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Tuesday 24 June 2014

When Wild Ain't Real

Like many on that day, I was stunned to learn of Steve Irwin's death. Back when I still had an Astro subscription, the "Crocodile Hunter" was a welcome distraction, as were his other fellow wildlife-championing daredevils.

Years later, comes this point of view, which would change my perceptions of the Crocodile Hunters of TV forever.

Austin Stevens pets (reluctant) king cobra
King cobra: "I'm a celebrity?
Get me outta here!" Photo
from here.
"Five years on, the pet-and-pester approach he pioneered has become the standard way for nature programs to produce cheap dramatic footage — reality TV with claws," writes Andrew Marshall in that piece. "Turn on any channel and you'll see Irwin lookalikes hassling animals. They declaim their love of nature, while unwittingly recording our dysfunctional relationship with it, teaching our children to both fear and subjugate creatures already pushed to the brink of extinction."


Dancing with death
Anybody remember Austin Stevens? The "snakeman, herpetologist, adventurer, photographer, filmmaker" and "author"? I do. But not Andrew Marshall, apparently. The shift in thought I'd just mentioned was reinforced when watching him again one day.

In an episode of Austin Steven's Most Dangerous, he was looking for a king cobra. At one point he voiced his frustrations at not being able to find one. Then, by the law of the last 15 minutes - huzzah! - they found a wild specimen. Watching him sweatily dance around a snake that just wanted to get the hell out of there was excruciating. Not content to get his photos, he also wanted to pet the snake, something he "wanted to do" for years. And when he does, oh boy, does he sound ever so elated.

If you'd seen it, you'd be rooting for the snake, too.

Even before Steve-O's untimely demise, the nature show machine was already becoming more and more mass-market. It's good television, provided that the core messages were also being sent. Now, I'm no longer sure that's the case.

Well... maybe these wildlife experts are experts. Maybe they do love nature enough to know they shouldn't molest potentially lethal species for television. Maybe there are times when they would advise against all these stunts.

But TV demands an audience, one that's developing an appetite for mindless action and gore nurtured by the entertainment and games industry. And so, even experts have to bend over and violate a few moral tenets for exposure and a living. Kind of like the chefs in those reality and travels shows.


Sending (and receiving) the wrong signals
While the proliferation of celebrity chefs would do relatively little harm, I feel that the nature show industrial complex played a role in the mess caused by the exotic pet industry. A few TV shows and an Internet-enabled device and somebody's an "expert" on Burmese pythons and monitor lizards.

Did they miss the part about Burmese pythons being able to grow up to 7 feet long within a year, if cared for properly? Or that a 10-footer can easily kill a child? Or the massive sizes they can achieve if kept alive for years?

Exotic pet industry advocates say the trade creates jobs, fosters understanding about wildlife and the environment, and so on. Well, the firearms industry creates jobs too. But people can't be counted on to be responsible with their pets or guns all the time.

These exotic pet traders expect their customers to be knowledgeable and responsible pet keepers. The Burmese and African rock python invasion of Florida's Everglades is the result, possibly due to the negligence of a few irresponsible individuals. The snakehead "invasion" in Maryland was reportedly caused by one fellow.

And how does taking a Burmese python out of Burma help in understanding nature and the environment? Or help in conservation, even? Why should little Timmy have a bearded dragon, just because it's cool to have one and "Mark down in Shepford Avenue has one too and oh, his dad keeps a Gaboon viper"?

Male lion facepaw
"Muskingum... oh G*d, that was awful.
I close my eyes and I can still see it...
Photo from here.
The so-called wild creatures can't demonstrate their roles in their natural habitat when they're not in their natural habitat. Nor can they speak for themselves, which is why we need real animal experts. I don't think the commercial exotic pet trade helps with this at all.

Those traded animals that didn't come from a factory farm were likely caught illegally from habitats that may not afford the loss of these species. The National Geographic article on the Asian wildlife trade still fills me with shame and fury, as does the extermination of the animals in Muskingum, Ohio.

And how can these wild creatures be compared to other domesticated animals such as dogs and cats? A pet shop is not a Toys-R-Us. Kids will get bored with their toys, just as they will with pets. And there are no recycle bins for unwanted African rock pythons or Indian star turtles.


Coming home to roost - or nest
We often fail to understand that many of this planet's creatures evolved to perform certain duties necessary to keep the circle of life going. The effects of any unnatural tampering of this circle may not be known for years and by the time they're felt, it's often to late.

With regards to pythons in the Everglades, nobody knows exactly how these snakes react when placed in a foreign habitat. Will they be eventually killed by the climate, or will they evolve to fill the niche they're placed in?

Wildlife experts now fear the possibility of the latter, a worst-case scenario where these pythons would spread beyond Florida or, worse, breed a hybrid Burmese-African super python.

Sceptics argue that snakes won't survive the winters outside Florida and, hell, we ain't seen a super snake yet. That's because the twain hath never met - Burma, Africa, you know. But now that both species are sharing the same neighbourhood, it may only be a matter of time.


Keep it real
Not to denigrate the good work these wildlife warriors do off-camera, but I don't really feel the action-adventure circuit does much good for wildlife conservation or the reputation of the related professions in the long run.

Not when the nature channels appear to be pandering more and more to the action-adventure- and blood-and-guts-loving demographic, distilling their subjects down to tiny yummy, bloody bites for an increasingly attention-deficient dumbed-down audience.

I'm not sure they dance with crocs or wrestle great white sharks onto boats for tagging, measuring and DNA sampling for the glam. It's hard work, more a labour of love or a duty to inform. Cliché, perhaps, but that's what I'd like to believe.

(I've not heard of researchers who treat field work as a "job", but I'm sure they exist).

Just as these shows reduce these dedicated men and women to Crocodile Hunters, Snake Busters or Shark Men, these wild animals and their roles in their exclusive ecological niches are similarly reduced to just stripes, spots, fins, scales and sharp teeth, to be gawked at, feared or admired, and perhaps owned. Trophies, trinkets, ornaments. Status symbols.

These people and the wildlife they work with are more than that. And it's time we all learn how much.


I wrote this back in 2012, partly in response to an article that commemorated Steve Irwin, a few years after his death. Things are hectic at the company, which is why there are more pictures than prose around here these days, and only when I can be bothered - not even enough time to compile the space-filling listicles I used to be fond of.

Saturday 7 June 2014

Zan Does Afghanistan

After covering and chronicling the South Thailand insurgency in the book titled Operation Nasi Kerabu: Finding Patani in an Islamic Insurgency, journalist and filmmaker Zan Azlee turned his lens towards a conflict zone much further afield: Afghanistan.




A "KL-ite journalist who has lived all his life in non-conflict zones", Zan travelled there "to see if he can come up with the best travel guide for the country. With no idea what he is getting himself into, he dodges suicide bombers and IEDs, and even gets embedded with the army, to plan out the best tourist route in Afghanistan." Okay....

Upon his safe return to Malaysia, Zan has gone on to write articles and produce photo essays and video clips on his trip to Afghanistan. As part of his various Afghanistan-related multimedia projects, Zan, together with creative director Arif Rafhan, brings us his Afghan adventures in a black-and-white graphic novel.


Zan and his fixer's first meeting (as Zan imagined it, I believe)


The monochromatic textures and shades manage to convey the mood of the characters and scenes, bringing home the reality of the Afghan conflict (it's not like Rambo III at all) and its impact on the long-suffering populace. The results are more National Geographic than Lonely Planet, though I felt the book was a bit short.

As I said before, Adventures of a KL-ite in Afghanistan (I suggested a title change, but no) follows Zan the "macho" solo-journalist (he says) on his romp around the war-torn country in his attempt to put together said tourist guide.

Going to the ground with his fixer, Ahmad Bilal Raghbat, Zan sees first-hand the plight of the Afghan people and the efforts of those who are contributing towards rebuilding the country and returning some semblance of normality to Afghan society.

Our intrepid protagonist also talks to (allegedly) the last Jew living in Afghanistan; witnesses an orderly, police-assisted march in honour of Ahmad Shah Massoud; meets Oliver Percovich, founder of NGO Skateistan; looks up the empty gigantic cavities that once housed the Buddhas of Bamiyan—the fulfilment of a years-long dream; briefly accompanies Malcom ISAF 2, Malaysia's military contingent, on a humanitarian mission in the war-torn country's Bamiyan province; and more.

Plus, a cameo by a mat salleh who looks like Dave Grohl. Awesome stuff overall - what's not to like?


Zan Azlee is a TV/film director, producer, videographer and writer who's involved in journalism both for broadcast and print, a content developer for new media/Internet, and a content consultant. He also runs Fat Bidin Media. You might have seen some of his scribblings on the online news portal The Malaysian Insider.

Arif Rafhan is a Malaysian creative director of web design agency who loves to draw on anything – from dead-tree media to his computer monitor and his son's bedroom wall. He is also the illustrator for Imaginary Friends: 26 Fables for the Kid in Us by Melanie Lee.

12/08/2014  Listen to the podcast of Zan and Arif's interview on BFM89.9 about the book.




Adventures of a KL-ite in Afghanistan
Zan Azlee
illustrated by Arif Rafhan

MPH Group Publishing
136 pages
Non-fiction
ISBN: 978-967-415-196-6

Buy from MPHOnline.com

Friday 30 May 2014

Musings Of A "Zebra Mom"

"Zebra" is a medical term for a surprising or unexpected diagnosis. In medical school, physicians are taught to think of a horse, not a zebra when they "hear a gallop and hoofbeats". The analogy means that the simplest and most straightforward explanation is often the answer.

Which is perhaps why, during a routine check-up for a bad bout of flu, Patsy Kam and maybe her doctor were caught off-guard when the latter found something else entirely, which marked her a "zebra".


Galloping into bookstores nationwide: I Am a Zebra! by Patsy Kam


Kam learnt that she has paraganglioma, a rare condition. Estimates say that one out of 300,000 people in the general population are diagnosed with it every year. Though not debilitating in itself, the condition can lead to something worse if left untreated.

Overnight, her world changed, as she prepared for a future fraught with doctors, medical exams and surgeries, while trying to balance her roles as a journalist and mother of three.

This is the story of a woman who discovers her inner strength and resolve as she battles this disease while muddling her way through motherhood. Plenty of drama here as Kam braves painful medical procedures and the side effects of her treatments - on top of the antics of her three sons, who keep proving to be a handful and a half (each) as they grew up.

And hers wasn't a smooth transition to being a mother.

"For starters, I was not one of those women who glowed and beamed as their stomachs grew progressively larger," Kam writes. "Some of them claim they never suffered a day of morning sickness in their lives, and giving birth was as easy as 'pushing out an egg'."

But perhaps it was motherhood that lent her much of the strength she needed to battle her condition.

By sharing her experiences as a patient in this book as well as stories of some people like her (a handy glossary and resource section is provided at the end of the book), Kam hopes more people will learn about the disease and its effects, and spur more research towards finding a cure.

"When I first discovered my medical tragedy, my world came crashing down. There seemed no respite from the surgeries and the drama that unfolded, and there were many, many times when I wanted to call it quits," she says. "But it’s not all bad as I’ve since learnt how to cope with paraganglioma."

"Hopefully, someone, somewhere, will glean something from my experience," she adds, "and be aware of this rare disease and be able to do something about the tumours that come with it before it’s too late."


Patsy Kam is a mother of three and a journalist with Malaysia’s leading English daily The Star. Follow her further adventures beyond this book at her blog Me and My Lumps.



I Am a Zebra!
Making Sense of a Rare Disorder

Patsy Kam
MPH Group Publishing
160 pages
Non-fiction
ISBN: 978-967-415-200-0

Buy from MPHOnline.com

Friday 16 May 2014

Coming This Way Soon

I felt it was appropriate to release this sneak peek on Teacher's Day. Guess which teacher wrote this?




Yes, the adventures of the "teacher in the interior" continues.

And also, this:




This one you have to guess (or Google) - not hard, really.

I'll have more to say when both come off the presses. Stay tuned.

And good weekend.

Wednesday 14 May 2014

Masterclass In Session: Sapna Anand's New Indian Kitchen

What struck me most about this publication were the photos in the first laid-out drafts. A cookbook is supposed to be a visual buffet, and like real ones, it has to be really good.




Indian cuisine, that heady melange of flavours and colours, owes part of its unique character to the people who dropped by the lush, exotic subcontinent over the centuries, including the Portuguese, the British and the Moghuls.




Born and raised in Goa, cooking instructor Sapna Anand ended up going places, much like the traders and colonists that left their mark on her homeland. Her travels and experiences changed the way she saw and cooked the food she grew up with and encountered on her journeys.




She eventually came to Malaysia, where she currently teaches Indian cooking and French pastry at Hellen Fong's At 19 Culinary Studio. She also maintains the My Test Kitchen Facebook page and blog, and caters for niche dinners with her own kind of modern Indian cuisine.

Not bad for someone who says she wasn't much of a cook when she was younger. "In fact, when I got married, I still wasn't much of a cook," she says. "But I had always liked cooking for fun. As a kid, I tried making roti (Indian wheat bread) and French fries. I guess my penchant for food from the East and the West was there from young."

Now, she's sharing that penchant for food through a cookbook.




Sapna's New Indian Kitchen, part of the MPH Masterclass Kitchen series, features a variety of dishes that are primarily from the Indian regions of Kerala, Goa, and northern India. Each recipe is a milestone in her life's journey, vividly coloured and flavoured by the dishes, sweets and snacks made by family, friends, and neighbours.

The recipes are divided into four categories: Brunch & Bites, Meals Best Shared with Family & Friends, Quick & Easy Meals, and Something Sweet, to help you decide what to cook and serve for which occasion. " I have used my education in French pastry and familiarity with Western cooking to add an interesting twist to the traditional recipes."




Alongside such traditional and familiar fare as chicken biryani, raita and kebabs are edamame upma, achari chicken tart and keema lasagna, among others – examples of how she uses the cooking techniques she picked up to breathe new life into the time-tested flavours of her homeland.

There's also a section that describes the basic ingredients used in the recipes and how to prepare some of them (like garam masala and paneer). A section on spices, which she presents with the help of the Spice Board of the Government of Kerala, India, has loads of information.

Above all else, this cookbook is more of a personal project for Sapna, who, with Santa Barbara-based photographer Chris Owen, did much of the photography and food styling.

"People like to say, 'If you do not try, you'll never know.' How true it is, especially
with cooking," she says, "Here, in this book, are the fruits of my experimentations – recipes for you, made and created with love, from my kitchen to yours."



New Indian Kitchen
Sapna Anand
MPH Group Publishing
200 pages
Non-fiction
ISBN: 978-967-415-203-1

Buy from MPHOnline.com

Sunday 11 May 2014

Popular-The Star Reader's Choice Awards 2014

The Popular-The Star Reader's Choice Awards is upon us again. I'm more excited about this year's picks because I'm more familiar with some of the titles in the running. And it's a pretty tough line-up.

I reviewed two of the titles nominated under Fiction: Golda Mowe's Iban Dream and Tash Aw's Five Star Billionaire. The former is a magical and lyrical tale (though the characters sound like they're performing on stage) about an orphaned Iban boy who would, under the guidance of powerful spirits, become an accomplished headhunter, warrior and longhouse chief.


Boey Cheeming's When I Was A Kid 2 (left) and Golda Mowe's Iban Dream


In comparison, Aw's story of five Malaysian Chinese who went to 21st-century Shanghai to make their fortunes had a more hectic pace and a grittier feel, but okay overall.


Tash Aw at Silverfish Bookscover of ‘Five Star Billionaire’
Five Star Billionaire is by Tash Aw (left), who met fans, read some
passages from the book and fielded questions during a meet-up at
Silverfish Books in Bangsar on 23 February 2013


Though I haven't read Barbara Ismail's Princess Play yet, I did read Shadow Play, and while the portrayals of the characters and backdrops were somewhat realistic, the pace was a too languid for me. I'm expecting similar stuff from Princess Play.

I did some work for two books nominated under non-fiction: A Backpack And A Bit Of Luck (the newer edition) by Zhang Su Li, and Hafsah Md Ali's If Only Airports Could Talk.


A Backpack and a Bit of Luck by Zhang Su Li (left) and If Only Airports
Could Talk
by Hafsah Md Ali


I considered the latter a dark horse; penned by a former MAS ground crew member, it was something that I envisioned an older Yvonne Lee (The Sky is Crazy, Madness Aboard!) would write. Zhang, meanwhile, needs no introduction. We were asked to re-package the book, which was first published by Marshall-Cavendish. I quite liked the stories inside, despite the faint shades of purple.

And, of course, there's Boey's second book, When I Was A Kid 2, which I reviewed (months after his first) and won't say anymore about. Both, after all, are ... popular, from what I'd heard.

If you're interested, vote now. For your favourites, not mine. I'm hoping for different outcomes this time (no politicians or sports personalities, please), but I'm not holding my breath.

(I also helped proof one of the nominated books not mentioned here - and I'm not telling.)


03/08/2014   Results are in, though a wee bit disappointed that my favourite books didn't grab the top spots. But top three's quite decent.

Non-fiction:
Karpal Singh: Tiger Of Jelutong   Tim Donoghue
When I Was A Kid 2   Cheeming Boey
A Backpack And A Bit Of Luck   Zhang Su Li

Fiction:
New Beginnings   Chan Ling Yap
More Hotel Tales   Hanley Chew
The Mouse Deer Kingdom   Chiew-siah Tei

Congratulations to all those who were nominated; you're all winners as far as I'm concerned.

Wednesday 7 May 2014

Masterclass In Session: Fat Bites With The Fat Spoon Girls

Many Klang Valley urbanites would be familiar with Fat Spoon, a rustic little eatery in Damansara Utama owned and run by sisters Melissa and Michelle Pong. The establishment, with its repertoire of Nyonya-inspired delights that incorporate family tradition and Gen-Y ingenuity, has gained a following since opening around the middle of 2010.


And now, they're coming up with a cookbook - are you not excited?


I can't remember when my first visit to Fat Spoon was, but I do remember the décor that made the relatively small space cosy and homey.

Small touches like the wooden food cabinet and the trays of canned drinks that were sometimes placed at the bottom reminded me of Chinese New Years at the ancestral home in Taiping. Small old read-with-me hardbacks were recycled into their menus. A larger chalkboard menu was hung on a wall. A fat wooden spoon was the handle to the front door.


Part of the interior of Fat Spoon Café, 06 May 2014 or, as they'd say, "yesterday"


Ah yes, the food. It was the first time I had ulam fried rice, and their Fat Hot Chocolate was rich, warm and creamy. And whether you're out of a traffic jam after work, or back from the airport, college, a boring meeting or the hospital, you'd want to come home to a bowl of their Spicy Beef Macaroni (soup).

But I haven't been back for a while. So I returned yesterday evening. Oh, quite a bit has changed. The chalkboard was replaced with a mirror, and the old menus were replaced with ones that looked more like menus. I guess some change was inevitable. But the food was still good.


New dish: ulam angel hair pasta and the pumpkin fritters (left) and the
durian crème brûlée; recipes for the fritters and dessert are in the book


Still, I was surprised to know that the Fat Spoon girls were coming up with a cookbook. Months in the making, it has blossomed into the visual feast that I knew it would be. Just about every facet of the book said "Fat Spoon".




The Fat Spoon Cookbook is a wonderful collection of recipes that offer a glimpse into the kitchen at Fat Spoon and the minds behind such creations as ulam fried rice, pumpkin fritters and cempedak spring rolls with vanilla ice cream.

It is a reflection of their personality and passion for good food, nurtured by a familial love of the good stuff and their adventures in food.




Among the old-school recipes and favourites from their family’s kitchen, revitalised by a youthful zest for new flavours and cooking techniques, are some original creations that showcase the sisters’ inventiveness and flair for marrying old and new.

But don't just take my word for it.

"Their innovative creations never disappoint — they’re always so surprising and comforting," gushes Joyce Wong, aka KinkyBlueFairy, in the foreword. "I always feel the love that goes into their food, which is probably why I crave it when I travel overseas for long periods."




After taking you through the basics: making chicken stock, fried shallots/garlic, batter for frying, gula melaka syrup and the like, Michelle and Melissa take you through the making of things like avocado fritters with kaffir lime mayo, beef and basil popiah wraps, Asian salmon tartare with poppadom chips, teapot mushroom soup with rice and durian crème brûlée.




Cockle non-fans will be tempted to try out their cockle salad, and the duck and goji burger sounds like something that Fat Spoon would make. Fans will recognise at least two items in the book: the pumpkin fritters and the signature Fat Spoon noodles. The pictures, by photgrapher Audrey Lim, are gorgeous and manage to capture the essence of what Fat Spoon is and what can come out of it.

Though merely a small sampling of what their eatery has to offer, the book manages to convey a small slice of that rustic yet homey atmosphere from the sisters' childhood that would, they hope, encourage you to re-live yours by trying out the recipes within – and maybe come up with your own.

"We hope this book will inspire you to go crazy in your kitchen," says the girls in the preface. "Take some ideas from our recipes and go wild with them. What if your culinary creations fail? Remember how that four-year-old kid who fell from the swing picked himself up and ran into the monkey bar? It’s a playground, go nuts!"



The Fat Spoon Cookbook
Melissa and Michelle Pong
MPH Group Publishing
155 pages
Non-fiction
ISBN: 978-967-415-195-9

Buy from MPHOnline.com