News: Textbooks, Excerpts, And A Ghostwriter's Lament

• "Textbook sales, for both higher education and K-12, will reach an estimated $13.7 billion in the U.S. this year, according to Outsell, a research firm. The overall market is expected to increase over the next few years as the student population is growing." Is the industry that Jobs said was "ripe for digital destruction" heading down that path?
• How a Hong Kong book fair is helping the territory's writers penetrate the mainland market. Still ... guess nine to 11 per cent in royalties is quite common in conventional publishing.
• "In the course of five years and approximately 600,000 words, I'd become so good at mimicking the voice of another author that I'd lost my own, and I'd failed to nurture my own career, not to mention well-being, as carefully as I had the lives of the characters that had never belonged to me." A ghostwriter wakes up to the espresso.
• After laying off its in-house shutterbugs, Chicago Sun-Times drops its regular book coverage.
• Because they're people, too: a new book on the victims of the Long Island Serial Killer. Also from Salon: an excerpt from a book on the apparent militarisation of the US police force.
• Lest we forget: everything we need to know about the e-book price war.
• Two ways to not approach a publisher: online stalking and when queueing up for the dunny. S'not on, mate.
• Hooray for best-selling author Amish Tripathi, whose Immortals of Meluha has publishers lining up for his next potential blockbuster.

Betty, the Vampire Slayer

Forget the pom-poms and wooden stakes - Elizabeth I of England blasts bloodsuckers to kingdom come with raw magic in this retelling of her history

first published in The Malay Mail Online, 03 July 2013


As queen, Elizabeth Tudor, also known as Elizabeth I of England (1533-1603), was noted for slaying some notable things. Mary, Queen of Scots. The Spanish Armada. But what if she also slew vampires?

That's the premise behind The Secret History of Elizabeth Tudor, Vampire Slayer. The novel's marketing set-up touts it as the start of a "sumptuous new series" based on the Virgin Queen's "never-before-seen" diaries, "revealed to the world" by Lucy Weston, the minor vampire character in many Dracula films and the "owner" of the seemingly defunct www.lucywestonvampire.com. "Weston" is also credited as the novel's author, but I have no idea who is/are behind "her."

The novel begins days before Elizabeth's coronation, court official William Cecil and polymath Dr John Dee lead the future queen to her mother's gravesite where she begins to glow, smells roses and hears her mother's voice.

It turns out to be more than just pre-coronation jitters. Liz (let's call her "Liz"; "Betty" is still too long) is revealed to be a slayer of vampires and descendant of Druid priestess Morgraine (a.k.a. Morgan le Fey), whose powers have awakened in her.

Cecil and Dee confess to being members of a circle entrusted with this secret and her protection. She is less than pleased with the revelation, but eventually embraces it for the sake of her kingdom.

The vampires are led by Mordred, the illegitimate son of the legendary King Arthur and, therefore, a legit claimant to the English throne. He joined the creatures to save England a thousand years earlier. Back then, he courted Morgraine and offered her the same deal, but was rebuffed. Now, he's eyeing Liz.

On the night she is crowned, Mordred warns Liz of the dangers she and her kingdom faced from rival countries and the Pope and offers her power and protection from those dangers – if she becomes his vampire queen. He's told to sod off.

However, Liz finds him charming, despite what he is, but she also has those rival kingdoms and court intrigues to deal with. There's also the ironically vampiric nature of her gift which, among other things, allows her to blast vampires to smithereens with energy bolts; every bloodsucker she kills feeds her powers and urge to kill more of them.

Besides Cecil and Dee, other real-life figures here include Liz's governess, Kat Ashley; Francis Walsingham, who would become the royal spymaster; and Robert Dudley, the queen's long-time companion and reputed lover.

Written in a way that brings to mind Shakespeare, this two-narrator work barely registers as Harlequin horror. Though convincing from a historical viewpoint, the novel stumbles when it came to the romance/horror bit.

Scenes with Liz and Mordred are more like a dance, not tussle, of emotions, even as the two are torn between duty and their mutual attraction to each other. The plot feels loose and almost every twist can be predicted. Except, perhaps, how it ends.

And Mordred, that powerful, time-warping and space-bending immortal being of the night, is so addled by his feelings for the fledgling queen, judging from his side of the story.

To the chagrin of Lady Blanche, the token jealous other woman and his second-in-command, he still hopes that Liz will join him, even as she starts slaying his kin.

I say it's because of her rank and powers. Slayer Liz comes off as a wilful royal brat, steeped in the belief that her right to lord over her subjects is divinely ordained; any talk of altruism, charity and justice seems obligated by faith and duty.

Nor does she believe the "radical" idea that all men are equal: "Truly, if that addled notion ever becomes common currency, the world will be undone." She's so made for Mordred.

The romantic "tension" between Liz and Rob Dudley feels just as obligatory. The blow-hot/blow-cold stuff and love scenes are all by the numbers. Rob's a pitiful, poor rival of Mordred. Historically, Rob never got to marry Liz, partly due to the queen's vaguely feminist tendencies. He must feel even more inadequate, now that his royal lady love can go pew pew pew like the Death Star.

The ending and the asides by Mordred in the first part of the "secret diaries" seem to hint at a future continuation of and a dark turn in Elizabeth Tudor's so-called secret history as a vampire-killing machine.

But would such a series still be viable, now that the Twilight saga on the big screen has ended and, perhaps, driven the last nail into the coffin of a tired, well-milked genre?


This review is based on an advanced reading copy.

---

The Secret History of Elizabeth Tudor, Vampire Slayer

Lucy Weston
Gallery Books (2011)
304 pages
Fiction
ISBN: 978-1-4391-9033-3

News: Serious Stuff, Borders, Coffee, And A Keynote Speech

• "As a native of Burma or Myanmar, the title 'Freedom and Literature' seemed surreal to us in the recent past. However, for me, literature itself, either creating or reading it, always relates to freedom." Burmese writer Dr Ma Thida's closing keynote speech for the Edinburgh World Writers' Conference at #Word: Cooler Lumpur Festival. On that note, here's some coverage of the event.
• JAWI's raid on Borders over Irshad Manji's Allah, Liberty and Love was is still unconstitutional and illegal, and the High Court has asked that the charges against store manager Nik Raina Nik Abdul Aziz be dropped. Doesn't look like JAWI can appeal the decision, but I don't expect this to end with a whimper.
• "It's not that we should include things that are 'frivolous,' necessarily, but we should include things with male and female bents, and even things that are not serious in subject, but serious in terms of the work they entail—the seriousness between the writer and his or her subject, and the reader and the page." Jen Doll's thoughts on gender, publications, and 'serious journalism' in The Hairpin.
• He is legend: RIP Richard Matheson.
• Barnes & Noble to stop making its own colour e-readers.
• Over at The Economist, some thoughts about Alice Munro's retirement. But do writers ever retire?
• Coffee cramps creativity? Not really. "Idleness and willfully unrealized potential, though, are," says James Hamblin in The Atlantic. In this article (looks like an ad, doesn't it?), ambient noises in a coffeeshop can boost creativity.
• Potong stim: Ballantine Books decides to cancel Paula Deen's book, Paula Deen’s New Testament: 250 Recipes, All Lightened Up, despite pre-orders taking it to number one on Amazon. The support for Deen is as pointless as the circus surrounding her use of the 'N-word'; it's not the worst thing she's done. But I guess the publishers didn't want to risk having the books gather dust due to all that negative publicity.
• Despite changes in demographics, children's books in the US "stay stubbornly white".
• Chef Jamie Oliver, author of numerous cookbooks and articles, manages to finish a whole book: Suzanne Collins's Catching Fire. Quite a feat, since he's dyslexic. But shouldn't he have read the first Hunger Games novel first? Prob'ly too much t'ask o' him. But way to go, chef.
  
  Meanwhile, here's a possible key to reading more: "Carry a book with you at all times. Every time you get a second, crack it open. Don’t install games on your phone – that’s time you could be reading. When you’re eating, read. When you’re on the train, in the waiting room, at the office – read."
• If someone reviewed beer a la Gertrude Stein, will he be dubbed a 'beer stein'? I know, I know, lawak tempang. That being said:
  
  

  Left-Hand Black Jack Porter (6.80% ABV): Spiritous in spirit, tea like in tea. All this and not extraordinary in heft, hefted. A little sweetness is so ordinary. Very likely there is no cream that is present, yet inside the milk is a shade. Life and limb for an age aged for darkness. Herbaceous yet what is an herb to the hereby untenable mouth.

  
  Hmm.

Examining Education

"We want fairness. There is no fairness if you do not let us cheat." Is the call of these protesters in China, against a crackdown on cheating in college entrance exams, a sign of the Chinese exam system's impending collapse?

China's education system, which in many ways reflects ancient Confucian principles, places an overwhelming emphasis on memorization, recitation, and examination. Courses in critical thinking largely do not exist and students are not encouraged to engage in rigorous debate in class.

These entrance exams are considered a level playing field, where children of peasants can trump the scions of government officials and Communist party strongmen. But when an education system "places an overwhelming emphasis on memorization, recitation, and examination", I suppose, from the disturbing Telegraph report, that a culture of cheating to pass exams has broken and will break attempts to re-introduce order and fairness in a merit-based arena.

Even the parents in that report are upset that their children are not allowed to cheat. What else can that say other than, "holy crap"?

Though cheating isn't rampant in our own exam halls, much has been said about our education system, from the dumbing down of the syllabus to the quotas. Yet this isn't enough for an NGO, who is calling for the abolishment of meritocracy in education to "return justice" to certain students.

The notion that meritocracy should be scrapped because it 'empowers' others is absurd. Not all students score big in exams, either. Me, for instance.

In the NST, Professor Emeritus Tan Sri Dr Khoo Kay Kim lamented the damage our rote learning-based, result-oriented education system has done to the understanding of this nation's history.

"When I asked who was Tun Tan Cheng Lock, they just smiled and did not know the answer," the historian said during a conference, on students' 'excellent' history scores, despite not knowing who one of the founders of MCA was. "Some of them don't even know the history of their own school."

It's been a long while since I attended a history class, so my memory on this is sketchy. But if the system is as broken as Tan Sri Dr Khoo says it is, eliminating any form of meritocracy from the system can only make things worse than they already are.

Will the powers that be ignore well-meaning calls for a proper implementation of a school syllabus, like the one from this letter writer on how history should be taught and why it's important? More importantly, will the points this Dr Ranjit brought up be taken into consideration?

At least, if we can get a merit-based system right, we can claim to be better than China in that regard.

News: Fiery Flavours, Fonts, Flops, And Stuff

So much to ponder after the cool but hazy Cooler Lumpur Festival. I had to miss out on the Festival's closing events because of dinner at my relatives and haze-induced health problems, but what events I have attended left much food for thought.

So, more on that, and book reviews, later. For now:

• London Review of Books has virtually no female contributors? Here's what LRB had to say about it.
• Mary Roach on the Naga king chilli, aka the Bhut Jolokia, and a chilli-eating contest.
• Mystery book sculptress strikes again, leaves another piece at Leith Library in Edinburgh. Speaking of libraries: Carnegie Medal winner Sally Gardner (Maggot Moon) praises books and librarians, while bashing UK education secretary Michael Gove's new curriculum in her acceptance speech.
• Penguin introduces rewards system and chance to preview new releases. Is this the gamification of publishing?
• Yellow person has a fit when white person enlists another white person to write a book on yellow people's street food. Yellow person's words, not mine.
• Georgia is "sharper, more pleasing, and easier to read" than Times New Roman? It seems typefaces do influence how we read and think.
• RIP Michael Hastings, journo who brought down US general Stanley McChrystal. News have emerged about an e-mail he allegedly sent before his death, which suggests he may have been tailed and casts a pall over his death.
• In the Guardian, seven writers reflect on failure. They even arranged the list in alphabetical order.
• Oliver Pötzsch becomes first Amazon Publishing author to sell one million copies in print, audio and Kindle.
• As news emerges about Stephen King's Joyland being pirated, German researchers look into new DRM technology.
• Joshua Rothman at The New Yorker remembers the time when Dan Brown visited his English class in 1998. "I, for one, assumed that [replacement teacher] Mr. Terry had somehow run out of steam, and had brought in Dan Brown in more or less the same way that, toward the end of the year, a teacher might bring in a movie." Fifteen years later, two of Brown's books were made into movies, so I guess Rothman's class got a good deal.
• I don't know which Robicelli wrote this take on the Paula Deen circus, but I found it entertaining - and more.
• Zounds! Papa Hemingway was a failed KGB agent? Some of us may be glad he was better at writing than spying.
• Are political memoirs on the way out? I HOPE SO.
• Kickstarter apologises over raising funds for an 'offensive' seduction guide. "Above the Game" sounds like a dig at Neil Strauss.

One aside: Edward Snowden, who reportedly said "I don't want to live in a society that does these sort of things", is now, according to David Wiegel at Slate, is "on a world tour" of countries with an even worse record on press and information freedom that the US. "At the moment he's less concerned with irony than with avoiding jail," Weigel adds.

While his 'disclosures' may have opened up debate on privacy and state surveillance, I wouldn't take what he says seriously anymore.

Award Angst

Did you erupt with cheers, champagne and confetti over Tan Twan Eng's Man Asia win? He is the first Malaysian to win the most prestigious literary award after the Booker which he was also shortlisted for.

But it seems not everybody's happy.

Weeks ago, I heard rumours that an author, upon hearing the news about Tan's win, felt a bit boh song about it and wondered why his books weren't considered.

I was hoping it was a rumour. What kind of prize duffer would be presumptuous and thick-skinned enough to feel that way?

How is it possible for anyone to not like him or his books?

First: Tan Twan Eng does not "always win". Believe it or not, there are prizes he's not eligible for. The Costa Book Awards, for instance, are given to books by authors based in Great Britain and Ireland (Tan's based in South Africa).

The DSC Prize for South Asian Literature is for writers who write about South Asian themes (which Tan doesn't do, yet), and the biennial Bollingen Prize for Poetry recognises an American poet's best book of new verse within the last two years, or for lifetime achievement (Tan's no poet, though some have described his prose as "lyrical").

And not everybody likes The Garden of Evening Mists. Apart from the reviewer in the Guardian, at least two local book critics didn't think it was all that. These days, commercial success doesn't necessarily mean quality - hello, Twilight! Not to disparage Evening Mists, which I heard is a better book.

Also, the winning book was published in 2012, an important criterion. Did The Snubbed One write anything during that year, and did his publisher submitted it for the running? And was he or his publisher aware of the Award's terms and conditions?

And have a gander at the Booker's terms of entry, which include:

2. Conditions of award

Any eligible book which is entered for the prize will only qualify for the award if its publisher agrees:

a) to contribute £5,000 (about RM24,580) towards general publicity if the book reaches the shortlist

b) to contribute a further £5,000 if the book wins the prize

c) to comply with Rule 4g

Which is: "Each publisher of a title appearing on the longlist will be required to have no fewer than 1,000 copies of that title available in stock within 10 days of the announcement of the longlist. The publisher, publicist and agent of the longlisted author are strongly advised to attend a briefing meeting shortly after the longlist is announced."

There you go. And publishers have a few more hoops to jump before and after the submitted books make it to the Booker longlist. Which probably explains why we tend to see certain books and certain publishers making longlists of certain awards each year.

Second: The Man Asia longlist of 15 authors was "drawn from 108 published works from nine Asian countries submitted to a panel of judges led by literary critic and journalist Maya Jaggi, also included three debut novelists and a Nobel laureate," says a Bernama report.

Look at the names of the authors, some of whom are already established writers with at least one accolade. Look at the names of the judges, some of whom are strong authors and literary critics.

What are the chances that The Snubbed One could sneak into that glitzy line-up? How many authors could slug it out in a literary deathmatch against Orhan Pamuk?

And 2011 was a year with an even more formidable line-up that includes Haruki Murakami, Amitav Ghosh, Tahmima Anam, Anuradha Roy, and the eventual winner Shin Kyung-sook, whose novel Please Look After Mom has sold over two million copies and has been adapted for the stage.

In a radio interview podcast, writer Michael Cunningham, who was a jury member for the 2012 Pulitzer Prize for Fiction and winner of said Prize for his novel The Hours, said something about how difficult it is to write a really good novel, and thinks people who think they can dash one off just like that shows "disrespect" for the craft.

However, many writers have made do without ever being in a prestigious lit-prize's longlist. EL James, unfortunately, comes to mind, as do several others who have followed in her footsteps.

Not that I think that would help make things better for The Snubbed One, if he's really out there.

Whatever can be said about Tan or his books, he's the literary equivalent of Nicol David right now. Recently, his Evening Mists pipped Hilary Mantel's Bring Up The Bodies for the Walter Scott Prize, which was recently opened to authors from the Commonwealth.

Nobody should begrudge him the accolades he's received, especially Malaysians. And he's one of the few who have made it internationally, alongside names such as Tash Aw and Preeta Samarasan.

No winning book? Write one. Life is way too short for munching on sour grapes or chopping down poppies.

News: Cool Mud, S&M, Publishing, And Book Stacking

Local online news portal The Star reports on the upcoming Cooler Lumpur Festival 2013. Although the Festival will have a YA fiction-related programme, a local writer, editor and book reviewer laments the overall lack of programmes featuring children's and young adult literature in local lit fests.

---

"'...Are you sure this isn’t just a small bunch of very loud women with their panties all whirled around in some kinda panty tornado?' And there I'd correct you and note that I am a dude and, in fact, my panties are indeed whirling about in a panty tornado because this is a problem in our respective industry and it sucks." So, yeah, Chuck Wendig wants you to know these 25 things about sexism and misogyny in writing and publishing. Also related is the sexism shitstorm over the cover of and a column in a recent edition of the Science Fiction and Fantasy Writers of America's (SFWA) magazine.

Speaking of sexism and misogyny (hey, another kind of S&M), Laura Miller over at Salon tears into The Daily Beast's alleged slut-shaming of CIA deputy director Avril Haines. British tabloid The Daily Mail also picked it up, and suggests this detail in Haines's past is "pertinent" - "for an agency that was recently embarrassed by the resignation of its director, David Petraeus, over his affair with his biographer, Paula Broadwell".

A former British intel chief and now writer of spy novels thinks Brits should snoop on their neighbours for the sake of national security. Which, from what passes as news in that country, they might already be doing - and is way creepier.

I'd be chuffed to know that the first ever female deputy director of my country's intelligence agency hosted an "Erotica Night" at a bookstore she co-owned. At least this shows she's a human being and not a Cylon. Does anyone think we can get her to join next year's Cooler Lumpur Festival?


Okay, what else?

• In Turkey, Kurdish book publishing is still a risky business. Even more so now, with Turkey's government tightening the screws after the recent protests.
• Author Randy Susan Meyers's ten tips for writers reading in public. Just in time for a certain arts and literature festival.
• It's tempting to think that Snowdengate somehow boosted sales of George Orwell's 1984. June 6 - around the time the story broke - is also the anniversary of the book's release.
• University presses facing challenges in the new era of democratised, increasingly commercialised publishing.
• Reading fiction, apparently, helps with thinking and dealing with ambiguity.
• Egyptian author and human rights activist Karam Saber is jailed for his allegedly 'blasphemous' book, Where is God? He, along with those protesting the sentence, are probably asking the same question.
• I can't say much about the Popular-The Star Readers' Choice Awards, but the points raised in this article are worth pondering.
• Random House wants you to plug into audiobooks. Yes, you, runner-in-training. You, guy in the gym. You, frequent flyer. You, on the lawn mower or your SUV. Because: "Reading the latest Dan Brown novel, 'Inferno,' while driving a car or mowing the lawn would be perilous, but probably not for audiobook listeners." Not too sure about that.
• Do grammar police arrest the imagination? Prompted by Sherman Alexie's asertion that "Grammar cops are rarely good writers. Imagination always disobeys." Can someone cite the Guardian writer for that arresting pun?
• "My grandmother, the writer Han Suyin, died last November at ninety-six. The funeral was in Switzerland, and I went only because my mother asked me to. Twice. 'You’ll be fine,' I said. 'Just remember what an asshole she was.'" Looks like Karen Shepard really does not like her grandma.
• Nine reasons why Dan Brown is one of the most important (living) authors. Thoughts? I know. Me neither.
• Book-stacking techniques to liven up bookstore displays in Japan? Will this become a sport or drinking game?