The release of Gabriel García Márquez's
Until August had people talking, and over at
Book Riot, Rebecca Joines Schinsky
thinks that's okay, as long as publishers are upfront with regard to the reason(s) for publishing something posthumously. "There are plenty real reasons for readers to be interested in a posthumously published work, publishers and estates don't need to fudge the backstory."
While some are willing to give Márquez's sons the benefit of the doubt, for the publishers, one reason will always be money. Is it grotesque if money was the
only reason? Perhaps, but as long as the publishers are ready for the brickbats that come their way if word ever got out... . For someone as famous as Márquez, anything he wrote will be read and discussed, so whether
Until August
was a good decision is probably best left to readers to judge. Published and be damned.
In
Esquire, Alex Belth
dives into the world of posthumous publishing and ponders whether it is a betrayal to release an author's unpublished works after they're dead, in defiance of their wishes to have them destroyed. The answer seems to be "yes", with a huge "but". Belth appears to build a case
for posthumous publishing, stating that pretty much anything goes once a writer passes on and how deprived the literary world would be if some choice titles had been destroyed. And if writers don't want their works published,
they should dispose of them while they still can.
Maris Kreizman at
Literary Hub is
dismayed to learn about the business model adopted by new publisher Authors Equity, specifically their use of freelancers for publishing projects. "Rather than offering book workers the stability and benefits of full-time employment, Authors Equity will rely on the gig economy to get the job done," she writes. "Look a little more closely, and 'growing pool of freelancers' is a terrible euphemism for 'jobs are disappearing and more and more of us are fighting for scraps by competing for freelance gigs.'"
Dan Sinykin also
touches on the gigification of publishing in
The Baffler, with a detailed look at the players in Authors Equity and wonders if it or any others like it will ever disrupt publishing at a time where further conglomeration of the industry seems increasingly less viable.
Years ago, I
pondered whether a publishing model based on crowdsourcing would upend the landscape. Instead of a firm like Authors Equity, alll the freelancers would gather for a project and disperse when it was done. I still think it's an option, especially for indie authors.
Of course, those involved need to work well with each other, and a corporation provides the framework for that. But I see the collaborative spirit when it comes to projects involving VTubers and I can see that happening in publishing.
Cats rule the home and the heart. Now they're helping forgive fees for late and even damaged library books in Massachusetts.
According to MiNDFOOD...
"A librarian is a book lover, a cardigan lover and a cat lover," Jason Homer from Worcester Public Library said.
"Our staff has a lot of cats. Some of the staff were in a meeting and they were coming up with ways to bring people back to the library, and they thought, 'What if we removed as many barriers as possible and told people they could show us a picture of a cat, draw a picture of a cat or just tell us about a cat?'"
What an a-meow-zing idea. A picture of a cat in exchange for getting your fees for late or damaged library books waived is the cat's whiskers. I see this working only as a time-limited deal or libraries in the US will be short of books at a time when they're struggling with costs, sourcing issues, book bans, and adminstrative and legislative woes.
Speaking of libraries, there are
several little ones set up at Taman Wawasan Recreational Park in Puchong. The books are mostly donated, while others are purchased from recycling centres. "Everybody can borrow up to five books at a time," said retired headmaster Lee Kim Siew, who established the reading stations. "One family can take over 30 books! There's no limit: you can return after one year, two years or three! No limit, no fee!" No need for cat pictures here.
Elsewhere:
- "I try to come back every year for Chinese New Year, and call it good juju or fate, but all the good things that have ever happened with this book have coincidentally happened while I was in Malaysia." Debut author Vanessa Chan returned home to promote her novel, The Storm We Made.
- Chinese Nobel laureate Mo Yan, author of Red Sorghum, has become a target of fanatical Chinese nationalist trolls for allegedly insulting China's "national heroes and martyrs". Criticism against China is being pushed back against by these "pinkies": an army of angry, jingoistic and mostly young netizens who swarm over any perceived insult to China and Xi Jinping's government, however minor or remote – a throwback to the days when Mao Zedong unleashed the Red Guard on those seen as his adversaries. The country may have 99 problems but this ain't one of them.
- "Charissa Ong's tale of success in publishing begins with a scenario that would be relatable to many. While working at an advertising agency, the mindless drag of routine work was getting her down." A profile of Charissa Ong, author and publisher of the poetry and short story collection Midnight Monologues, in Tatler Asia.
- "Like most ghosts, I became one unexpectedly – when a publisher I'd previously worked with on my own memoir ... asked if I would be any good at writing someone else's. I said I'd never tried. Then the publisher told me what my fee would be, at which point I agreed, on reflection, that I was perfect for the job." A ghostwriter speaks his mind and reveals what he feels about seeing his work – all without his name on them – on display at a bookstore.
- A dispatch from the London Book Fair details the hot trends during the event, including #BookTok and romantasy, the imapct of AI, the climate, and Palestinian voices.
- "Thus begins a series of stories that unfold back and forth between 1921 and 1910, a period Tan [Twan Eng] captures in vivid detail, especially the changing hues of the tropical landscape; the culture and behaviours Willie absorbs and stores away; and imposing mansions where masters and memsahibs command a host of the local help — all-too-familiar characters who hold no surprises — and throw regular parties at which gossip is lapped up with the same relish as the liquor." Late, but this review of Tan Twan Eng's The House of Doors in The Edge is worth a read.
- The Hindu posts a tribute to Sir Terry Pratchett days before the anniversary of his death nine years ago, praising his world building and noting the unique format of his novels.
- Is Russia so strapped for bodies that it's "encouraging" schoolchildren to sign up for the army? Because that's what a textbook on a new subject seems to be hinting at. What's more is that this new lesson, "Fundamentals of Security and Defence of the Motherland", is reportedly "compulsory for high school students aged 15 to 18 in Russia and occupied territories in Ukraine." And this lesson replaces one called "Fundamentals of Safe Living".
- When Microsoft design chief Jon Friedman's son wanted to write a book about him coping with anxiety, the dad turned to generative AI program DALL-E for the illustrations. The results are incredible, but is it really the way to go? Especially when generative AI is a source of anxiety for many artists and other content creators?
- Companies are offering immersive fantasy events targeted at #BookTok audiences and they seem to be taking off. As avid readers of fantasy or romantasy novels making their rounds on the social media channel, they would be receptive to a night out, dressed as their favourite characters and reliving the books' choicest scenes. Do authors get a cut for their universe coming to life in this way?
- Some people don't like Robert Kiyosaki, and after reading this article, I'm firmly entrenced on that side. Bragging about being US$1.2 billion in debt is one thing, but calling those with "contrasting economic ideologies "communists"? While he also seemed to pan another author who pitches a debt-free ethos, Kiyosaki acknowledges that not everyone can manage debt like he does. I don't know how I can sleep at night while owing US$1.2 billion.
