Book Marks: Buying Used Books, Geraldine Brooks

After news that used bookstores are making a comeback of sorts, the question of the ethics of buying used books popped up, since not a cent from such sales goes to the authors. This commentator sees no shame in that. To end this note, I'm pulling something Neil Gaiman said in that piece:

What’s important to me is that people read the books and enjoy them, and that, at some point in there, the book was bought by someone. And that people who like things, tell other people. The most important thing is that people read.

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Pulitzer-winner [Geraldine] Brooks "has never written a bad book", Sian Cain boldly proclaims in The Guardian:

The most confounding thing about Geraldine Brooks’s writing is how consistently good it is ... every book is remarkable. Working as a journalist did not beat the poet out of her – Brooks’s fiction is frequently beautiful, poetic at times, packed full of sentences to relish aloud – a river of “water as unlike our clear fast-flowing freshets as a fat broody hen to a hummingbird” in March; the hero who “walked through the woods like a young Adam, naming creation” in Caleb’s Crossing.

Cain also suggested five of Brooks's books for beginners and doubters to start with. Incidentally, someone reviewed Brooks's Foreign Correspondence some time back and seemed impressed with it. Might be a while before I can give Brooks's books a shot, though.

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Ten things about Marco Ferrarese, novelist (Nazi Goreng), travel writer (Banana Punk Rawk Trails) and musician, in The Malay Mail Online. Have a taste (emphases theirs):

As a child with a stammer problem, I was very lonely and got easily attracted to horror films. They helped me feed my anger. The covers of early Iron Maiden albums that arrived from England were horror, too. I loved how Eddie held that pickaxe on the cover of Killers. My parents hated it, of course, which was another great reason to go for it.

...English is my second language and requires more attention and editing, but I know that almost everything I write in English will get published. On the other hand, Italian is a much richer language, as we have adjectives, expressions and shades of meaning that you can’t recreate in English. But most of what I write in Italian remains unpublished, because there’s no interest nor money for writers in Italy.

Also:

• In a restructuring exercise, British education publisher Pearson plans to axe 4,000 jobs. The AFP report picked up by The Malaysian Insider states that "Pearson has been hit hard by a difficult education market in the United States, where fewer people are going to university, instead seeking to go straight into employment in a buoyant jobs market. It has also been impacted in the UK as high costs have seen fewer students take vocational courses."
• "...bookshops are portals ... a good bookshop shows us what we didn’t know we wanted." Bookseller and author Jen Campbell on the magic of bookstores and how important that magic is to children.
• The e-book industry is in a state of decline, apparently. I guess it's harder to treat more expensive and bulky paper books as throwaway items, unlike digital files, which you can hoard till kingdom come.
• Celebrated sci-fi author Zen Cho will be holding court in Kinokuniya KLCC on 13 February 2016, from 11am to noon. Drop by and say "hi". Maybe buy a book. And get your copy signed.
• Some weeks back, an online hailstorm erupted over a supposedly lewd passage in a school-syllabus novel, Pantai Kasih (Love Beach), said to be a sex scene. The novel is not about beaches but a private hospital for VVIPs. Khairul Nizam Bakeri, author and social media editor for ASTRO Awani, read the book first and here's what he found (in Malay). In short: not lewd.
• A Snow White book based on the Disney adaptation was removed from a school library in Qatar for its "indecent" illustrations. What, more "indecent" than the Gulf nations' poor record in its treatment of migrant labourers?

I've dropped the ball for a bit to write up my recent trip to Melaka with several others, which would turn out to be the longest writing project of my life so far at almost 10,000 words. A shame I didn't take enough good pictures for it.

Sugarcoating The Unpleasant

Ron Charles, editor of Washington Post's Book World, proclaimed that "There are no winners in this controversy over A Birthday Cake for George Washington".

This children's book features a chapter in the life of George Washington's slave, Hercules, who manages to bake Washington's birthday cake despite not having any sugar on hand. Critics are upset at the rosy portrayal of slavery and the slave-master relationship in this book, and Scholastic, the publisher, pulled it from shelves. It didn't matter that the author is not white or racist, or that they were apparently not doing what they were accused of. Slavery was horrible and must in no way be presented in a kindly light.

"While it is perfectly valid for critics to dispute a book's historical accuracy and literary merit, the appropriate response is not to withdraw the volume and deprive readers of a chance to evaluate the book and the controversy for themselves," according to a statement from the National Coalition Against Censorship and the PEN American Center.

Scholastic has responded to the criticisms, saying that they pulled the title because no, we were not browbeaten into it. It was because the title "did not meet our publishing standards."

On a somewhat related note, Kate Breslin's For Such a Time was also panned for using the Holocaust as a backdrop for a tale of romance (with Christian undertones) between a German SS officer and a Jewish woman.

I'm inclined to believe that this is just a couple of cases where two publications were shouted at without addressing the sources of the outrage. In the US, blacks in general are still treated as second-class citizens; and modern-day slavery in many parts of the world contributes much to our 21st-century lifestyle: in fashion, construction and gadgets, for instance. Bigotry is still rife in many societies, and not just towards Jews.

Reading these reports, we're not sure whether these critics have anything to say about forced labour, racism and anti-Semitism today. Maybe all that ended up on the cutting-room floor because of the media's supposed tendency to curate the news to suit certain agendas. So all we seem to get from these people are along the lines of "Nothing good happened during those times! Stop looking, and stop imagining!"

But who's to say that the above scenarios are implausible? Can a slave not be resourceful and proud of his work, even under oppression and inhumane treatment? Is it impossible for two people to have a romance, despite being on two sides of an unbridgeable ideological chasm?

For me, these small specks of brightness cast a light not on the already well-documented horrors of slavery or the Holocaust, but upon the humanity buried underneath the muck. Even in adversity, there is still a small part of us that strives to be the best we can be.

If we can't tell stories like this anymore, then what? The shouty types don't seem to have any other solution than "Don't write them". They appeal to their audiences with horrific images of "what really happened", burying any attempt by others to mess around with the official narrative, even in fiction.

I like the idea of a slave who, despite his circumstances, takes enough pride in himself and his job to find ways to solve a problem. He can think, strategise, improvise. He has potential - why not celebrate that?

And it's a children's book. The way the critics were howling you'd think they'd want the young 'uns aged two and up to be aware of just how nasty the practice of slavery is. Is that wise?

Besides: "It's possible, though not encouraged by our screaming online culture, to raise serious objections to this book without calling into question the motives or talents of the people involved," Ron Charles wrote in that WaPo article.

(This is why Charles is one of my favourite book people.)

Let little kids be themselves. Treat them with small slices of real life they can stomach and digest. They will grow up eventually, and when they finally have questions about what really went on as Hercules baked that birthday cake, that's when you know they're ready for the answers.

Books - and the Internet - aren't supposed to teach our children everything. That's our job. And maybe we shouldn't scream those lessons into them either.