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Saturday, 21 April 2012

A Roast To Toast

This article was originally a blog post that languished in the drafts pool since the end of March. Which may explain the minute omissions of one or two details, such as the actual business hours (listed at the bottom) and that it costs RM1 to swap the milk with Bonsoy.



A roast to toast
The welcoming vibes at this neighbourhood café keep 'em coming back

first published in The Star, 21 April 2012


"Starbucks with sarongs" is not how I would describe Artisan Roast TTDI. But it's satisfactory enough as an introduction. I'm not even sure the staff wear sarongs all the time these days.


Two things to note when entering: ambience and aroma.
Welcome to Artisan Roast TTDI.


My first visit to Artisan Roast was an adventure. I almost got lost.

Part of a café concept founded in Scotland, Artisan Roast KL is owned by Michael Wilson and Amirah Mohd. Artisan Roast (AR) sources, roasts and packs its own beans and, back at its old place at Yayasan Seni Berdaftar (along Persiaran Jalan Ritchie in KL), none of their beverages were priced above RM10.


Talking to a customer are (at left) Michael Wilson and Amirah
who run Artisan Roast


The fresh, fragrant brews, made from freshly ground Brazilian Carmo beans, needed no sweetening, either. Even after the coffee had cooled way down, the thick lines of latte art and the foam they sat on held firm.

The coffee was good. The atmosphere was good. But we never went back. Nor could we.

As it's often the case these days, the news came from Facebook.

Artisan Roast was moving.

Its new digs at Taman Tun Dr Ismail are bigger, better equipped and more comfortable, being air conditioned and all. With a proper kitchen, meals and other stuff can be made from scratch as advertised. Located next to the big Maybank branch on Lorong Rahim Kajai 14, TTDI's well-known nightspot strip, it was easy to find - unlike parking.


Light reading at Artisan Roast TTDI


And unlike the old days when it was in YSB, Artisan Roast TTDI has a larger, steadier clientèle. Good, because the place needs the business.

However, gone are the serenity, open spaces and clean air. Will it become a victim of its own success as the crowd swells?

In keeping with the artisanal vibe of the brand, AR's interior has fewer polished lines and surfaces than most modern cafés. Tall benches and chairs and tables that are more like wooden beams emanate a bar-like feel. A nook of low tables and cushions at the back provides more space for family gatherings and meetings.


...Hmm. Definitely not Starbucks, then


Most of the walls are bare brick, save for some surfaces decorated with murals, some of which are half-finished. When the baristas get to work, expect half the room to smell real good.

Drinking coffee or tea here feels more natural. AR is essentially a bar for teetotallers. I was also told that some bar-goers in the area drop by for a caffeine jolt to help stretch their nights.

AR serves its own cakes, pastries, sandwiches and savoury muffins. But the a la carte menu is limited. At the moment, you can choose either eggs on toast or pancakes with caramelised bananas and whipped cream, sprinkled with cinnamon, both cooked from scratch. It's worth the wait. The menu is also evolving, bringing the promise of more scratch-kitchen yummies in the future.


Killer pancakes with ambrosial caramelised bananas.
Too much whipped cream, though.


Everything in the display chiller comes out from the kitchen as well. The Sicilian Apple Cake seems popular; one night I was there, they sold five slices within an hour.

Each rustic-looking slice looks like a cluster of apple cubes and sunflower or pumpkin seeds held together by a bit of cake sponge. I bet one slice of their Carrot Cake can improve your night vision straight away.

Other tasty treats include the Cheeeeeeeeese Cake which is worth every "E" and every sen you pay. I've found that The Zesty Lemon Slice goes particularly well with hot coffees. The Millionaire Shortbread was nice with its layer of chocolate and all, but my preferences lean towards hoi polloi shortbread.


See? "Cheeeeeeeeese Cake!" Count the "Es".


I shan't say much about their coffees. Crowds don't lie, they say. If you're curious about what they're serving, ask the barista. Beans that have had their turns in the hopper include Sumatra Mandheling, Rwandan Musasa, Ethiopian Yirgacheffe, El Salvadorean La Guachoca and those from Fazenda Lagoa do Morro in Brazil.

AR also serves Red Espresso, rooiboos tea that's prepared like espresso. The Red Latte is a great pick for caffeine-free nights - simply the most luxurious, sublime teh C kosong I've had. Another non-caffeine diversion is the Smoovie, AR's special concoction of banana, yoghurt and cinnamon. Those were the only ingredients I could taste.


Baristas at work


Nowadays, I spend at least a night or a weekend afternoon at AR, nursing one of their beverages for a while before washing it down with free filtered water. Prices are also reasonable: Most of their beverages go for between RM5 and RM10 and cakes/pastries are between RM2 to RM10. One can also pay a little more to go lactose-free with Bonsoy. Plus, the benefit of a (supposedly) cooler crowd.

But I miss the quiet. And playlist needs more tunes.



Artisan Roast TTDI
4, Lorong Rahim Kajai 14,
Taman Tun Dr Ismail

Daily, 7:30am (weekdays) or 8am (weekends) to midnight

+603-7733 6397

amirah@artisanroast.co.uk

Web site | Facebook page

Friday, 20 April 2012

Perils Of Possessiveness

In my defence, I did not write that title or standfirst. But the rest was all me. Not that it matters.

Maybe it was the psychological portraiture of the "mama's boy" that I didn't like, rather than the writing. The writing was fine.



Mama's boy
A prize-winning author gives us a sad sob story about a sad sack of a man

first published in The Star, 20 April 2012


I guess it's true what they say: classics, bestsellers and prize-winners are not for everybody.

“The Mirage” by Naguib Mahfouz
Struggling past three chapters of this book felt like hacking through a dense bamboo thicket. The narrative is noisy, and I couldn't bring myself to care about the characters or the problems they faced. Maybe writing this in the voice of an emotional mama's boy wasn't a good idea.

In this edition of The Mirage, translated from the original Arabic published in 1948, the 1988 Nobel Prize for Literature winner Naguib Mahfouz (1911-2006) channels the voice of Kamil Ru'ba, who was raised by his mum. His mother, a powerful presence in his life, is dead and he's taken up the pen to deal with his issues.

Even before his life's story begins, we get a sense of the emotionally intense and confused, selfish and immature person Kamil is. His behaviour throughout the novel emphasises that perception. The places and times in his life just melt into the background in the heat of his pain, his neuroses, and his disappointments. Kamil's Egypt barely exists.

Scarred by the abuse and broken promises of his drunkard father, Kamil's mum becomes overly protective of him. His sheltered upbringing, naturally, does not prepare him for life's disappointments and nasty turns. He can't make friends. He's a below average student. He can't be trusted to live on his own. On top of that, it seems as though he's inherited his father's love for drink and melodrama.

But not everything he does ends badly at first. Though he successfully courts and marries his sweetheart, the relationship sours due to "medical complications", and for the umpteenth time his world starts crumbling. Then he meets and begins an affair with a woman called Inayat but little changes – until tragedy strikes.

If it is Mahfouz's intention to embody this dislikeable character in his writing and subject us to his misery until our psyche buckles, the author has succeeded beyond measure. One fights an overwhelming urge to grab Kamil and shake him until he falls apart in one's hands. He's a flawed man, son, sibling and husband and he's candid about that.

And how he rambles! He can go on and on about his favourite bones of contention, chewing until they break into pieces. Even so, some of his rants could've benefited from better paragraphing. Every time I was faced with an over-20-line block of text, I was so tempted to skip – and I did. And yet, I don't feel I've missed much.

So I didn't get a "happy" storyline in The Mirage. No matter. Life isn't all sugar and spice, and it's to Mahfouz's credit that he manages to present such a convincing if perturbing portrait of this broken man. (Kudos also to the translators, whom I'm sure worked real hard to bring this novel into the Anglosphere.)

Even so, it is hard to read, and harder still to feel sorry for such a character – which might not be the point of the novel. While some will be annoyed, others who can identify parts of themselves with the troubled protagonist will surely be discomfited.

At the end, we are not sure if it is possible for this fellow, with so few redeeming qualities, to find any happiness that doesn't eventually waver and vanish like a mirage in the desert. Perhaps we're better off not knowing. Or am I missing the whole point of this sob story?



The Mirage
Naguib Mahfouz
Anchor (February 2012)
480 pages
Fiction
ISBN: 978-0-307742582

Wednesday, 18 April 2012

Plate Full? Chomp Chomp

Nowadays I wonder why I do this, but I'd like to think it helps keep me on my toes with regards to my deadlines. And it's the only way I keep track of books to be reviewed under the "personal" (blog) and "professional" (publication) categories.

Several unlikely titles made it into the list this time around. For the time being, they're all "personal" and most are ARCs.

  • Starters
    Lissa Price
    Doubleday (April 2012)
    336 pages
    Fiction
    ISBN: 978-0-857-53135-3
  • Catching The Sun
    Tony Parsons
    HarperCollins (2012)
    293 pages
    Fiction
    ISBN: 978-0-00-732781-2
  • In One Person
    John Irving
    Simon & Schuster (May 2012)
    427 pages
    Fiction
    ISBN: 978-1-4516-6412-6
  • The One and Only Ivan
    Katherine Applegate
    Harper (2012)
    305 pages
    Fiction
    ISBN: 978-0-06-199225-4
  • The Language of Flowers
    Vanessa Diffenbaugh
    Ballantyne Books (2012)
    367 pages
    Fiction
    ISBN: 978-0-553-84109-1
  • The Book of Madness and Cures
    Regina O'Melveny
    Little, Brown and Company (2012)
    314 pages
    Fiction
    ISBN: 978-0-316-19583-6

I first heard of Lissa Price's Starters, part one of a duology, from this "Big Idea" entry. Next thing I know, I have the ARC.

And Monsoon Books has some new titles I'm keen on - as soon as they arrive in stores.

  • Shadow Play
    Barbara Ismail
    Monsoon Books (April 2012)
    288 pages
    Fiction
    ISBN: 978-981-4358-68-2
  • Jaipong Dancer
    Patrick Sweeting
    Monsoon Books (April 2012)
    368 pages
    Fiction
    ISBN: 978-981-4358-73-6
  • Bali Raw
    Malcolm Scott
    Monsoon Books (April 2012)
    256 pages
    Non-fiction(?)
    ISBN: 978-981-4358-71-2

Also coming my way might be The Black Isle by Sandi Tan and the next instalment in Justin Cronin's vampire trilogy. Guess it's time to sweep the bookshelves.

Monday, 16 April 2012

News: DoJ vs Apple, And The Myracle Of Challenged Books

The earth shifted a little last week. So did the publishing landscape, when the United States' Department of Justice filed a suit against Apple and several publishers for allegedly fixing prices of e-books.

Many see these publisher's acceptance of the agency model suggested by Apple as a response to what is seen as Amazon's growing dominance over the publishing industry. Some believe that Amazon will emerge as the big winner in the clash, as fears of authors and smaller independent publishers getting trampled in the middle grow. This view appears to be more prevalent in this debate on The Huffington Post.

Online publisher Smashwords, however, will keep its agency pricing model, despite the DoJ's looming showdown with Apple. Helps when some of its books are less than US$3 and almost 15,000 of them are free....

Too much has been written about this over the week since the news broke, so I won't elaborate further. I'll say this though: E-book retailers should make it much easier for Malaysians to buy e-books, if they're concerned about piracy and stuff. And e-readers need to be cheaper. Then, perhaps, they can start talking about e-book prices.


Other news

Sunday, 15 April 2012

Flash Fiction

An author once said that an "utterly succinct and masterful" short story can be compared to caviar or fine dark chocolate. "Chocolate" best describes the very mixed box that is Without Anchovies,published by Silverfish Books in 2010. Though the simple cover helps it blend into the bookshelf, after your second pass along the aisle you can't help but be curious.

“Without Anchovies”
Chua Kok Yee's debut short story collection starts off normally, then takes a turn into darker, more bizarre territory at the end of the second tale, where a nightclub singer apparently answers a song request from beyond the grave.

What follows is a smorgasbord of day-to-day, action, crime, thrillers, more ghostly tales and strange happenings and a bit of comedy. The superbly scary "My Number One" and "Perfect Prefect" benefited from sharp, 90-degree turns from mundane to macabre, complete with hair-raising endings, so his budding reputation as our Edgar Allen Poe is more or less assured.

Among the new and strange are also shades of the familiar. The "last message from beyond" plot ("Dead Cougar"), and devices such as character continuity between stories ("Dinner" and "Cruel Mother") reminded me of Shih-Li Kow's Ripples – could it be because she and Chua took the same creative writing programme?

"Sambal Without Anchovies", which evokes the very Malaysian (or rather, Yasmin Ahmad's Malaysian) warmth, comfort and sweetness of freshly made nasi lemak, is the first, best and most well-crafted story in the collection. It's a brief, brilliant look at love, family and the generation gap that tugs the heartstrings.

However, many of the following stories couldn't match the mastery of the first. It's Hanif, his wife and the dad, Pak Samad who will be remembered long after the book is put down.

An author's first book is rarely his best. While it's not necessary for one story to segue into another with velvety smoothness in a collection, this one has the feel of a hurriedly compiled volume of exercises for creative writing or storytelling techniques. Why did Silverfish Books published it "as is"? Tight deadlines, maybe?

Chua has heaps of imagination (look at "You Are What You Eat"), a warped sense of humour, and he writes pretty well. At the conclusion of this rather short collection of short stories, one is left to ponder what more he could have done, had he been given more time.



Without Anchovies
Chua Kok Yee
Silverfish Books (2010)
172 pages
Fiction
ISBN: 978-983-3221-27-1

Wednesday, 11 April 2012

The Perfect Gentleman

Dear Americans, watch out for this man ... and his book.


Imran Ahmad (left) and The Perfect Gentleman, also published
as Unimagined in some countries


He's dapper, delightful and when he's allowed to speak his humour will bring down the house.

Imran Ahmad's book, Unimagined has been published on 3 April by Hachette as The Perfect Gentleman: A Muslim Boy Meets the West. He's hitting the road on a speaking tour in the US, travelling approximately 15,000 miles by car until this June.

At the moment, it looks like he needs help with confirming some of the venues in his itinerary. So... can anybody stateside give him a hand? Many thanks.

Wish I could be there.

Monday, 9 April 2012

News: Young Authors, Random House, And An Apple Settlement?

The Writer Games
A new trend appears to be emerging. Publishing parents, ushering an era of authors who are too young to drink, drive, frequent bars and buy prescription drugs.

It's heartening to see kids actually write books. They may be emulating favourite writers or striking out on their own. It might also bear hope for literacy, which is slumping like the economy these days.

Kids, however, also have a lot to bear while growing up and, often, don't have enough shoulders for the job. Soon, instead of just looks, clothes and choice of idols, a typical schoolyard dust-up can be sparked with a, "Your book stinks."

From what I've read so far, even adult authors don't always respond to bad reviews with grace. We can't expect kids to do any better, though one can hope. And some author spats can get really nasty. Will parents be filing lawsuits on behalf of their feuding literary proteges some day?

Also, how will editors handle kid authors? Or their parents? It'll be a new set of challenges, managing their expectations and going through the manuscripts. I've personally reviewed several 'scripts by writers below 18, and it's hard to be the bad guy.

By all means, let kids write and publish books. Just don't let things get ugly among them.


Canadian libraries staying out of Random House
Libraries in Nova Scotia, Canada are boycotting Random House over "unfair" e-book pricing.

Some weeks back, Random House bumped up prices of its books for libraries, believing, I assume, that people won't buy books if they can borrow them for free. But going by that logic, publishers might as well campaign to have libraries closed so people would have to buy books if they want to read them.

Tempus fugit, and now it's libraries that are threatened by the explosion of e-published books. At least publishers can revamp their business model to stay afloat. When anyone can tote around a virtual library in notebook-sized devices, who needs a real one?


Other news
  • Apple and the publishers targeted for "collusion" by the US Department of Justice appears to be heading for a settlement with the feds. Some observers think this will mean lower e-book prices, but also the possible strengthening of Amazon's grip over book selling and publishing.
  • A Q&A with Jodi Picoult. But why did you say "DO NOT SELF PUBLISH", ma'am? The Sydney Morning Herald, meanwhile, says "yes" to self-publishing.
  • From The Maid and the Queen: Yolande of Aragon, Joan of Arc's secret backer? And the author of the book debunks seven Joan or Arc myths.
  • The American Library Association's list of the ten most frequently challenged library books of 2011.
  • Robert Silvers, founding editor of The New York Review of Books, takes us back in time to its early days.
  • Amanda Hocking answers some questions on the varying degrees of success among self-published authors, and the responses to her input.
  • Three costly cuppas: Greg Mortenson has to repay (at least) US$1 million to his former charity.
  • Because you can't have too many writing tips: Here are some from CS Lewis.
  • Cathy Clamp, one half of the writing duo known as Cat Adams, Guest blogs at Writer Beware on why (some) small publishers fail.
  • 20 per cent of US is reading digital books, says Pew E-book Survey.
  • Mightier than the sword: Shiva Rahbaran's Iranian Writers Uncensored.
  • Anthony Bourdain's Ecco will be publishing the online restaurant reviewing phenom known as Marilyn Hagerty.
  • New York City school tests will get more boring with a ban on 50 words being mulled.