions:

"...the tides of men and their peoples and even of their gods ebbs and flows like the Great Seas on each coast of this continent we gave you. A people no longer proud of itself or confident in their gods or in their own energies recedes, like the waning tide, and leaves only reeking emptiness behind. These Fat Takers also shall know that one day..."



Black Hills
Dan Simmons
Reagan Arthur Books (2010)
485 pages
Fiction
ISBN: 978-0-316-07265-6

Tuesday 13 August 2013

News: Not "Pak Lah's Book" And All That

Early this year, news portal FZ.com broke the news about what was referred to as "Pak Lah's tell-all book", a report that was panned by the book's editors because it's not "Pak Lah's book", no, no no, because he didn't write it.

Again: Not Pak Lah's book
Some time last week, talk about the book was resurrected by newsbites from former prime minister Tun Abdullah Ahmad Badawi. Awakening: The Abdullah Years in Malaysia is a multi-author collection of "serious reflective collection" by scholars and other professionals on Pak Lah's tenure.

But the editors decided to postpone the official KL launch and the much-talked-about Singapore launch of the book because the nasty, nasty media predictably hyped it up again as "Pak Lah's book", even though he only has one contribution in it.

Am I to understand that they did not expect any of this? In light of the GE13 results and the upcoming UMNO general assembly? This is Malaysia, after all.

Crybabies, one would say. But what pressures could the editors and publisher be under, for them to have to tell people not to hype it up?

Curious? Get a copy from MPHOnline or Silverfish Books.

Other book-related news:

  • "Classically, we have defined ourselves by the things we love. By the place which is our home, by our family, by our friends. But in this age we're asked to define ourselves by hate. That what defines you is what pisses you off. And if nothing pisses you off, who are you?" Salman Rushdie, speaking at the Edinburgh International Book Festival, on today's apparently new "culture of offendedness".
  • After learning that some of his books were banned from Guantanamo, John Grisham went inside to trace a fan of his works. What he learns kinda ticks him off.
  • Wattpad introduces a crowdfunding service so fans of its writers can, like, help their favourites self-publish.
  • Author Jeff Klima's take on book reviews. And here's his 12 evil ways to make your book more marketable.
  • Fixi isn't just Amir Muhammad's imprint, it's a "conceptual approach". Does that make Amir Muhammad the Steve Jobs of modern urban Malay novels/publishing?
  • And look, here's a review of Anchee Min's Pearl of China.

Monday 12 August 2013

Somebody Thinks This Is Funny

I was getting off work, thinking of the big Cadbury chocolate bar and other stuff I'm about to get to help me wind down.

Then my day was ruined.




Looks like the Readings from Readings sniping has resumed.

And somebody scrawled my name on one of the bullets.

To put it nicely: I AM NOT PLEASED.

For one, I'm very picky with what I read. Also, double exclamation marks?

If you want to impersonate me online, at least do some homework.

And yes, I had some history with Readings, but that's so Shang Dynasty.

I already wrote a review for it - and it'll be the only review for this series of books.

It's nice that they took the trouble - or maybe it's another "Alan KW Wong" they're trying to set up - but I don't like my name being used in what I assume is a personal, puerile beef with the editors, contributors or publishers of this book.

I don't even want to respond to this, but I still remember the Readings-related online shitstorm. I was actually worried about losing my job. And if I have to, I'll seek legal advice.

Better safe than sorry.


19/08/2013: Well, as of today Amazon scrubbed all the latest bad reviews except one: 'mine'.




Gotta say, I'm a bit ambivalent about how 'I' am being positioned opposite Amir Muhammad. He's a much better writer and reviewer - and not just of books.

Wednesday 7 August 2013

Late, Late News: Zealot, Bezos, And Author PR

More developments on the Reza Alsan thingy include assertions that, contrary to what some believe, the author of Zealot knew what he was doing when speaking to Fox. As expected, the interview sent his book up, up, up the sales charts.

A few think that Fox blew the whole thing by sticking to a prepared script that did not involve a close read of the book; Lizzie Crocker at The Daily Beast offered some key points Fox could've brought up but didn't. Perhaps they should've waited a bit after reading the book to post their critiques.



DĂ©but author Anakana Schofield asked why must authors join the PR merry-go-round. Someone answered. An excerpt: "Like it or not, books have a relatively small audience. Advertising is a classic way to reach a mass public (those who buy cornflakes), not a niche one (interested in literary fiction). And although cornflakes may indeed be fascinating, there's not much of a story to offer the media (though that may just be me being uncreative). With a book, there is. Which, again, is why we do PR."

Paul St John Mackintosh, however, is less kind to commercial authors who moan about self-promotion, and wonders if such people went into writing just for money and fame. To which he says, "If all you have to keep you going as a writer is your greed, yearning for celebrity, and self-regard, then the social media self-promotional grind is exactly the hell you deserve."



What else?

  • After a spell with a Kindle, a bookseller tries reading a paper book and finds it cumbersome: "The book was too fat. It was too heavy. It spread out too widely. It was as if I had taken an unruly small pet onto the plane and couldn't keep it under control." Shudder. Oh, and Amazon boss Jeff Bezos bought the Washington Post.
  • Silverfish releases a "dumbo's guide" to creating e-books - check it out, do what it tells you and start e-mailing it to editors.
  • Why a freelancer is working in an essay mill: "I can make up to £150 for a standard essay of 2,000-3,000 words – an evening’s work. Longer items can fetch up to £2,000." How this freelancer does it will shock some of you - a little.
  • Is Choire Sicha's new book Very Recent History a chronicle of "the panicked, fax-filled, poverty-waged life" of a freelancer? WANT.
  • "Like a short story, a good recipe can put us in a delightful trance. The Oxford English Dictionary defines fiction as literature 'concerned with the narration of imaginary events.' This is what recipes are: stories of pretend meals. Don’t be fooled by the fact that they are written in the imperative tense (pick the basil leaves, peel the onion). Yes, you might do that tomorrow, but right now, you are doing something else." Why reading recipes is such a pleasure for some.
  • Seems the London Review of Books isn't the only one with a woman problem. The most recent issue of the New York Review of Books only has one female contributor out of over twenty. A sad thing when it's said that female critics made it great.
  • "In the time since Little Women was published in 1868 ... a countless number of women have — as Alcott put it — 'resolved to take fate by the throat and shake a living out of her.'" Louisa May Alcott was no "little woman", says Harriet Reisen, author of The Woman Behind Little Women.
  • Taiwan eyeing our Chinese-language book market? Makes you wonder apa lagi depa mau.
  • In Uganda, trouble for author(s) and publishers of "defamatory" book(s) critical of the country's president.
  • An interview with James Dawes, author of Evil Men. Writing about evil is hard, as Dawes suggests. "We imagine evil is other than human, beyond understanding, almost mystical. This lets us off the hook, lets us deny our own capacity for evil, and stops us from analyzing the very human, very common causes of it."
  • "Yes, there will always be characters that some readers just don’t want to read about, but I think most readers can experience a character who is neither a Mary Sue nor a Humbert Humbert ... and still care about their story: how they got there, how they’ll get out. Readers see themselves and the world around them in these characters, just like we do ... and the very notion that “people” will reject a book because they don’t 'like' the characters is condescending and dismissive." Author Kelly Braffet wants people to stop griping about unlikeable characters in novels.
  • What makes a good librarian, from a bunch of librarians.
  • The Harry Ransom Center at the University of Texas in Austin, which collects literary and cultural artefacts from the US and Europe to advance the study of the arts and humanities, just acquired McSweeney's archive, which "contains manuscripts of the books, essays and short stories it has published, as well as correspondence from its work with writers like David Foster Wallace, Rick Moody, Zadie Smith, Michael Chabon and Heidi Julavits."
  • Are developing markets fuelling a Wattpad boom? Wattpad, in case you have no idea, is an online community for writers to share stuff.
  • What is literary fiction? Here's one definition. And here are some web sites for literature lovers, several of which I read almost daily - and scan for listicle items.
  • Chuck Wendig wants you to know these 25 things about word choice.
  • Mitch Moxley went to Beijing in 2007 to work in the China Daily. His story, which includes selective reporting and navigating political minefields, is becoming familiar everywhere.
  • Obama visited an Amazon fulfilment centre and sent cyberspace into a panic. No, the US president does not hate bookstores, as some have implied, but to say that Amazon is the future of retail... maybe I'd feel better if it's not the only option in some far-flung future.

Oh, did I mention that Amazon boss Jeff Bezos has bought the Washington Post? People are excited. Some are stunned. And some are snarking about it, like this fellow:




At least one is ecstatic, enough to say that "the iceberg just rescued the Titanic" (shudder). But Bezos thinks it's too early to say that: "I don't want to imply that I have a worked-out plan.".

What he did say, with regards to the future of news, is that there won't be printed newspapers in two decades and people won't pay to read news online.

"Iceberg"? Hell yes. It'll be quite a chilly future ahead for the media if Bezos's predictions come to pass. Might be a good idea to pick up the fur coats now.


...Okay, better stop here and save some stuff for next week's updates.