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Sunday 9 April 2023

Book Marks: Book Bans, Women In US Publishing

As they say these days, "how the turn tables". Months after taking effect, Florida Governor Ron DeSantis's signature law to censor books in Florida schools, Florida House Bill 1467, might be used against DeSantis's own book.

In a clever bit of trolling, Florida Democrats are subjecting DeSantis’ new tome—“The Courage To Be Free: Florida’s Blueprint for America’s Revival”—to the rules that he and GOP lawmakers established to weed out books with allegedly inappropriate content on race, sexuality, and gender from school libraries.

The Democrats highlighted 17 instances in the book that might violate the state's law, including uses of the terms "woke" and "gender ideology", outdated claims of countergenocide from a proposed ethnic studies curriculum, and several depictions of violence.

DeSantis, who seems to be aiming for the top job in the US in 2024, has been running Florida like his little kingdom, shaking things up with gestures in line with the GOP's war on "wokeness" and such. This blueprint for banning books is but a ripple in the current wave of censorship fever gripping the country.

On the subject: Claudia Johnson, author and free speech advocate, talks to Publishers Weekly about the newest book-banning wave and the need to speak up.

...80% of Americans are opposed to book banning, according to a 2022 CNN poll. But there’s a disheartening gap between the 80% of us wanting book banning to stop and the stark reality that it’s raging across our country, worse than it’s ever been. We 80 percenters clearly have the conviction that book banning should end ... but we need to convert our conviction into effective action.



A study by Joel Waldfogel, an economist at the University of Minnesota's Carlson School of Management, suggest that in the US, women are dominating the book industry but lag behind men in other creative sectors. The report highlighting this research offers some insight as to why female authorship of books "began to explode" around 1970, citing factors such as the use of time-saving technologies and birth control among women, giving them more time and freedom to pursue careers beyond homemaking.

Another factor is the nature of book-writing, which Waldfogel typifies as a "solo endeavor" where the author has more control. "Maybe the fact that book writing is done mostly alone means there is less discrimination and fewer female-disadvantaging biases and social dynamics in the industry," the report, written by Greg Rosalsky for NPR News, adds.

It also mentions surveys where "about 78 percent of staffers at all levels and 59 percent of executives in the publishing industry identified as women" and that "American women are more likely to read books than American men, especially when it comes to fiction".

Even some of the more famous channels that popularise books are run by women, such as Oprah Winfrey and Reese Witherspoon. Speaking to Rosalsky, Jessie Gaynor, senior editor at online lit portal Literary Hub and debut novelist, bring up BookTok, also a driver of sales and a channel that tends to be populated by, yes, women.

This bit of heartening information is probably not new for those who have always known. However, given the ferocity of calls for books being banned or contested in places like the US, with some resorting to threats, harassment and even violence, the safety of women in the industry must be looked into – as if they haven't endured enough already outside their jobs.

Juno Dawson, author of This Book Is Gay, sat down with Rolling Stone for a chat. Her book "went under a formal review as part of investigations into bomb threats sent to several public schools. And much of the fervor against the book in recent months has been stoked by popular right-wing accounts on Twitter and Reddit."

And hurdles keep getting in the way of women authors, particularly those of colour. Nigerian-Swedish author and award-winning travel photographer Lola Akinmade Åkerström, for one, had trouble translating her novel, In Every Mirror She’s Black, "about Black women and Swedes set in Sweden", into Swedish because of concerns over how Swedes would handle its subject matter.

Progress doesn't happen overnight, but the most important thing is to make small steps incrementally towards it. Ultimately, all sectors must become places where women can compete and thrive based on merit and not merely a refuge from sectors hostile or outright detrimental to them. We need to keep pushing for this.


In other news:

  • Singapore’s Asian Festival of Children’s Content is expected to be an all-physical event, running from 25 to 28 May at the National Library. Among the confirmed speakers is Xiran Jay Zhao and our own Hanna Alkaf. Events running throughout the festival include include workshops, lectures, masterclasses, and panel discussions.
  • Empty chairs at author signings? Janet Manley at the Literary Hub explores the phenomenon, citing factors such as "a flagging economy, the death of local media, Amazon controlling market share, and the arms race of the attention economy", plus the drop in the number of bookstores in the US.

    Will in-person events no longer be a thing in the age of Zoom, Meet, and BookTok? I think as long as some readers feel invested in a author and their works, author appearances will remain a thing for some time, especially when the urge to peel one's eyes off the screen to go out and touch grass becomes overwhelming.
  • The fallout from the recent Nashville school shooting continues: a children's book illustrator was dropped by his publisher and faces legal charges after he spread notes with anti-trans messages across Juneau, Alaska. Sadly he's not the only one using this incident to hate on the trans community after it came out that the Nashville shooter was trans.

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