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Sunday, 3 September 2017

Genuinely Trying To Help

first published in The Star, 03 September 2017


"...Everything You Know About Success Is (Mostly) Wrong" is a pretty eyecatching subhead on the cover of this book, if its bright traffic-cone-orange isn't enough to grab your attention. But besides that, what makes this tome on the secrets of success different from the (many, many) others out there?

From what I understand, these nuggets come from the author Eric Barker's blog, Barking Up The Wrong Tree (bakadesuyo.com), where he apparently has been researching and cross-referencing heaps of stuff related to the science of "how to be awesome at life" for eight years. The fruits of his labour are filed online under such categories as happiness, productivity, relationships, success, and "How To Rob Banks And Get Away With Murder" (coming soon, the blog says - I can hardly wait).

"Many of [the answers] are surprising," Barker writes. "Some seem contradictory on the surface, but all of them provide insight into what we need to do in our careers and our personal lives to get an edge."

Many books tend to focus on success stories while ignoring the downsides. These triumphs come at a cost, and that's what many still don't fully grasp. Barker helpfully lays all this out.

From stories of famous figures in history such as British Prime Minister Winston Churchill and US President Abraham Lincoln, to people many of us probably never heard of - Jure Robič, an insane guy who completed a trans-American bicycle race; Glenn Gould, the hypochondriac genius pianist; and Michael Swango, a doctor and a serial killer - Barker explains what made them good at what they do.

Barker also compares the titular alien symbiote Venom from the Marvel comic book with the Japanese karoshi (work to death) phenomenon, illustrates how pirates can school us on cooperation and meritocracy, and explains why the raccoons in the Canadian city of Toronto are role models when it comes to tenacity.

What the case studies show is that there are flip sides to behaviours that might get you ahead in the short term, but will eventually sink you. Kiss just enough ass to get noticed, but don't make it a habit. Follow up on your dreams but do it with a solid plan ("No, folks, The Secret doesn't work.")

Despite his blog's web address, bakadesuyo.com, in which "bakadesuyo" means "I am an idiot" in Japanese, Barker seems anything but. To the first-time readers of his work, the way he connects the dots between two disparate things ("prison gangs" and "community spirit") seem refreshing - revelatory, even.

Much of the advice seems like familiar common sense; it's just that it is usually all over the place, rather than being in one place like this. However, the thing about such books is that something new will come along and displace it on the shelf. Those who have read a few books in this category might not care enough to pick this one up.

Most of the scenarios follow the anecdote, reveal and research-backed rationale, followed by the caveat, more reveals and research-backed rationale formula. The pace is manic, so when a reference is made to a previous story, the mind backtracks - and realises it's lost.

That the sections aren't proportionate throughout doesn't help, either. Chapters Two, Three and Four are bulkier than the rest and you will need more time to read and digest them. Quitting halfway is not advisable unless you have a bookmark (and, if you're scatterbrained, made some notes). Also, some of the text feels repetitive.

My takeaway from Barker's book is that there is no universal formula for success. One needs to pick and choose the strategies one is most comfortable with, and tweak things as one goes along. "We get hung up on the heights of success we see in the media," writes Barker, "and forget that it's our personal definition of success that matters."

That's the rub, isn't it? That "personal definition" takes too much effort to figure out, hence the allure of off-the-shelf solutions. But that's not what Baka-san is selling. You need to put in the work: "In most cases, there is nothing you cannot overcome with time and effort."

Which involves not merely changing yourself but your circumstances as well. Even before he delves into each success story, Barker points out that "What defines success for you is, well, up to you."

Even for the jaded and well-read, this book has something to teach about defining success, and there's something about the light, conversational style of writing that makes me feel he's genuine about helping you get there. Just don't race through it like that Jure Robič fellow.



Barking Up the Wrong Tree
The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong

Eric Barker
HarperOne (2017)
307 pages
Non-fiction
ISBN: 978-0-06-241604-9

Sunday, 27 August 2017

The Girl Who Remembered Everything

first published in The Malay Mail Online, 27 August 2017


Oh, the ripples that were created when the rights for Felicia Yap's debut novel, Yesterday, were fought for at a pre-London Book Fair auction last year. I was sure some were on tenterhooks, waiting to see for themselves if the publisher's bet was worth it.

To an extent, it lives up to the hype.

Yap's high-concept thriller takes place in a world where everyone's long-term memory stops working when they're 18, after which they fall into two categories: "Monos" can only remember the past 24 hours, while "Duos" can recall twice as much.

This gives rise to a social hierarchy based on one's memory capacity. Only Duos can hold higher positions, and mixed marriages are frowned upon. There's tension between the two classes.

Electronic devices called iDiaries allow people from the two classes to live as normal a life as possible. The result is a world where one's history after a certain age is kept in a machine, along with everything else: phone numbers, addresses and important dates. Not too different from our universe.

However, the focus of the novel is a murder mystery, set in an alternate England. The story kicks off with someone called Sophia Ayling furiously ranting at and vowing vengeance against someone. She also claims that, unlike everyone else, she remembers everything about her past, making her an elephant among goldfish.

A little while later, we learn that Sophia's the murder victim. Could her death be related to her condition?

On the case is Inspector Hans Richardson who has a tendency to colour outside the lines set by the rule books — yes, they have a textbook for cops. The trail leads him to Mark Evans, a Duo who's a successful novelist and rising star in local politics. The dead woman is revealed to be Mark's mistress, which threatens his literary and political ambitions and his marriage to his Mono wife Claire.

The plot unfolds through the viewpoints of Mark, Claire and Inspector Richardson, along with the angry, bitter iDiary entries of Sophia Ayling. Other crumbs of information — some in the form of news reports, document excerpts and quotes — serve as intermissions and additional clues, challenging the readers to find the culprit first (good luck with that).

Soon, we learn that Mark isn't the only one with secrets to hide. Turns out the inspector with the vaguely European-sounding name is a Mono masquerading as a Duo — which means he's not supposed to hold his rank. He also has less than 24 hours to crack the case before his mind resets, while struggling to hide his true nature from others.

As a whodunit, Yesterday ticks all the boxes. It's paced just right, the plot is focused and the writing is technically solid. Pieces of the puzzle fall into their places at the right time, as if in a tightly choreographed dance sequence.

Not all of it is gloomy, sordid and gory. A few nuggets of humour keep the novel from descending into Scandi-noir levels of cheerlessness. There are nods to real-world tech and companies. The iDiary, for instance, is of course invented by an alt-universe Apple.

We are told, in an intermission, that Mark wrote a "high-concept" novel about our world, which a disgruntled reader pooh-poohs as "far-fetched" and "ridiculous" in a letter to a newspaper — is Yap ribbing her own work here, saving nit-pickers the trouble?

Overall, one is hard-pressed to find something substantial about the novel to critique, beyond what it is ostensibly crafted for. Not to say that it's flawless.

The little asides tend to distract our attention from the crime. The faults in our memories when it comes to recording our pasts and shaping our identities, whether technology can or should compensate... never mind all that. Why is Sophia dead and who killed her?

Also, the potential of the goldfish memory as an obstacle against a dogged investigator is not fully realised here. Some might feel the inspector and his case were never in any danger, as the victim's iDiary is on hand to move his investigation (and the story) along.

What sticks out the most is how little of this world, particularly this quirk of its denizens, is explored. How did this memory ceiling come to be? Does it serve a purpose other than covering up probable plot holes?

Perhaps that's why we sense that this might not be the last we see of the world of Yesterday. The ending leaves a metaphorical door ajar, teasing of more to come.

And more might be on the way, taking the predictable route of the trilogy, with subsequent titles such as Today and Tomorrow. Unlike the twists in Yap's promising debut, many of us probably saw that coming.



Yesterday
Felicia Yap
Mulholland Books
400 pages
Fiction
ISBN: 978-0-316-46525-0