Book Marks: Big Fiction, AI, Malaysian Bus Journeys

Lacking material, I put off last week's post. As these things go, I probably should have expected to run smack into a deluge of stuff on books and publishing this week. Who was it that said publishing activities tend to slow down towards the end of the year?

Anyway, this is what cropped up in the past two weeks...

In The New Republic is a review of Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature by Dan Sinykin, an assistant professor of English at Emory University in Atlanta, Georgia. A part of it reads...

"As publishers grew far larger—and ever more concerned with the bottom line—the lives of editors and authors transformed. More than ever before, they became cogs in a corporate machine, responsible for growth and returns on investment, necessarily responsive to the whims and demands of capital—and these pressures increasingly showed up in their output."

And how. I'm sure this is increasingly the case as publishers push more books out and the editorial process suffers as a result.

Sinykin and his book are cited in this prediction about the (near) future of books in Esquire. I'm not dismissing it outright, so let's see how many of these come true.

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Over at Observer, writers and publishers weigh in on how to cope with AI. "Reports of companies and individuals using A.I. to spread misinformation, infringe copyright and steal authors' identities have dominated discussions of the technology's role in the books we consume," goes the report. As the technology develops, publishers are finding it harder to detect AI use in submitted work, while writers seem to be thrilled with how AI is supercharging their productivity.

Meanwhile, several editors look at the adoption of AI in publishing and ponder where the tech would fit in the editorial workflow. "While generative AI's current appeal lies in creation, it requires human motivation and direction. This is the kind of briefing and tweaking that editors and publishers historically have done: acquiring, commissioning, copy editing. Our role has included adopting and adapting text to create (or curate) connections with audiences, elevating prose to the best it can be, or the perfect fit for that category."

Not everyone is sanguine about AI. This writer, whose farewell to OpenAI CEO Sam Altman has proven premature now that Altman looks set to return as CEO, appears concerned that chatbots at workstations is but a step towards a dystopian post-human future. Also: "Even if we assume that the creation of a superintelligent AI is plausible, let alone desirable, was Altman ever the right man for the job here?"


Also:

• "A bus ticket gets you places. An open heart gets you hidden Malaysian experiences." Lam Ching Fu, author of the developing My Journey By Bus series, is profiled in Options @ The Edge. After covering stopovers in Perak, Penang, Kedah and Perlis in his first book, his second book takes readers from Pahang to Terengganu and Kelantan. In progress is part three, which covers Negeri Sembilan, Melaka and Johor. You gotta hand it to him to embark on such a project. Will it help spur improvements to the bus system? One can hope.
• Malaysia's youngest author? Meet Karen Chew, author of What Can an 8-Year-Old Tell You? While she was only eight when she started writing her book, she had begun to write when she was only about three to four – "first with a diary and later a blog," goes the report. One factor in her achievements has to be how she is schooled. Now we have to wonder just how Herculean efforts would be to get the current national education system to that level where every third or fourth child can write and publish a book at age eight.
• "People have agency. People are going to write what they want to. I'm not here to tell people what they can and cannot write. I'm here to ask them should they be writing that story? And I think more people should ask themselves that." After speaking up on Tillie Cole's problematic dark romance novel, BookTok creator Sat and others who have aired similar views found themselves harassed by fans of the novel. Questions are raised over how taboo themes should be addressed in fiction, specifically the dark romance genre.
• "...the most troubling side effect of #Booktok is how the publishing industry responded to a glut of younger, easily influenced consumers moving deeper into the romance genre. The plan, it seems, to entice and retain these customers was to take the embarrassing bodice-ripping, kilt-clad, flowy-hair heroes off the covers of romance novels and instead churn out aesthetic, minimalist designs." TikTok may be shifting copies, but what if erotica dressed up in YA covers are among those? And if a customer is about to pick a volume of stealthed smut off the shelf, should booksellers intervene?
• Lots have been observed and said about Javier Milei, who's set to be Argentina's next president, so perhaps it's no surprise that the controversial far-right figure is apparently a plagiarist too. El País claims Milei lifted whole passages from an article written by Mexican scientists for his book, which was published in 2020. "Accusations of plagiarism hung over Milei throughout his entire career, whether it be his academic publications, his campaign spots or even his autobiography," the portal adds.
• Could this be one of history's longest-running literary scams? The BBC reports that fake Robert Burns manuscripts "made by a forger in the 1880s, have been fleecing collectors for 140 years." While the counterfeiter was caught and imprisoned in 1893, many of the fakes still circulate. "Genuine Burns manuscripts can fetch tens of thousands of pounds at auction today," the report adds, "so there is cash to be made through the fake papers." How many people have been Burn-ed, I wonder?
• "It's believed Marcus Aurelius wrote Meditations as a form of introspection rather than for larger public consumption. The entries range from blunt maxims to cogent dissertations, and there is no definitive organization to the work—though some patterns have been identified, with themes organized around Stoic philosophy." Though Meditations may not have been written for a wider audience, this self-help classic has become one of the go-tos for those seeking wisdom and life lessons.
• "My stories, thoughts, and insights are crafted with care, but they must struggle to find their place in a family budget that is under pressure to prioritize where every dollar goes. In this economic climate, choosing between a Netflix subscription and a Patreon pledge is not a matter of preference — it's a hard financial decision for many." Joan Westenberg ponders writing as a career in these trying times.
• "I knew at once that I would say yes—not because I felt any particular sense of confidence but because I was fully committed to trying. There are so few things we can do for the dead; this was something I could do for her." When she died, Rebecca Godfrey was working on a novel about heiress and art collector Peggy Guggenheim. Friend and novelist Leslie Jamison was approached to finish Godfrey's work. Jamison's quest took her on an odyssey of sorts, delving deep into Godfrey's thought processes, the life of the novel's subject, and her friendship with Godfrey.
• Former Huntsville Public Library employee Elissa Myers shares her experiences working at the library with Book Riot. "Her work is less about the book banning–that is there, too–but about what it means to be a queer librarian in a time of unmitigated bigotry, much of which is being directed at public employees in education and libraries."
• "Despite being a nation with a reputation for prudishness about sex, the British don't seem to have any problem reading about it, at least not if you go by the enduring popularity of one the country's most successful writers, Jilly Cooper." Explore Cooper's career, a brief history of the "bonkbuster" (urh), and the British affair with raunchy novels.
• "There's a reason why Medieval art is particularly, well, weird. While paintings and sculptures that remain from most other periods in history were generally produced by trained artists, the illuminated manuscripts made in Medieval times were often authored by monks and tradespeople, who weren’t necessarily following artistic conventions of the era." Can't get enough of the @WeirdMedieval Twitter account? The book is now out.
• "Hubert Seipel, an award-winning film-maker and author, admitted receiving support for his work on two books charting the Russian leader's rise to power and offering portrayals described as sympathetic to him." A German publisher has stopped selling books by Seipel after an investigation revealed he received payments from companies linked to an oligarch close to Russian president Vladimir Putin.

Balmy Bookshop Vibes

Rows of bookshelves stocked to the brim. The smell of books perfume the interior, with the occasional whiff of freshly brewed coffee. Gentle air conditioning, pushing away the warmth of the afternoon sun. From a corner, an almost imperceptible flap of a page being flipped. As you sit in a corner, you relax and become one with the ambience. The past, the future, and the world outside no longer exist.

Rarely does a book about a small neighbourhood bookstore evoke the sensation of being in the real thing. But from the first chapter of Hwang Bo-reum's Welcome to the Hyunam-dong Bookshop, one is sucked in – and is reluctant to leave.


Read the full review here.

Book Marks: Miscellaneous Marks

The weekly post was late last week, partly due to dearth of news and happenings. Not so this week, so let's take a look:

• Literary social media platform Goodreads is getting users to help it combat review bombing. Publishers Weekly reported Goodreads' statement on the matter, as well as the platform's efforts to remove ratings and reviews that may be review bombs and its plea to its users to report "content or behavior that does not meet our reviews or community guidelines".
• "Ada Calhoun, the author of four nonfiction books ... helped create the first draft ... Sam Lansky, an editor at Time magazine ... was the next to join the project. The book was completed with the assistance of Luke Dempsey, a ghostwriter and editor who has published books under his own name and worked with Priscilla and Lisa Marie Presley". According to The New York Times, these three people worked on Britney Spears's bestselling memoir, The Woman in Me. Quite a team.
• "Bill Watterson is known for many things — from his world-famous comic strip Calvin and Hobbes, to his disdain for merchandising and his penchant for reclusion. Now he's returned to the world of publishing with a brand new picture book, but the subject matter marks a significant departure from the family-friendly tales he is known for." On CBC, author and publisher Michael Hingston speaks about Watterson's reputation and what his new picture book, The Mysteries.
• The adult fantasy novel Fourth Wing by Rebecca Yarros is booming on TikTok and Instagram, but the author's use – or, rather, misuse – of Scottish Gaelic in the novel is getting airtime as well. Discussing this, Scottish BookToker Muireann also expressed frustration with fantasy authors who "use minority languages to exoticize their fantasy without care."
• At the Sharjah International Book Fair, Tamil publishers make their presence known. "Universal Publishers has guided the lives of tens of thousands of readers by publishing the first self-reliance books in Tamil in 1948 itself," S.S. Sajahan, owner of Universal Publishers based in Chennai, Tamil Nadu, told Gulf Today. "We have published more than 1500 titles till date, out of which over 1000 books have seen many editions."
• The author of a new book on the last empress consort of Vietnam, Queen Nam Phương, "hopes the book will give historians a chance to reassess certain perceptions about the royal couple." Speaking to VietnamNet Global, Phạm Hy Tùng said, "It aims to shed light on and clarify any misconceptions or negative assumptions that have been made about Queen Nam Phương in the past, thereby contributing a small part to illuminating the true character of this historical figure."
• Considering the size and scope of the infamous Books3 data set, that the works of Singaporean authors would also be found in it is unsurprising. The Singapore Straits Times reported: "Poet Daryl Lim Wei Jie posted on Facebook recently that he had found several authors’ works in the database, which is used as a reference to train artificial intelligence (AI). Prominent names like Balli Kaur Jaswal, Ovidia Yu and Rachel Heng were on the list, which also included the late Lee Kuan Yew."
• "Starting a book lending library is a fantastic way to build a sense of community, promote literacy, and provide access to books for those who may not have the means to purchase them. Whether you’re creating a library in your neighborhood, at a community center, or even at your workplace, the process is both exciting and rewarding." If you're interested in setting up a book-lending library, Robots.net has a framework laid out.
• Is ghostwriting ruining literature? Probably not, as Book Riot posits. "Since ghostwriting has existed for so long, it feels futile to argue that it's suddenly ruining literature. The effects of modern celebrity ghostwriting, however, can be felt throughout the publishing industry as up-and-coming authors still have to fight to even have their book proposals read."
• "The foundational decades of modern Māori writing in English are defined largely by a sequence of milestone publications ... Yet these markers are complicated by the existence of David Ballantyne, a writer belonging to both Ngāti Uenukukōpako and Ngāti Hinepare of Te Arawa, who published four novels and a collection of short stories prior to the release of [Witi] Ihimaera and his earliest works of fiction." At Newsroom, Jordan Tricklebank has some thoughts about David Ballantyne, arguably the first Māori author.
• "These days, it seems the only way for a full-time novelist to ensure financial stability and a comfortable life is to write a Big Book—a reality that’s almost entirely outside their control." Esquire explores how difficult it is to make a living as an author. TL;DR: it's still tough, don't quit your day job. Even writers who started writing after retirement and found success don't do it for the money.
• "Book challenges and bans may be dominating school board meetings and headlines in the U.S. media, but America is far from the only country that has and continues to wrestle with issues of censorship and book access. Across the Atlantic Ocean, the Republic of Ireland has grappled with issues of book bans and government-led censorship over the last hundred years." Lo, a brief history of book bans in Ireland.
• A dark romance novel about a Ku Klux Klan member and the daughter of a Mexican cartel boss has come under scrutiny by TikTok creators for its racist and antisemitic language, on top of the apparent fetishisation of Mexican women and culture. Zooming out, Centennial highlights "an issue that has plagued BookTok since its inception: the underrepresentation of authors of colour and novels that meaningfully capture the lived experience of racial minorities." Thanks to TikTok's algorithms and biases in publishing, minority authors find it harder to break through in BookTok.
• "Despite the impressive writing of authors such as [Raven] Leilani, [Ottessa] Moshfegh and [Lisa] Taddeo, too many of these stories fail to keep up with their own ideas. Trauma is sensationalised, damaged characters are diminished and complicated, and challenging situations are compressed into marketable entertainment. Sometimes this is alarming, but mostly it's just disappointing. It also means the Sad Bad Girl was a trope from the outset." Liz Evans seems to have had enough of Sad Bad Girl novels.

Book Marks: Writing Novels, Flower Moon, Scholastic U-Turn

"Salman Rushdie has said that if authors are only allowed to write characters that mirror themselves and their own experiences, 'the art of the novel ceases to exist'," the Guardian reports. "If we're in a world where only women can write about women and only people from India can write about people from India and only straight people can write about straight people ... then that's the death of the art."

The report doesn't elaborate further on this, and Rushdie may have more to say on the matter. "Write what you know" emerged in part from the backlash against works by authors who didn't seem to know what they're writing about because of cultural distance or sloppy research. If writers wish to explore realms beyond their lived experiences, they had better do the work or get called out. Confining what writers can write about is unrealistic and inhibits their growth.

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"Martin Scorsese's career-capping Killers of the Flower Moon likely never would have happened without David Grann, the New Yorker writer with a preternatural knack for unearthing astonishing, dramatic stories from history. But in the journey from book to film, Scorsese and Eric Roth’s script underwent dramatic changes—including a major shift in focus from an FBI investigation to the Osage of 1920s Oklahoma and the white prospectors and landowners who exploited them."

Dan Kois speaks with Grann about those changes and the film. May I suggest checking out the book as well? I reviewed it and it's great. If this isn't enough, Scorsese and Leonardo DiCaprio's next project will be another adaptation of Grann's book, that of The Wager: A Tale of Shipwreck, Mutiny and Murder, which I have yet to get my hands on.

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"I am highly perturbed by this news with the bookfair opt-in. I don't get to opt in to be Black. I'm Black 365 days a year, 366 days when it's a leap year, and extra Black in February. So I don't get to turn on and off my Blackness." Author Tanisia Moore voices her displeasure with Scholastic's decision to sequester its book fair titles that revolve around race, sexuality, and gender into a separate catalog. Her book, I Am My Ancestors' Wildest Dream, was part of the Scholastic book fair and also included in this catalog.

Well, the backlash has compelled a U-turn by Scholastic on that policy, reports CBS News. "The 'Share Every Story, Celebrate Every Voice' collection will not be offered with our next season in January. As we reconsider how to make our book fairs available to all kids, we will keep in mind the needs of our educators facing local content restrictions and the children we serve."


Glad that's over with. Now...

• "In my novels, walls are real walls," author Haruki Murakami told Associated Press in an interview before receiving Spain's Princess of Asturias prize for literature in the Spanish city of Oviedo. "But of course they are also metaphoric walls at the same time. For me, walls are very meaningful things. I'm a bit claustrophobic. If I'm locked up in a cramped space I may have a mild panic. So I often think about walls." He also spoke of his theory of "novelistic intelligence", AI, and the Israel-Hamas war.
• "Unlike mega bookstore chains stocked with mainstream titles, these shops curate selections from indie presses, serving both as havens for authors and vital distribution channels. Initially, the indie publishing scene was mostly comprised of young innovators producing visually centric content like posters and postcards. Today, a diverse array of creators contributes novels, essays and travelogues, increasingly blurring the line between indie and mainstream." Indie bookstores appear to be thriving in South Korea, but there might be more to it.
• "[Toni Morrison's] situation as a black woman at a very white press ... was fraught. It was fraught within the house, where she had to contest entrenched white supremacy. It was also fraught outside the house, where her black peers might see her as a sellout. Some did." A bit about Toni Morrison's career as a trade editor at what was then Random House.
• Responding to the shelving of the award ceremony for Palestinian author Adania Shibli's Minor Detail at this year's Frankfurt Book Fair, Shibli's publisher Fitzcarraldo made the e-book version of Minor Detail free to download during the fair's duration. The Bookseller also reported that BookTok creator Hana Aisha launched "a readathon on the platform to encourage users to read the novel."
• "I find it a remarkably silly book. It is certainly a bumptious one. Its story is preposterous." On the 66th publication anniversary of Ayn Rand's Atlas Shrugged, Literary Hub presents a review of the novel by American writer and former Communist spy Whittaker Chambers that was published in the National Review in December 1957.
• "Without attempting to be comprehensive or authoritative—a fool's errand if there ever was one—I thought I would suggest just a few of my own favorites. At the very least, I prescribe these titles as antidotes to the quick and dirty ways people are communicating about the war on social media." Gal Beckerman at The Atlantic recommends some reads as a distraction from the daily doomscrolling of updates on the latest war in Gaza.
• "I was intrigued by the fact [W. Somerset Maugham] based the story on a murder trial which had taken place in Kuala Lumpur, where I was living. The trial happened more than 100 years ago today, and I just found it interesting that nobody I knew seemed to know about it." How Tan Twan Eng reimagined a century-old scandal in his novel, The House of Doors.
• British artist David Shrigley collected 6,000 copies of Dan Brown's The Da Vinci Code, had them pulped, and turned them into copies of George Orwell's Nineteen Eighty-Four. Learn the reason behind the project, dubbed "Pulped Fiction" He tells CNN, "War is presented as peace. Enemies are invented for us. We're invited to think that black is white, and white is black. Day is night, and night is day. This is a book that people should read. It's still really relevant."
• "It was a sight unlike any as bibliophiles jostled their way to endless stacks and shelves of books and came out with bundles of books and perhaps one last piece of memory from the famed bookstore once described by the New York Times as 'the cosiest bookshop in the country'." After about half a century K.D. Singh's The Bookshop at 13/7 Jor Bagh Market in Delhi closes its doors for good.
• Another case of plagiarism has returned the spotlight to how publishers vet manuscripts (or not). The Financial Times "revealed that the UK shadow chancellor's new book, The Women Who Made Modern Economics, contains more than 20 examples of text that appears to be taken from other works without acknowledgment."