I don't know if there's a need to post this again, as there isn't much difference between the original post and the final published version, but this blog is supposed to be a showcase of most of my published stuff, so here it is.
Besides, it includes a review for the book, which should've been published as an Amazon customer review - if the conditions for publishing one weren't so tight. Among all locally published books, this probably ranks amongst the country's most publicised publications.
Note: The official response to this article has been received and will be published in the upcoming issue of
Quill. With that, I hope the issue(s) arising from my article will be put to rest.
I have since disabled comments for this post. One comment has been removed, as requested by its author. My thanks to all commenters for their input, which I shall take into consideration.
Reading Readings
From the launch of a collection of "new Malaysian writing", it seems the Malaysian literary cauldron is, finally, starting to boil. But is the recipe complete? What else needs to go in? ALAN WONG looks into the pages of this collection and ponders those questions, and more
First published in the Apr-Jun 2011 issue of
MPH Quill
The Black Box at MAP@Publika, Solaris Dutamas was the scene for the launch of
Readings from Readings, a compilation of selected works that were read at live literary events Readings@Seksan's and CeritAku@No Black Tie. The 25 February launch was part of the LiFest at MAP@Publika. Part of the proceeds from whatever sales made during LiFest went to Yayasan Orang Kurang Upaya Kelantan (Kelantan Foundation for the Disabled or YOKUK).
Copies of Readings from Readings for sale at the launch
Multitalented poet, writer, and lecturer Bernice Chauly founded Readings, which creative writing teacher Sharon Bakar said began at the Darling Muse Art Gallery about six years ago. Readings eventually moved house to Seksan's and has remained there since. When Bernice could no longer manage the monthly event, it was bequeathed to Sharon, who continues to manage it today. Bernice went on to start CeritAku in 2008.
About 400 new, aspiring and established Malaysian, Singaporean and expatriate writers, poets, and performers have been hosted by Readings and CeritAku combined. From the number of works that have been read thus far, it is hoped that the compilation will be the first of several volumes coming out from these two events.
Lots of books, and those who write them
The crowd was starting to trickle in when I went to MAP@Publika after dinner. It seemed as though everybody was there that night. Jeremy Chin is still hawking his first novel,
Fuel. Haslinda Usman had her very own table for her late father's books. Saras Manickam had a copy of
Unimagined autographed by its author, Imran Ahmad. Damyanti Ghosh bought a copy of
Readings from Readings, and contributor Leon Wing signed his piece in the book.
Buonasera, Mr Brian Gomez! Welcome back from Italy. And why does Amir Muhammad always seem to be selling books lately? Jordan Macvay was by himself that night. Not only was the traffic bad, he couldn't locate Publika. Many of those I spoke to would express similar sentiments. And who can possibly miss Karl Hutchinson? The man can pick himself out of a crowd.
Traditional Malay folk ensemble Dewangga Sakti opened the event with a few numbers followed by the obligatory ribbon-cutting by Bernice and Sharon. Then, selected readers took the stage to read from their pieces in the book. I did not stay for the serving of Panda Head Curry (the politically incorrect band) scheduled afterwards, as it was late.
"...not one or the other..."
"Malaysian writing is not one or the other; it is one and the other."
Well spoken, Bernice. Looking around the multiracial, multinational throng at Publika that night, it’s hard to disagree. However, if this bunch, with so many of the same old faces is considered representative of the Malaysian literary circle and its supporters, then I worry for its future.
The organisers want literary events such as Readings to be inclusive and welcoming, but by design or sheer coincidence, the opposite happens. First, the choice of venues. Places such as Seksan’s and Publika can be hard to find, even with Google Maps. Second, the recurring appearance of "the same old faces". Increased participation by less mainstream writers, poets, and musicians seems to have changed little. Many attendees, who tend to know each other, end up forming little solar systems whose dynamics tend to shut out newcomers or guests. This enforces the impression of the Readings crowd as an impenetrable, tight-knit clique that is hard to enter or get close to.
Editors Sharon Bakar (left) and Bernice Chauly officially launch the book
A writer I know has refused numerous invitations to literary events. "I just feel out of place," was the explanation. Pressed for a more details, she finally said, "Whatever they may aspire to be, the plain fact is Readings invariably attracts the same old names. It's a literati's Ivy League. How do you encourage growth and participation when newcomers feel judged not long after they step through the door? That can’t be healthy."
I suspect it has a lot to do with the encounters she had with "award-winning" authors at a previous Readings session. One dragged an e-mail interview over several weeks for no apparent reason. Another author she’d written so glowingly about wrote lifestyle off as "the easy beat". "Do they even know what’s involved in lifestyle writing? Or, for that matter, ads and corporate writing?" she’d huffed.
What about the aspiring writers? Students of creative writing programmes or English language courses, for instance, can benefit from such live literary events – but do they attend them? From the volume of Internet comments, blogs and letters to newspapers, Malaysians can be considered a vocal bunch. So why does it seem so hard to find smashingly good writers in such a huge pool of voices? Where Readings is concerned, doors are opened, and Facebook announcements posted. Why the difficulty in finding contributors and audiences?
A possible factor, I think, is our socio-political climate. Our society in general doesn’t regard literature or the arts as a means to a prosperous future, and the school of thought that dismisses such pursuits as "highbrow" still persists. And we know how the powers-that-be feel about vocal people. Don’t these walls separate us into "the ones" and "the others": those who are writing, and those who wish to write? How can we unearth more new talent under such conditions?
Writing is more than grammar, ethics, e-books vs dead trees, and
Eats, Shoots, and Leaves, and more than Booker longlists, shortlists and prizes, and a plug by
The New York Times. It’s not enough to simply throw open doors and arms, and plant signboards that point the way. You need more accessible doorways (Google Maps not required), and hearts must be open as well. We need to make the newcomers welcome and help them mature and improve without inadvertently cutting them down to size or leaving them out of the big picture.
Writers are human. Sometimes, people forget. Sometimes, writers forget, too.
Readings from Readings is a selection of mostly short stories and poems from six years of Readings at two of Malaysia’s live literary events. This collection is supposed to best represent the pool of work the editors refer to as "new Malaysian writing". The editors refuse to categorise the stories by genre, form, or where the writers were born – a sentiment echoed by the nature of this collection.
Readers will find works in two of Malaysia’s mainly spoken languages: Malay and English, including some poetry about jellyfish, salt, and joy (at least, I think so) and a story that really isn’t about saving marriages. An English poem is given a Malay title. Like Forrest Gump’s box of chocolates, it has a bit of everything: fiction and non-fiction, with elements of funny, sexy, heartbreaking, gut-wrenching, disturbing, and everything in between.
Within the pages: Well-known cat lady Ellen Whyte tells us why Malaysian cats have kinky tails. The cat in Uthaya Sankar’s satirical feline fable, meanwhile, manages to get hired by a government department. Reza Rosli sends chills down our spines when he recalls a mugging that threatens to get worse. Kam Raslan serves up a titillating whiff of a possible sequel to his fantastically funny
Confessions of an Old Boy. And of course, poems by singer-songwriter Jerome Kugan, and poets Sharanya Manivannan and Alina Rastam, plus many, many more.
However, it might be a bit late to call this collection of Malaysian writing "new". It has been six years, and many of the "new" names within have since made their mark on the literary scene at home and abroad. Though the contents appear fresh and, to my understanding, not published elsewhere, staunch followers of Malaysian writing won’t be able to see much that distinguishes this collection from others of its ilk.
However, to those who are curious about the kind of stuff being written from and about this far-flung corner of the world by other than Rani Manicka, Tash Aw, and Preeta Samarasan, try reading some readings from Readings.
Readings from Readings
New Malaysian Writing
Edited by Bernice Chauly and Sharon Bakar
Word Works Sdn Bhd (2011)
198 pages
Fiction
ISBN: 978-967-10292-0-6
