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Monday 10 June 2013

News: Book Fests, Departures, And A Scarlett Novel

Not a lot of happy news last week in the book world. But life goes on, with upcoming book and lit fests such as #Word: The Cooler Lumpur Festival and this weekend's Art 4 Grabs + KL Alternative Book Fest.

The latter will, among other things, will see the launch of the second Fixi Retro title, Yang Nakal-nakal, a compilation of some short stories and poems by the late Usman Awang. The Black 505 rally's been postponed to next week, but it looks like the launch is still taking place on 16 June.



There may be a good reason why book publishers aren't swarming the e-publishing bandwagon: the "awkward and inconsistent" technology.

The closest thing to a single file standard, e-pub, is still far from platform-agnostic and notorious for destroying formatting elements, which limits what writers and designers can do structurally if they’re planning for digital.

Sounds like the argument over HTML standards all over again. But wait till technology catches up, or if the players in the e-book industry get their shit together and agree on something.



A publisher is being sued by Scarlett Johansson because a French novel featuring a woman who resembles the actress allegedly "violates her privacy and includes a 'fraudulent use of her image rights'." The report adds that "The heroine of Delacourt's La Premiere Chose qu’on Regarde ("The First Thing We Look At") is Janine Foucamprez, a small-time model from northern France who is blighted by her resemblance to Johansson."

Perhaps Ms Johansson (or her PR machinery) is miffed by the "blighted" part. And ... hold on, she's only 28?


Elsewhere:

  • RIP Iain M Banks. Less than three months after he announced he had terminal cancer, Banks passed on. Despite the efforts of his heroic publishers, his last novel failed to hit the shelves before his departure. As tributes poured in, Neil Gaiman eulogises him in the Guardian. Also, RIP Tom Sharpe. Pity I never read any of their books.
  • Are celebrity's kids books bad for literature and kids books in the long run? Probably, if quality doesn't improve. In that news report, Julia Donaldson, writer of the Gruffalo books, says writing for kids is not easy at all. "In some ways children are probably harder to please than adults and there are so many excellent children’s writers out there who in terms of style, plot and characterisation are just as good as any writer for adults."
  • Why John Green (Looking for Alaska) will never self-publish. "Impassioned" is kind of an understatement.

    Lev Raphael takes offense at what he sees as Green's attack on indie publishing via a "faux cultural belief" ("We must strike down the insidious lie that a book is the creation of an individual soul laboring in isolation. We must strike it down because it threatens the overall quality and breadth of American literature...").

    "If Green believes that indie books aren't ever edited, produced, and marketed by a team – though likely smaller than in legacy publishing – he knows less about the industry than he thinks," Raphael says.
  • When is it fine to not finish a book? When it doesn't pass the fifty-page test, apparently. You can always come back to it, anyway, this English prof suggests. However: "For my students, the answer is easy: if I assigned the book, it's not alright to quit partway through." Fair enough.
  • Eight rules for writing fiction, some of which, at some point in time, everybody who writes fiction forgets.
  • Americans, says Clive James, aren't good at hatchet jobs. "Any even remotely derogatory article in an American journal is called 'negative,' and hardly any American publication wants to be negative." Did James miss Ron Charles's opinion of Lionel Asbo, or did he feel it was too tame?
  • May she be forgiven: AM Homes denies Hilary Mantel a third straight award by winning the Women's Prize for Fiction, which will be sponsored by Bailey's next year - HIC. Meanwhile, Kevin Barry wins this year's International IMPAC Dublin Literary Award for City of Bohane.
  • Pages from the diary of Alfred Rosenberg, Hitler's aide and top Nazi leader, have reportedly been found. The documents look real, but one has to be wary, in light of a famous Nazi diary hoax.
  • Jonah Lehrer has a book deal - and people should be concerned.

Friday 7 June 2013

#WORD!

Oh, the things they did to publicise the Cooler Lumpur Festival 2013 at The Bee, Publika that Tuesday evening...


#Word: Thematic flavours from The Last Polka


Free ice cream is fine. The Last Polka created two lit-inspired flavours for the event: Green Eggs and Ham (a minty creation with chocolate fudge pieces that brings to mind The Cat in the Hat) and Wonderland (a peppery tribute to the soup in a certain kitchen).

Pop-trivia quizzes are fine too, even though some of the questions were hard for non-bookworms and non-moviegoers.

Readings? No problem - except if it's three grown men reading sex scenes from Fifty Shades of Grey. Especially when the three men are Ezra Zaid, Umapagan Ampikaipakan and Sharaad Kuttan.

Once you hear Ezra channel Anastasia Steele losing her virginity, you will never be the same.

I think they found it painful as well, given what we know of the trio. By the time they read the third scene, they were hiding their chagrin in foreign accents. Who knew Sharaad preferred Italian?

And what is it about this festival that inspired the creation of two far-out ice cream flavours and compelled these three fellows to go onstage and read fiction I'm sure they'd rather burn?


Wordy weekend
The inaugural Cooler Lumpur Festival is a multi-disciplinary "celebration of culture".
Curated by digital media purveyor PopDigital, this KL-centric festival will adopt certain themes each year to "expand the city’s cultural horizons, build stronger communities and cultivate the creativity and imagination of people."


#Word: The Cooler Lumpur Festival 2013


This year, the Festival presents #Word, Malaysia’s first – and only – celebration of words in all its forms. Expect workshops, talks and panel discussions, storytelling and readings - everything about the written word. #Word will also host the only Southeast Asian segment of the Edinburgh World Writers' Conference (EWWC), the world's largest travelling conference on the state of literature.

#Word will take place from Friday, 21 June to Sunday, 23 June, at several venues in Publika, Solaris Dutamas.


Gems in the mud
The online programme is a menu of lip-smacking items with something for wordsmiths of almost every stripe. Among the highlights are:

  • A panel featuring non-Malay writers who write in BM, and a panel on Asian Noir, which will see writers such as Shamini Flint, Brian Gomez and Rozlan Mohd Noor.
  • A book swap by the charity Novels for All.
  • An Evening with the Evening Edition, where you can meet the faces behind the famous BFM drive-home segment: HRH Caroline Oh, Ezra Zaid and Umapagan Ampikaipakan.
  • A one-on-one with Amir Muhammad, writer and indie publisher and filmmaker (considering his success, does the 'indie' label apply?). Two titles from his imprints, Fixi and Fixi Novo, will be launched as well during the festival.
  • Readings @ The Bee (not Seksan's), and a screening of ghost movies, followed by ghost stories told by Patrick Teoh and Jo Kukathas.
  • Borders Malaysia will be organising #Word Junior for kids, with a line-up of activities that includes a tea party with free ice cream (first 50 kids only) from The Last Polka, storytelling sessions and interactive events.


Crabbit Old Bat flying into KL
I'm embarrassed to say that I've only heard of one writer in the international line-up for #Word.

Jen Campbell, a bookseller at Ripping Yarns in the UK and author of Weird Things Customers Say in Bookshops and More Weird Things Customers Say in Bookshops had this URL in her blog to the blog of a "Crabbit Old Bat". Couldn't resist clicking the link.

That's how I heard about Nicola Morgan, award-winning writer, author of about 90(!) books, and an authority on young adult/teen fiction. Among other things, she will be holding a workshop on writing for teens. Places are limited, so please hurry.

As someone who's evaluated and rejected a number of children's/YA/teen fiction submissions, I'm glad she's coming here.

...Oh, my. Seems Ms Morgan's a bit nervous about her trip. This will be her first time in Malaysia. Let's make her feel welcome, shall we?


So come on down to MAP @ Publika for a wonderfully wordy weekend. Don't let all that ice cream, the efforts of las dos chicas from The Last Polka and the sacrifice of BFM's les trois garçons be in vain. The two ice cream flavours will be available at The Bee @ Publika throughout this month, in conjunction with #Word.

Go here for more details.

11/06/2013  Here's a BFM podcast with Yau Su Peng, Chief Operating Officer of Borders Malaysia, the Festival's official bookstore.

18/06/2013  Check out the radio podcast of an interview with several key Festival people. Seems that "Cooler Lumpur" does not merely hint at the proliferation of hipster hangouts in the capital, but also the mispronunciation of KL by the beer-swilling character Nabby Adams in Anthony Burgess's The Malayan Trilogy.

Wednesday 5 June 2013

News: Literary Magpies, Tweets, And The National Language

Did Rudyard Kipling cop to plagiarism in a letter? In the Daily Telegraph, Christopher Howse says no. Plagiarism might be "the fairy godmother of invention" but also of lawsuits, pulped books, and ruined reputations.

Writing in the Guardian, Sarah Churchwell suggests that Kipling was a "literary magpie" who reworked certain themes from other works into his own. "Shakespeare's reliance on various older chronicles for his characters and plots is a commonplace," she writes, "and it would be ludicrous to suggest that in Paradise Lost Milton was 'plagiarising' the story of Genesis."



"As the columnist at a literary website, I once wrote about tough truths related to self-publishing. ... That editing and cover design are hard. That most self-published books earn only a modest return. That a lot of the advocates are just selling themselves. ... And that resulted in scores of people calling me profane names."

Rob W Hart's shift from self-publishing to traditional opens his eyes to how indie publishing has become a cult.



Erna Mahyuni, our favourite Sabahan laments the "slow, sad death of Bahasa Malaysia", which she suggests is partly aided by state media agencies. "According to Bernama, 'hurricane' is 'hurikan' and 'billionaire' is 'billionair' in Englayu," she writes, coining a new word of her own. "Utusan has coined the very rempit-sounding 'dijel” instead of 'dipenjara'."

Not to mention 'subjek' (subject) and 'bajet' (budget), But 'hurikan' is not a recent coinage. I remember seeing it in an old geography textbook once in school, along with 'siklon'. Odd, considering both refer to the same phenomenon.

Are the alleged offenders going to chalk it up to the pressure of tight deadlines? Erna cheekily suggests that, "Perhaps this is an insidious plot by seditious individuals who are trying to make English the national language. At the rate Bahasa is 'evolving' into English, we might as well just give up and replace the Kamus Dewan with the Oxford Dictionary."

Dengar, dengar.



Some tweets to share, including one from Sufian Abas:




...and Michael Ruhlman, marriage counsellor:




All in jest, I'm sure.

Right. What else is out there?

Tuesday 4 June 2013

Golden Brown

I wasn't sure I was up to the task of reviewing a Dan Brown book. What's there to look at? Could I be fair, when others at more established names couldn't seem to be?

I didn't spend time dismantling the logic and history. Avoiding other reviews while I wrote my own as tough; the bandwagon's pretty big and easy to get into. But I guess that, considering the size and hard cover, it sufficed as light reading.

About "symbology" ...

Wikipedia lists the word as "a fictional academic discipline of which the character Robert Langdon is a professor." On a list of ten mistakes and oversimplifications in the book over at The Daily Beast, the word is "nonsensical".

So I used that article's 'correct' word for Langdon's occupation in the review (carelessly wrapping it in square brackets). But didn't some modern 'nonsensical' words become accepted, after being baptised by popular usage - and the Internet?

For now, I guess, it's "iconography" or "semiotics".



Golden Brown
Finger lickin' good Florentine fun from the Colonel Sanders of the genre

first published in The Malaysian Insider, 04 June 2013


Would you believe that this is the first time I've read any of Dan Brown's books?

Until now, I've only followed the news, read the hype and laughed at the brickbats. No way all of that could be true, I thought.

Then a copy hit my table with a thud.

I took just two hours to finish it.

My unfamiliarity with the author's work and the circus precludes me from fact-checking his alleged mistakes and gloss-overs, so I'll leave that to more capable hands.

But I will say this: Dan Brown's Inferno is, thus far, the greatest movie I've ever read.

From what I have gleaned of Brown's books, those who expect a refinement of his style will probably be disappointed. Fans, however, will be glad to know little has changed.


Italian job
After uncovering the secrets of the Freemasons in The Lost Symbol, Harvard professor of art history and iconography Tom Hank— sorry, Robert Langdon wakes up from a nightmare and finds himself in a hospital with stitches in his scalp and absolutely no clue how he got there.

After speaking to the "tall and lissome" and (one assumes) attractive Dr Sienna Brooks, Langdon, thinking he's still in the States, looks out the window and sees the Palazzo Vecchio — and learns that he's not quite in Massachusetts anymore.

Outside, a female assassin waits. Five miles off Italy's coast, her boss, a man Brown simply calls "the provost", waits for good news in a mysterious US$300 million (RM929 million) yacht and floating military command centre.

Nothing like that is forthcoming. But the provost isn't the only one having a bad day.

After fleeing another assassination attempt, Langdon learns that the willowy Sienna is not only a mutant but a former child prodigy with an IQ higher than Stephen Hawking's. He also finds that he's in possession of a biohazard canister.

Soon, armed men come a-knocking shortly after he calls the US embassy. With Sienna in tow, the inevitable chase begins as Langdon tries to remember what happened in the past couple of days — and unravel a madman's dastardly plot, partly inspired by Florentine poet Dante Alighieri's Divine Comedy.

To add to his list of "?!"-punctuated what-the-hecks, security cameras caught him "stealing" Dante's death-mask hours before he woke up in the hospital.

Nothing like having both sides of the law snapping at one's Somerset-clad heels to add excitement to a bit of historical forensics.


Abandon all prejudice, ye who read this
As the pages turned quickly, I began to see the appeal of novels like this. Cleverly written with hooks and cliffhangers at the end of each short chapter, you just can't put this 460-odd-page novel down until you're done with it.

The only other time I've experienced this compulsion to finish something was at a KFC outlet — or when I opened up a bag of Cheezels I bought last week.

You don't care that it's not literary writing. You learn to skip the piles of exposition and slipped-in trivia, obviously for the benefit of those who can't access their smartphones for some impromptu Googling. I saw less of the groan-worthy similes Brown's famous for; maybe I learned to skip those, too. The expository parts do mess up the flow of the story, like annoying pop-up ads.

Some of the descriptive passages, however, are written in such vivid detail one is compelled to actually fly there to see, for instance, the cringe-inducing "penile grip" featured in the sculpture of Hercules and Diomedes in the Hall of the Five Hundred, or the "intimidating array" of male nudes at the Palazzo Vecchio. Then, there's the superb copywriting on the Church of Dante.

All bound to reinforce the faith Florence's city officials have in Brown's apparent ability to revive flagging tourism industries.


Tripping over trivia
It's not all tourist spots and history. At one point the Harvard dreamboat shares some esoteric knowledge: "Regular gesso smells like chalk. Wet dog is acrylic gesso."

We also get a brief dissertation on the science of denial, along with aphorisms such as, "In the world of book publishing, late-night emergencies were as rare as overnight success." (Shouldn't it be "are"? Is the book publishing industry past tense?)

As well as an endorsement for the iPhone — and e-books. "I've got to stop being such a snob about leather-bound books... E-books do have their moments."

The wit and writing is sophomoric, the preachy bits on human folly are tedious, and the denouement might elicit a huge WTF, even among ardent Brownians.

And there is next to no chemistry between Hank-er, Langdon and the willowy tagalong Sienna. The mistakes she made, for someone of her superb IQ, is conveniently covered by her traumatic past.

Still, Inferno is a pretty solid potboiler that will have you hooked right until the last page.



Inferno
Dan Brown
Doubleday (May 2013)
463 pages
Fiction
ISBN: 978-0-385-53785-8

Saturday 1 June 2013

Masterclass in Session: Clicking With Kid Chan

Hot on the heels of Amber Chia's MPH Masterclass guide to a modelling career is Kid Chan's MPH Masterclass guide to starting a photography business.

I'd thought that the format for the cover would be similar to the previous one, but I guess photographers just have to be different. At least it means each book in the series will be unique.


Front and back of Kid Chan's Guide to the Business of Photography
(he might have comments about my photo-taking skills)


Malaysia's shutterbug to the stars was born with a silver spoon in his mouth. However, things soured when the family's fortunes declined and his parents divorced. After completing his tertiary studies, he became the personal assistant to the founder of the Metropolitan College Group.

Several years later, he left this somewhat cushy job to take over his sister's failing photography studio. This was the beginning of his uphill climb to where he is today. He learned practically everything from scratch and had to endure more batterings to his ego.

His foray into photography began taking off when he was doing weddings. Who would've thought that wedding photography had the stigma attached to it?

Once he bit the bullet and did his best at it, wedding photography started opening doors for him, especially after he adopted Denis Reggie's approach to shooting weddings.

These days people pay heaps for any photographer who can make their (generally) once-in-a-lifetime event look like a one-in-a-million spectacle. So you could say that Kid Chan was a pioneer of wedding photojournalism in Malaysia, albeit a reluctant one.

In this instalment in the MPH Masterclass series, Kid Chan shares what he has picked up in all his years in the field.

Tips include practical, down-to-earth advice on choosing equipment, premises, hiring help, projecting a professional image, leveraging on social media, photo retouching, and navigating some of the pitfalls of the job. Photos from Kid's past and him on the job brings his story and career to life.

"Success stems from many things," he wrote. "Luck certainly plays a role and I have indeed been very lucky. I've had some great mentors who guided me along the way. And I also created some of my own luck by being willing to do all the small little things that needed to be done along the way."

Maybe getting this book could be one "small little thing" you can do if you're considering the life of a professional photographer.

Kid Chan's Guide to the Business of Photography will be launched some time in June and will be available at all major bookstores.



Kid Chan's Guide to the Business of Photography
Kid Chan
MPH Group Publishing
191 pages
Non-fiction
ISBN: 978-967-415-121-8

Buy from MPHOnline.com

Thursday 30 May 2013

Wandering Woman

Reading some of the tales in this book, one wonders why Zhang Su Li does the things she does to herself. But I suppose that - and the honesty - is part of the book's charm.

Way back in 2007, Marshall Cavendish published some of Zhang's travel tales in a collection called, A Backpack and a Bit of Luck. Some months back, more stories from her travels in Malaysia appeared in another travel story collection, Sini Sana ("Here and There" in Malay).

The boss would know the details about why Zhang wants to republish A Backpack with MPH. For me, it was a chance to read the book for free, after hearing about it for so long.


Old trails, revisited
Zhang had been a copywriter for years, and it shows. Occasional flashes of what I would assume is literary flair shows up in the book. Colourful, vivid descriptions attempt to put the reader in her shoes as she trots, hikes, stumbles and saunters her way through life and the exotic locales in the collection.

A showcase of her talent can be found in her (mis)adventures as an apprentice Odissi dancer in India, which is worthy of its own staged epic and takes up over a third of the book. What is perhaps the best story in the book also captivated a fellow editor.

For Zhang, the classical Indian art is physically, emotionally and spiritually demanding, particularly the physical part: "In learning Odissi, you become aware of the muscles you never knew you had," Zhang writes. "You also have to disregard the bones you always knew you had."

She describes the sights and sounds from an Indian roadside that conjures all the mental images and feelings needed to fill in the blanks.

Vivid memories of standing by a roadside littered with rubbish, cows, donkeys, pigs, dogs, crows and peacocks, barefoot children in rags with lice in their hair, snot down their noses and possibly somebody else's wallet in their pockets. A dog was dying on one side of the road. On the other, a cow was giving birth. Children were laughing and crying. People were chatting and quarrelling. Animals snorted, barked, mooed and squawked. Cars. Vans. Buses. Motorbikes. Bicycles. Honking their horns and ringing their bells. Swerving around the mobile landmarks and carcasses of small unidentifiable animals. At remarkable speeds, with impressive accuracy.

India is a land of extremes, from her point of view. Living and learning at her Odissi guru's neighbourhood at the New Okhla Industrial Development Authority (Noida) in Uttar Pradesh was, I take it, an enlightening experience that builds character, nurtures the spirit and sharpens hyperbole:

Only God knows why in India, there is no such thing as medium, or 'just nice'. On a scale of one to ten, all the numbers from two to nine seems to be missing. In winter, the water is so cold your tits get numb just looking at the bucket.

And isn't it just like a copywriter to anthropomorphise dust? Indian dust, to be precise:

The seams of my mobile phone were packed with dirt no matter how often I tried to clean it with the edge of a fingernail. Anything with a screw top ... oooh, baby ... here they come! Flat surfaces are just too easy for them; they're already occupied by less ambitious dust particles anyway. ... Nothing, nothing, nothing escapes the clutches of Indian dust.

Not all adventures are as action-packed, dramatic or memorable. Zhang appears to find Helsinki boring. The city boasts a Stockmann's departmental store that seems to have become a reference point to all other places in the city. But even in a squeaky-clean utopia of a Scandinavian city, she finds a silver lining:

"Excuse me, where's the railway station?"

"You go past Stockmann, turn left, then past the traffic lights, and take a right..."

Or, "Excuse me, how do I get to the Pyramids of Giza?"

"You go past Stockmann, and you turn right, and..."

Or, "Hello, where can I get a large rubber hose with fur attachments to hit myself on the backside with?"

"You go past Stockmann..."

...Aww nuts, she's just being cheeky. The fur-augmented rubber hose didn't happen ... right?

But if there is a place where Finns can indulge in their own Fifty Shades of Grey fantasies, their country isn't all that boring.


Meet, greet and (maybe) eat
Zhang's penchant for travelling and talking to strangers may have begun when, as a schoolgirl, she met an old British chap who was posted to Malaya and had lunch with him at his home. This pattern of meet, greet and eat would repeat itself at various points in her life.

During a Kruger Park safari, she 'cures' a travelling companion of 'malaria' and, later, helps raid an ostrich nest at a farm in South Africa for a monster-sized sunny-side-up.

Job searches in the UK lead her to quirky and often charming characters in a British pub and its landlady's peace-making custard cream biscuits; and a gambling den and its greasy, chauvinistic manager's "turkey stew" ("Tin 'a turkey roll, baked beans, mix 'em together." Then, keep it in a safe for one night. Eww.)

A flat tyre along a dark silent highway ends in a late-night tom yam and lessons on patience, humility and the kindness of strangers. Answering a call from another kind stranger while searching for Atlantis in Santorini nets her some salt-cured sardines, ouzo and an olive-branch wreath for protection.

At a cemetery in Vienna, she toasted marshmallows with an old bag lady. And a throw of the dart sends her to Myanmar on a bumpy cross-country bus ride to a feast of salad, fried bugs and sago palm worms.

Not bad for a former student at an English school who's terrified of earthworms. Come a long way since then, she has.

And there's more where that came from.

Poignant, funny, punny, a little pugnacious and kind of fun, Zhang is not shy about her own shortcomings even as she strives to overcome them, documenting every misstep for our entertainment and education.

So go on. Pick this up and find out what one phone call, a swing of the steering wheel or a knock on the door can lead to. You might be surprised.


Zhang Su Li's A Backpack and a Bit of Luck will be republished by MPH, plus some edits. Copies of the original Marshall Cavendish edition may still be available at bookstores.



A Backpack and a Bit of Luck
Stories of a Traveller with No Sense of Direction

Zhang Su Li
MPH Group Publishing
285 pages
Non-fiction
ISBN: 978-967-415-866-8

Buy from MPHOnline.com

Monday 27 May 2013

News: Open Letter, Blurbs, And Amazon Kindles Fanficdom Fire

A certain blind Socialist woman penned a letter to a bunch of German university students in 1933 who planned to burn some books, including hers. That was the year Adolf Hitler became the German Chancellor, by the way.

"History has taught you nothing if you think you can kill ideas," it begins. "Tyrants have tried to do that often before, and the ideas have risen up in their might and destroyed them."

Not that she's unaware of the issues behind it. "I acknowledge the grievous complications that have led to your intolerance; all the more do I deplore the injustice and unwisdom of passing on to unborn generations the stigma of your deeds."

That this blind lady sees the value of and appreciates what some of us take for granted: ideas and letters on a page should shame book-burners everywhere and through the ages.

What? You've never heard of Helen Keller?

Okay, what else?

  • Amazon has started a publishing model to crowdsource fanfic. Authors Malinda Lo and John Scalzi has some thoughts about it - few of them good.
  • Beth Hayden over at Copyblogger on why writing is scary, and why writers must write through fear. "If we let fear stop us, our content will have no spark, no life. And everything we write will be completely unremarkable."
  • "Do snippets of inflated praise on dust jackets make any difference to potential readers standing in a bookstore? Is anyone buying Benjamin Percy’s werewolf novel, 'Red Moon,' because John Irving called it 'terrifying'?" Book blurbs are "terrifying", Ron Charles suggests.
  • How a writer used Wikipedia to buff his ego and settle scores - and cast more doubt upon Wikipedia as an online info source.
  • After doing some homework, restaurant critic Jay Rayner eats crow over a past outburst over food miles. This is why Rayner deserves respect, even if he is a little shouty and abrasive.
  • Why literary criticism still matters. I know I'm beating a dead horse.
  • A farmer in the US explains certain questions you shouldn't ask at farmers markets in the US.
  • Nationalist politics in China's film industry is kind of ... worrying.
  • Manila's city chairman roasts Dan Brown for calling the capital the "gates of hell" for its "six-hour traffic jams, suffocating pollution [and] horrifying sex trade" in his latest book, Inferno.

    Some commenters on the original news report, however, say that Brown, who is reputed to be fond of re-interpreting history and science to suit his plots, was kind of spot on about Manila in that book.

    So, I guess he won't be helping much with Filipino tourism as much as, say, Florentine or Venetian tourism.