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Showing posts with label Misadventures. Show all posts
Showing posts with label Misadventures. Show all posts

Monday 10 July 2017

CATastrophe

Some of my acquaintances by now are familiar with my ongoing battle against at least one cat. To be precise, its p—p.

Early this year, I found "packages" left by what I suspect is a cat (to narrow to be a dog's, too big for rats). So far, I've never caught it in the act; the packages were the only evidence of its visits. But I may have seen it a few times.

For weeks, one of the tenants in my apartment block had taken in a stray. The guy and his relatives run a stall at a nearby coffee shop at night. Some of my neighbours may have fed it on occasion as well. I thought nothing about it, bemused as I was that the place had a cat.

Well, looks can be deceiving, and felines are masters of that kind of deception. Thanks to their misplaced generosity, the cats have come home to roost ... and p—p.

Why do I say "at least one"? Because of the difference in the size of the packages. This made it tough to pin down which animal, as there are several strays in the area.

The first couple of times were a nightmare. The packages were left closer to the front door and when the draft blew in ... g*d. One night, I had to seek refuge in my stuffy long-neglected so-damn-hot-at-night bedroom. The smell lingered the next day, albeit faintly.

Apparently, catshit is a horrible substance; the only thing that's worse is exposed plutonium. From my research, it is toxic and may harbour nasty germs such as Toxoplasma gondii, which looks like the next potential superbug.

It has no value as a fertiliser and will even render the patch of earth where it is buried infertile. Any area saturated with it has to be thoroughly deodorised and disinfected, as T. gondii is incredibly resilient, and a mere hint of the odour acts like a beacon for felines looking for bowel relief.

For a while, germophobic me relied on the cleaner to help with the mess. The building management revealed that he had to be paid extra to do it - not in his job scope. That he did a sloppy job on some days was no surprise - as well as the regular appearance of the packages.

I did research. I begged for help on Facebook but people only paid attention when I threatened to poison it. I paid RM15 just so I could spend some time with the owner of a cat café - not his cats, can you believe it? - and glean some of his expertise. He suggested an enzyme-based odour remover that he uses himself.

I tried everything. Everything that didn't remotely harm the creature. Vinegar. White pepper. Black pepper. Baking soda. Some eucalyptus-and-lemon-based repellent from a pet store. Toilet cleaner. Insecticide (okay, maybe that would've done the trick but I wanted the odour factor). Some eucalyptus-and-mint-based multipurpose cleaner, also for the smell factor. Lemon juice.

With some exceptions, the floor in front of my door is now better and more thoroughly seasoned than some of the food I've eaten.

Some of these worked for a while, including the odour from the gloss paint I repainted the front grill gate with. I don't know whether it was because the cat had gotten used to the smell, or it had merely been away when I was seasoning the floor. Whatever it was, I was doing it almost daily, like a pagan ritual.

No luck. After a few days, maybe three or four, a package would appear. Cat spikes from Daiso didn't work so well - they'd just p—p away from it. Believe it or not, the solid lumps weren't so bad, those come right off.

The worst is when it's liquid. Not only would you need to blot the stuff, you have to be careful not to spread it wider when you clean up. Also, feline diarrhoea means the cat is sick and oh no no no you do not want to know from what.

I sound like I'm speaking from experience because I am. The cleaner's methods mean that remnants of catshit were still advertising the spots' eligibility as a feline washroom, so I took matters into my own hands and g*d, I wish I didn't have to.

I sought help from that cat café but that plan was thrown awry for weeks because it was the fasting month and the area was gridlocked like you wouldn't believe. Plus, he'd closed shop for a few days because of the traffic and the Ramadhan bazaar. When I finally managed to speak to the owner, I was so relieved I went to the exact hardware store he did and found the same odour remover he used.

But like I said, no luck.

I hate it when steps to a solution don't deliver as promised. What went wrong? I don't think I'll ever know. A friend told me it was a sign: time for me to move out. And it's an eerie coincidence that all this began around the time I declared that someone "was dead to me." BRRR.

The cat café owner suggested a solution with chillies. A friend recommended antifreeze: "Everything else will fail," he stated confidently on Facebook. I bet he'll be sniggering when he hears this - but at least I'd have made his day. My other Facebook friends, however, were aghast when I declared I wanted the cat (s) dead, and I learnt that one can run afoul of the law if one deliberately harms an animal.

I want to blame the cat(s) - terribly. I have had dark fantasies about murdering them. But as that previous sentence demonstrated, of all g*d's creatures only man has a heart that can be blackened by evil. Like all animals, cats act out of instinct, and it's perhaps universally logical to only crap in places meant for crapping. Even hyenas observe this rule.

This has caused me much anxiety. Anybody going to call me a pussy if I say this has kept me from doing stuff like writing, blogging, cooking and catching up with my to-read pile? It has.

I scrub myself clean as much as I humanly can, wearing gloves and all, but my paranoia keeps screaming YOU MIGHT HAVE BEEN CARELESS AT SOME POINT AND NOW CATSHIT COOTIES ARE EVERYWHERE. I'd have to scrub the whole apartment in Dettol or bleach if I want to resume baking for my friends and colleagues again.

I shouldn't be this preoccupied with p—p, doing leg work and spending money on cleaning products I don't normally need. IT'S NOT MY CAT! I don't want to pick up other people and their pet's shit! And it wasn't even their real pet to begin with. How irresponsible is it to feed a stray and take it in, only to let it out and make everyone's life a living hell?

What am I being punished for, saying "shit" too much? It's ME ... I tell it like it is! Animal rights? what about mine and my right to live in a clean, fresh p—p-free environment? To do stuff and go to bed without having to worry about another fresh surprise when I open my door to start a new day?

I said "everyone", didn't I? Of course, when the deterrents worked, it found other doors to p—p in front of. A couple of times, packages appeared at the door of the building's management office - top-level trolling. And one weekend, a neighbour upstairs was visited. Perhaps enough of the smell wafted its way to my door that it encouraged the cat to leave another package there.

Some of my neighbours did complain and seemed to sympathise with me, but they're mostly indifferent. Sometimes they would kick the cat spikes aside, even if they weren't really in the way. The air in the stairwell is pretty stagnant and foreign odours can intrude and remain, which might make odour-based deterrents ineffective in the long run.

As a last resort, I'm looking into whether the animal(s) can be trapped and released far, far away. That Trap-Neuter-Release outfit sounds promising. But other alternatives beckon. For the time being, I left some orange peel in the space between the grill and front door.

Meanwhile, the dark side beckons, too.

(A Facebook friend's recommendation of Daiso's cat repellent would go unconfirmed for now, thanks to a blog post that apparently went viral. Daiso outlets at Jaya Shopping Centre, One Utama and The Curve were all sold out. A sales assistant at the latter cited the blog SirapLimau as the reason, and said new stock would be arriving in a week or so. Benci SirapLimau. Benci~)

It's those "humanitarian" neighbours of mine who started it all, I'm sure of it. If this cat is successfully moved away they'll just pick up another and the whole rigmarole will repeat. Maybe I should spare the cats and "relocate" them instead. Their cooking isn't that great, anyway.

Wednesday 25 December 2013

The Beginnings Of An Epicurean Editor?

I recently cooked a spaghetti aglio olio for an early pre-Christmas party. Nothing new about that, except...

I used Chinese-style roasted pork belly, along with sun-dried tomatoes. Well, it was sort of inspired by the Pork Lover's Aglio Olio from Three Little Pigs & The Big Bad Wolf in Bangsar Village.

I cooked for six people.

It took place in someone else's bigger, better-equipped kitchen. I had to use a wok to toss the ingredients and it was hard work. But the experience left me with, among other things, kitchen envy.


Stirring up a storm in a kitchen (left) and the final product


It was the first time I'd made spaghetti for anyone else, outside the home - and I somehow got it al dente. At least the assembled thought it was.

And I'd only seriously begun what most would call "cooking" several months ago.

One thing I didn't know, though, was to toss the freshly cooked spaghetti strands in olive oil to keep them from sticking together. One of the hosts pointed that out as I struggled to free the strands from congealing into a heavy tangled mass.

Everybody loved it, and I'm sure they weren't just being polite. Two partygoers took home what was left for dinner the next day - I'm not sure if it would taste the same.

I've been dabbling with some pasta recipes of late, the latest step in my progression towards some degree of self-sufficiency in the home kitchen.


A curried carrot-potato soup with a drizzle of olive oil and
some sunflower seeds (used chicken-stock cubes, so it tasted
like something out of a Maggi packet)



An earlier version of my roast pork-belly pasta; it's advisable
to cut the meat to smaller pieces and fry them with the garlic
before tossing the whole lot with the pasta


The seeds of that might have been planted during a lunch date with a former colleague. I used to do the occasional restaurant review for the media back then, and when she knew about this, she asked if I cooked anything myself. I didn't.

"How can you write about food when you don't cook?" she asked, puzzled. "Isn't that kind of hypocritical?"

I don't know about her cooking skills but, man, she doesn't mince words. That stayed with me since, even though I can throw something simple together now.


My idea of a good hot chocolate is a bit different; this cup is a
mix of Valrhona Guanaja (70% dark) and Jivara (milk chocolate)



Here, I use Whittaker's Dark Ghana, and split it into two
portions: one plain and the other with cinnamon


Since my first experiments with milkshakes and smoothies with a blender, I've been wondering about what else I can do with my hands besides what I do at work with red pens and highlighters.

Putting things in ovens and heating them to death doesn't count as cooking in my book, though I have tried doing that as well - less cleaning up than dishes that require fire and a pot or pan.


A baked salmon - not much work required and great as a lean dinner
when served with blanched vegetables



Pigs in blankets, with a little bit extra (garlic and herbs). These later
burst out of their skins (and blankets) under the intense heat, but I
never got around to solving that problem - yet


After I first boiled a bunch of tri-coloured spirals (not sure what they were really called), I've had plenty of successes with pastas aglio olio - a no-brainer of a dish. You don't even have to fry the pasta.

Sauce-based ones were a bit trickier. An attempt at a sardine thingy left my spirals wallowing in some orange-coloured, sardine-flavoured slurry that smelled strongly of fish oil and tasted fine.

Several attempts at a curry-sauce variety were not as successful. The first time, I used too much masala powder. Another time, I got something that smelled and tasted vaguely of Nyonya-styled chilli paste (I used shallots instead of onions).

Every time, I got a bitter taste in the spice mix or sauce. I've learnt since then that some curries need cream. I used Greek yoghurt in my last experiment.



Not-very-good curry sauce pasta; used sausages because I wanted
the protein but nothing good was available


But I'm not giving up. Hell, if my Dad managed to make the family's chicken curry once....

And I'm guessing that these skills will come in handy when we start paying extra for tolls, electricity, petrol and stuff, on top of the GST that's coming on April 2015.

But more importantly ... can I write about food now? Or do I need to learn how to cook and rest a steak next?


As I post this, I'm recovering from a(nother) throat infection - and a bout of possible food poisoning, both of which occurred on Christmas Eve. I feel like I'm being told something, but I'm not sure what exactly.

Merry Christmas, everyone.

Wednesday 15 August 2012

Wildlife Trap

Descending from a shopping mall escalator days ago, I spied an Indian girl with a pen and a board covered in signatures. Seeing me, she called out, "先生, 簽名." One of several promoters for the World Wildlife Fund.

I should've listened to my gut, but I was curious - and she was rather pretty.

As I neared, her superior took over. "Hello sir, do you know who we are bla bla bla this is what we do yadda yadda our programmes bla bla bla deforestation, trees being cut down everywhere this that this that do you know how many tigers we have left?"

Err... 200?

"There are five hundred left," she went, pointing to the figures in red on the pamphlet I was not allowed to take - probably because I haven't ponied up any F for the WW.

"Only 500, because they're being caught just for their fur Lorem ipsum dolor sit amet this is how you can help if you give consectetur adipisicing elit one ringgit a day sed do eiusmod tempor incididunt over 12 ringgit a year ut labore et dolore magna aliqua tax deductible keep the receipt you don't have to do anything Ut enim ad minim veniam fill in these forms what's your name Visa? Mastercard? Amex? Not Amex? Then you definitely must have one of the other two..."

In my fevered panic, I could only catch a few words; everything else sounded garbled. Without laying a hand on me, this wildlife conservation official pinned me down like a butterfly. Maybe she learnt that from tigers.

"...oh not yet what's your concern sir quis nostrud exercitation ullamco laboris why don't you visit our web site it's right here-" on the pamphlet I was not allowed to take "-have a look and if you're convinced we'll be here until tonight nisi ut aliquip ex ea commodo consequa no problem sir have a nice day."

Sweet, sweet, freedom. I think I got off easy.

WWF certainly got their work cut out for them. Especially with the existence of characters like "a certain Mr Chan", a shark fin seller in Hong Kong, who makes his case for the massacre of sharks, thus: "It's not cruel at all killing sharks. There are so many sharks out there and if you don't kill them, they will kill you."

The web site for World Wildlife Fund (Malaysia) has a main donation page but, at the time of posting, the "Save the Tigers", "Save the Turtles" and "Climate Change" links were bad. Maybe the web site needs a donation campaign, too.

Do not get sucked in by signature collectors. Ever.


Admiral Ackbar of 'Star Wars' is © Lucasfilm and 20th Century Fox

Sunday 9 October 2011

Big Bad Wolf Eated Me

My first time, and it was not gentle.

This year, they held the sale at Hall A, the Agricultural Exposition Park in Serdang, within the sprawling grounds of Universiti Putra Malaysia. It was a bit hard to get to from Puchong, with a bit of a crawl and bottleneck en route. Got a bit lost too.

I'd parked a bit farther down the hall, which was located up a hill. A five-minute hike from my car to the entrance left me winded.

But what an eye-opener.


Abandon all inhibition, ye who enter here


It was Saturday, and it threatened to rain (which it did, briefly). There was already a crowd in the hall when I arrived. They were probably expecting a huge turn-out; Pizza Hut had a truck outside the entrance.

One thing for sure: they know the kinds of venues that'll work, and they know how to market. Even the music set the mood - no downer tunes, so patrons feel good ... and maybe set aside their inhibitions.


Yes, it'll be a horrible shame not to buy these... and these,
and these and THESE and...


I imagine one visitor weighing the pros and cons in the head: "I probably don't need that Manicka, and my to-read pile is threatening to breach the ceiling-"

Then Beyoncé comes on. Yes, that song. What Kanye West said was "the best music video of all time".

"...never mind, it's RM8! I'll put it in the office and read it later!"

I suppose that it's ♪ cuz if you like it then you shoulda put your ringgit on it ♫ if you liked it then you shoulda put ya ringgit on it woo oh ooh... ♪


People mountain, people sea; Big Bad Wolf so, so happy


Packed, packed, packed! This was perhaps almost an hour later. Visitors were carrying books by the boxful. Not enough boxes? Dump your full box at one of the several service counters and get an empty box to fill.

Parents came with their kids, and their prams, and- look at the size of the children's section! Kids and young adults occupied nearly a third of the floor space.

Just wondering: Will all these people actually read the stuff they've bought? Because as far as I know, our reader cred hasn't gone up a lot in the past few years. Still, it's as if a whole town turned up today.

Perhaps it's a Malaysian thing: price something cheap and we go bananas, oranges and mangosteens. Case in point:


Evening is a Whole Day, so spend it here in the Wolf's lair.
Look! Only RM8! Don't you just want to... take it home? Maybe
get some for... friends? It's almost Chrissstmasss, after all...


Evening may be the whole day, but the Big Bad Wolf will not be deterred! Chomp! Munch! Gulp! Slurrrp...! And just like that, a novel that used to cost over RM50 now goes for RM8. What's not to like?

I suppose there is something to be said about such warehouse sales. There are half a ton of books right now that I want but can't afford in terms of time, money and space.

My haul at the end of the day was modest: about ten books. The two biggest books in the pile were last-minute purchases. I loved these big big books of ostensibly useless facts as a child. As a pay-drawing adult, however, I found these to be quite expensive. But at a price tag of RM20 each? Mine, mine!

Perhaps, for their trouble they took to get there, Big Bad Wolf gave away these bookmarks, and an offer of three years' free membership at BookXcess, to be claimed 90 days from the date of the receipt.


For an arm, a leg and your first-born, the Wolf thinks you should
get more than just cheap books and a bookmark or two


I'm not sure if a minimum purchase amount is involved, though. But hey, whatever. Besides, would it make sense to drive all the way to Serdang for less than ten books, at such high discounts?

Not sure if I like the title selections for this year. I wanted some Haruki Murakami but they gave us Ryu Murakami instead (are they siblings or the same person?)

At the risk of sounding awed, fawning or impressed... see you next year, Big Bad Wolf.

Friday 4 March 2011

Reading Readings

Friday, 25 February 2011

It was not the first time I came to Solaris Dutamas, and I can only remember why I was there the second time. A member of Poetry Underground invited me to a recital, which was part of the 2010 MAP KL Arts Festival. Since then, MAP has been rebranded as MAP@Publika, but it looks set to be a new, shinier venue in the local arts scene.

For weeks, the matronly Sharon Bakar, high priestess of the Malaysian literary scene, kept us up-to-date regarding the launch of Readings from Readings, a compilation of selected works that were read at readings events Readings@Seksan's and CeritAku@No Black Tie.

The launch, which took place on a wet Friday night, was one of the events scheduled for LiFest at MAP@Publika that ended on 27 February. Part of the proceeds from whatever sales were made during LiFest will go to Yayasan Orang Kurang Upaya Kelantan (Kelantan Foundation for the Disabled or YOKUK).



Copies of Readings from Readings for sale at the launch;
didn't manage to snag a bookmark or two


Several myths – my notions of Readings, actually - were busted by the release of news reports about the book. It was Bernice Chauly who founded Readings, which began at the Darling Muse Art Gallery (thanks, Sharon) about six years ago. Readings eventually moved house to Seksan's and has remained there since.

When Bernice's mother became terminally ill, she could no longer manage the monthly event. Thus, Readings@Seksan's was bequeathed to Sharon, who continues to manage it today. Bernice went on to start CeritAku in 2008.

About 400 writers, poets, and performers have been hosted by Readings and CeritAku combined. From the number of works that have been read so far, it is hoped that the compilation will be the first of several volumes coming out from these two events.


Dinner, coffee, and The Academy
I had arrived early for dinner. Dazzled by the variety of rather expensive choices, I settled for a more pedestrian fare of roast pork rice and iced coffee – the perfect set for the bewildered, indecisive Malaysian (Chinese) diner on a budget.

From certain expressways in the Klang Valley, Solaris Dutamas was easy to find. I took the Sprint Highway route from PJ, and then turned left into the direction of Sri Hartamas. At the traffic light junction, I turned right into Sri Hartamas (turning left takes you to Desa Sri Hartamas, Mont Kiara, and beyond), kept left as soon as possible, and turned left at the next traffic light junction. I was on Jalan Sri Hartamas.

I drove on, past the Hartamas Shopping Centre and another traffic light junction. I drove straight, past a massive white elephant on the right, which stretched on to a major traffic light junction. I turned left, and on my right, Solaris Dutamas. See? Not hard at all.



Damyanti Ghosh (second from left) samples some of the
books being sold; Jeremy Chin is the bald guy


Killing time at Solaris Dutamas is impossible. Not a single bookstore within reach and no affordable coffee in the area was worth sipping; maybe if arrrhem Artisan Roast would open a branch there. I eventually ended up at MAP@Publika, where a bunch of pianos sat about, items of a silent auction for YOKUK.

I met Sharon and Shahnim Safian, lecturer and module leader at The One Academy's Multimedia Department (and apparently, Sharon's niece). Shahnim and I have seen each other at several Readings at Seksan's but I never introduced myself. Though I'd already eaten, I accepted Sharon's invitation to dine at the PappaRich on the other side of the complex. I felt it was strange that nobody wanted to open a restaurant or even a snack bar closer to Publika. Can't the artsy indie food makers The ahem Cookie Cat and The arrrhm, arrrhem Last Polka do something?

"Look," Shahnim said on the way out, pointing at someone standing at the lobby area. "That lady looks like a painter."

"Yeah," I agreed. Unkempt hair, baggy clothes and one of those "recyclable" bags slung on one shoulder. She definitely had the basic bohemian-grunge look down pat.



Traditional Malay ensemble Dewangga Sakti opens the launch


We met Chong See Ming and her family at PappaRich. It says a lot when their mains arrived earlier than my toast. Sharon expected people to turn up late; it rained earlier, and though it's been over two years, it seems nobody can find their way to the venue, and those who make it to Solaris Duatmas can't find Publika's exact location.

I got to know Shahnim a bit more, thanks to her business card. "The One Academy?"

"Yeah," she said. "Don't I look like an artist?"

"You need to be a bit more bohemian."

"Well, I'm sporting a rocker look tonight."

I pause for a drink. "My sister went to One Academy. When she graduated she went to do sales instead. She's good at it. Ruthless." It was painful to recall. "Now she's in Singapore, plotting world domination."

Shahnim offered little comfort. "That happens to many of the graduates."

"The place screwed up my sister," I said plaintively. I wasn't apportioning blame. We're all victims of the systems we immerse ourselves in.


Lots of books, and those who write them
The crowd was starting to trickle in when we returned to MAP@Publika. It seemed everyone was there, and by "everyone", I mean everyone I've seen or were reportedly seen in at least one of the Readings@Seksan's.

Leon Wing came with someone I haven't seen in a long time. Eugene Chua, from what I heard, had returned home – Terengganu, was it? My memory fails me. Both Leon and Eugene had been attending almost every single Readings session since it began, until the recent ones.

Buonasera, Mr Brian Gomez! Ah, he remembers the e-mail interview he did for Off The Edge - one of the best, I feel. He's doing fine, but does he really want to give the Home Ministry 10 per cent of the proceeds from sales of Devil's Place? Not at the current sales rate, it seems.

And why is Amir Muhammad always selling books lately? He was manning one of several tables where various books, DVDs and other publications were on sale – some of which were his. When he wasn't there earlier, I'd bought one book. I'd never thought I'd see a copy of Lethal Lesson after the so-called scandal broke. Only two copies were left. I didn't hesitate.

"The author was a 'plagiarist'," I told the volunteer sales assistant after paying.

"Err, we're not supposed to tell people that," he said.

"Plagiarist", in quotes, because I don't think she warranted such a weighty label. I'd already said something about the case, so I won't be repeating myself here.

Jordan Macvay was by himself that night. Not only was the traffic bad, he couldn't locate Publika. Many of those I spoke to would express similar sentiments. And who can possibly miss Karl Hutchinson? The man can pick himself out of a crowd.



Sharon Bakar (left) and Bernice Chauly officially launch the book
in a somewhat conventional manner


Jeremy Chin was there, still hawking his first novel. Haslinda Usman had her very own table for her late father's books. Saras Manickam bought a book and would later have it autographed. Damyanti Ghosh bought a copy of Readings From Readings, and Leon signed his piece in the book. Hey look, it's Liyana Dizzy and Catalina Rembuyan - and yes, I can tell the two apart. And is that David TK Wong?

Oh, there's Maizura Abas. I walked over to say "Hi". She said Chicken Soup for New Moms or Sup Ayam bagi Para Ibu Baru will be out; she has a piece in it.



It was strange to watch Dina Zaman read on stage. Struggling with astigmatism, she held her script at arm's length and read an excerpt from her contribution to the book, "How to Stay Married". A pity it was actually a short piece of fiction. A saviour for Hollywood and footballer marriages remains out of reach.



Uthaya Sankar's mastery of the Malay language puts other non-Malays to shame. It became sort of a live show with audience participation when he read his piece in the book, "Cat". The satirical piece revolves around a house pet who, among other things, spouts philosophies in several different languages when interviewed for the civil service. A translated excerpt:

"What a stupid interviewer," he read. "Isn't it obvious that Italian cats go 'miew, miew, miew', German cats go 'miew, miew, miew', and French cats go-"

"Miew, miew, miew," went the audience.

"-and Japanese cats go-" Uthaya paused for the audience who, right on cue, picked it up.

"Miew, miew, miew."

How Pavlovian. And creepy.

"-and Hindi-speaking cats go-"

"Miew, miew, miew."

No prizes for guessing what Tunisian, Egyptian, and Libyan cats sound like.



I failed to get Unimagined on MPH bookshelves and was afraid the author wouldn't speak to me on that account. So it was an enormous relief when he shook my hand.

"You're too kind," said Imran Ahmad of my article on him, which included his need to lose about 15 pounds before he could look more like James Bond. "Twenty-five pounds would have been more accurate."

He added, "And my shirt wasn't tucked in because it was so hot, and it was an action-packed performance." So it was.



Saras Manickam (left) in a hurry to pose while getting
her copy of Unimagined signed by Imran Ahmad


Like me, Imran bought an ice-cream for charity. MAP also provided refreshments: coffee, tea, kuih and sandwiches. The bingka ubi (sweet potato pudding) was smashing. Who made this? They should open shop in Publika.

However, only strawberry ice-cream was available, which was a bummer. Seeing Imran eating ice-cream reminded me of a picture of him and a sundae, taken during the 2009 Ubud Writers Festival. "My UK publisher never bought me a chocolate sundae," went the caption.

Sadly, we didn't buy him any ice-cream, either. We hope there will still be an opportunity.



Like I said, "Everyone". I could go on and on. Bernice and Sharon said some very nice things, but the voice recorder I had chose that day to die on me, and the exact words just vanished into thin air. My heart sank.

Peter G. Brown and Markiza didn't play anything during the launch – not when I was around. However, traditional Malay folk ensemble Dewangga Sakti opened the event with a few numbers. I couldn't stay for the Panda Head Curry gig – my head was starting to pound, and Eugene and Leon needed a ride to KL Sentral.


"...not one or the other, but one and the other."
"Malaysian writing is not one or the other; it is one and the other."

I think that's Bernice Chauly's reply to the question of what Malaysian writing is and who Malaysian writers are.

As I look at the crowd, comprising Malays, Chinese, Indians, and Others who are united by a common love for the written, sung and spoken word, it makes sense. I could add that anyone who loves this country and anyone who writes about Malaysia or from Malaysia is a Malaysian writer.

However, from the number of familiar faces representing the Malaysian literary circle, I still see an impenetrable, tight-knit clique that's hard to enter or get close to. Even in smaller gatherings such as Readings, those who attend know each other and tend to form little solar systems that unwittingly shut out strangers.

A writer I know personally has refused numerous invitations to a Readings session. "I don't want to get to know them." Harsh, but I sort of understand. I used to believe writers were an elitist bunch who, among other things, write or type in longhand, insist on proper grammar, and advocate the death sentence for plagiarists.



Jade-Yi Lo reads her piece in the book to an audience


It's not just a perception problem. From my observations, literary events such as Readings host writers who read and write a lot. My writer friend writes but doesn't read widely. From her viewpoint, it's not hard to see why she'd feel out of place – useless, even, amongst galaxies populated by constellations of (literary) stars.

Writing is more than grammar, ethics, e-books vs dead trees, and Eats, Shoots, and Leaves. Hearts and arms must be open to bring people in from the cold. If we're going to get people to write, we need to make the newcomers welcome and help them mature and improve without inadvertently cutting them down to size or leaving them out of the big picture.

Writers are human. Sometimes, people forget. A reminder might be in order.

Monday 31 January 2011

Readings' Sixth Anniversary

Every January, Readings @ Seksan's celebrates its birthday. This year marks the event's sixth year - "kindergarten age", according to its co-founder Sharon Bakar. "Next year we'll be sending it to school," she joked.


Poet Jamal Raslan working the crowd
Both she and Bernice Chauly started the as-monthly-as-possible Readings to get people reading and writing. In recent years it has also become a platform for local and (sometimes) international authors to mingle and sell some books. The inclusion of poets and musical acts of late have further enlivened things.

This month I played chaperone, chauffeur and stenographer to Yvonne Foong, author, spokesperson for Neurofibromatosis Type II patients, and future psychologist. Her request and wish to attend the event was unexpected.

Readings' sixth birthday was greeted with a cloudy sky and showers. The traffic which can be paralysed by a mere drizzle, like our only satellite TV service, was worsened by road closures due to the Lé Tour de Langkawi bike racing event. I know, what the heck, right?

Despite the traffic we arrived early. I had brought along a small whiteboard and several marker pens. Anticipating the setting up of a book sale corner, I figured they needed a price list more than I needed a to-do list. It filled up very quickly, with books from Amir Muhammad, Haslina Usman (daughter of Usman Awang), and Jeremy Chin. What was on sale included:

  • I'm Not Sick, Just a Bit Unwell, Yvonne Foong (RM20)
  • Teohlogy, Patrick Teoh (RM38)
  • Orang Macam Kita, pelbagai (RM20)
  • Love and Lust in Singapore, various (RM22, after a 45% discount)
  • Jiwa Hamba, Usman Awang (RM30)
  • Scattered Bones (novel), Usman Awang
  • Sahabatku (collection of poems), Usman Awang
  • Turunnya Sebuah Bendera, Usman Awang
  • Fuel, Jeremy Chin (RM30)

No, I couldn't remember all the prices. Never occurred to me that I'd want to go into that much detail. Though Yvonne managed to catch up with some old friends, she didn't manage to sell a single copy of her book.

Damyanti Ghosh was unable to vocalise loudly because of a medical procedure to her mouth or throat, so it would seem insensitive to ask her to elaborate. Despite not being ale to read, she showed up anyway with Saras Manickam to sell a book, a short story collection Damyanti contributed to, to help keep a charity home afloat. All proceeds for Love and Lust in Singapore that day would go to the Bangsa Ria Centre for the Mentally and Physically Disabled in PJ.

Because I didn't want the book right now, I put some cash into the donation box they brought along. "They need every ringgit," Damyanti said, because it seems the Centre will fold due to lack of funds.


Patrick Teoh, broadcasting live from Seksan's
Sharon kicked things off by reading the story Damyanti would have read if she were not, in Sharon's words, "pleasurably silent". In "The Peeping Toe", a middle-aged woman in a Singapore subway distracts herself from an ah beng/ah lian couple's amorous in-train antics by looking at someone's peeping toe. "If you want to know whose toe it is, buy the book," Sharon announced when she was done.

Poet and slam champion Jamal Raslan Abdul Jalil rocked the venue with recitals of youth, social issues and the future - things his generation are concerned with. Yvonne's condition rendered her deaf, among other things, so she had to "read" the gist of what was being read being typed out on her laptop. But my mental buffer runneth over too quickly, and most of it evaporated before I could key them in. Jamal was so good, he was invited to do an encore to end the event.

There was a small misunderstanding during Patrick Teoh's introduction. Neither Sharon nor I prompted Teoh to start compiling (not writing) his "Teohlogy" essays in the now-defunct Off The Edge magazine. After I'd heard about Hishamuddin Rais and Julian CH Lee's respective releases of their own compilations, I tweeted Sharon:

@sharonbakar First Hisham Rais, now Julian Lee. Will @patrickteoh follow suit?

10 August 2010 20:58:03 via Echofon in reply to sharonbakar

I can't remember what I was replying to, and Teoh had no idea what I was talking about. I responded:

Former Off The Edge contributors Hisham Rais and Julian Lee compiled their previous articles into books @patrickteoh. Waiting for yours.

11 August 2010 23:41:40 via Echofon in reply to patrickteoh

A brief summary of the Teohlogy saga: Teoh was invited to pontificate on issues that concerned the average Malaysian in a column, in the voice of a grumpy old man - hence the slightly anagrammatic term. It was Ezra Zaid of ZI Publications who approached Teoh with an offer to compile his essays into a book. Teohlogy was recently launched at Popular @ Ikano to a more or less star-studded audience that included, according to Teoh's description, a Special Branch operative. Wished you were there, hmm?

Naturally, Teoh read from his book. His August 2009 essay for Off The Edge, "All aso donch hep" is a commentary on our short memories and the establishment's spin machinery: "We have ways of making you forget. And that's an order!" And ah, that voice. If he returned to radio tomorrow, no one would even remember his long absence from the airwaves.

After the break, two contributors to the Malay-language gay anthology Orang Macam Kita (People Like Us) read their contributions.



Fadli Al-Akiti (left) and Nizam Zakaria, lanun darat


Sci-fi author Fadli-al-Akiti not only wrote several novels (Jian, Saga Horizon), but contributed to other short story collections such as Elarti (2008) as well. I think his piece was about a robbery victim who, strangely, develops a same-sex crush on the guy who nearly spilled his guts. Writer, author and film director Nizam Zakaria's contribution was a more scholarly commentary on (I think) gay culture in film. Or was it the other way around? At that point I wasn't really focusing; the damp weather and shady surroundings at Seksan's does that to me all the time. Nizam was sporting an eyepatch; it seems Damyanti's wasn't the only medical complaint that afternoon.

No Readings anniversary would be complete without an appearance by its co-founder Bernice Chauly. She read something from what she once dubbed a work of "faction": Growing Up with Ghosts, a (sort of) fictionalised biography based on her own life. "The Third Man" was inspired by a relative's fear from using the old-fashioned toilet at her grandpa's old house.



The backdrop was quite appropriate for what Bernice Chauly read;
the grandpa in the story sold pigs


Bernice and Sharon also announced the upcoming launch of Readings from Readings, a compilation of some of what was read in previous Readings, on 25 February at MapKL, Solaris Dutamas, "if all goes well".

Don't wish. Just go. You might not know what you'd miss if you don't.

Friday 31 December 2010

Year-End Travails Of 2010

So long, 2010. Where have you been all this time?

Though this year seemed a little slower, it still feels like it just whizzed past. I thought I'd end the year with an update before it disappears completely. I'd returned from a tiring hot springs weekend retreat at Sg Klah, Perak, feeling not the least rested or relaxed. It still smarts here and there.

I quit my job this year with Off The Edge, which was shut down six weeks afterwards. My dalliance with freelancing came to nought, and towards the end of the year, I was keen to return to full-time employment. I'm now an editor at a publishing house, a job I intend to keep for a long, long while.

In my previous job, my writing suffered somewhat, a persistent word drought. To have words flowing freely again after so long is a joy. I think it's the close proximity with volumes and volumes of written work. I was never bored. Book-related work - hell, book-related anything - seems to be good for me.


Readings @ Seksan's, December 2010


Which is probably why I found the return of Readings @ Seksan's in December just as refreshing after a one-month hiatus. I arrived uncharacteristically early.

Characteristically, the guests and readers for the month arrived late. Since there was no session in November, I wondered if the turnout would be bigger this time.

Not quite.

This Readings session had a more artsy, poetic crowd. A young doctor called Fadz, performance poet kG Krishnan and Youtube sensation Azwan Ismail were among the readers. Eeleen Lee was absent because of a family tragedy. Dr Fadz's story about a doctor (naturally) who was treating his dying brother and kG at his melancholic best complimented the cloudy weather - a casual observation. Both write beautifully.


Left to right: Maizura Abas, Jeremy Chin, Azwan Ismail


Azwan's excerpt from a gay-themed short story from the compilation Orang Macam Kita or "People Like Us" provided some laughs. The reaction to his Youtube video, however, was so not funny. Said video, a message of hope for abused and persecuted members of the LGBT community, was taken offline after death threats were made against him. The authorities, as far as I know, have been very vocal about his sexuality but silent on the death threats.

A surprise appearance by Imran Ahmad was an opportunity to ask for his contact and an autographed copy of a limited edition of his book, Unimagined. Turns out Imran is looking for a local distributor for Unimagined, and maybe someone to translate it to Malay for the local market.


Left to right: Fadz, Imran Ahmad, kG Krishnan


I promised I would try and help. Our bookshelves are in need of something funny and uplifting, and Unimagined fits the bill. Scott Pack, formerly Head Buyer of bookstore chain Waterstone's in the UK, correctly predicted it would be a hit. Why wouldn't it sell here? Shying away from this book because of the subtitle "Muhammad, Jesus and James Bond" would be a shame.

Since I already attended his talk, it wasn't as funny third time around. It was still the same excerpts: second place at the Karachi's Bonniest Baby contest, spam, pork sausages, fish and chips, and why he can't be an actor. For those who were listening to him the first time, I can say it's most likely his flu. What is he doing here? The man should be in bed. Otherwise, he should be in show business. I don't think talk-show hosts or stand-up comedians need to snog anyone.


What was on sale


I also gave my contact details to Maizura Abas, a young new mother who took Sharon Bakar's writing course and started churning out lots of stuff, mostly on being a new mom. One of her pieces ended up in a Chicken Soup compilation for young moms, which was due next March. Her candid accounts of the travails of motherhood are fun and honest. I think Imran approved.

New author Jeremy Chin was there with the missus. He was reading too, and it was his birthday. Sharon got everybody to sing him the birthday song. After his turn at the mic, she encouraged him with the words of David Davida, formerly of Penguin India, something about good authors having an abandoned first novel in the drawer. I picked up a copy of his book, Fuel, a story about how passion drives a man.

I remember this book. Bald, cheerful, self-effacing Chin appeared at a previous Readings and mentioned a self-published first novel. He was there at Imran's Annexe gig as well, sharing a booth with Amir Muhammad and selling copies of said novel. I bought their books with some degree of trepidation. The girlfriend kept reminding me we were saving up for a house.

Several days later, she had gobbled up both books before I could even finish half of either. Unimagined charmed her with its honest hilarity. The language in Fuel held her spellbound, and its ending made her weep. It's the kind of writing - deep, introspective, well-crafted and polished - that I used to want to do, but couldn't.

No, I haven't read it yet, but I had little reason to doubt the girl. She's never been wrong about food, and she isn't wrong about the books she's read so far.

It didn't help that Chin, who worked at an ad agency before he quit to write the book, is also a creative wiz. Look at his business card. Look at the web sites he's worked on. Look at the cover of Fuel. Minimalist designs with maximum impact. Especially the book cover, which gives little idea of the power in its pages.

There's a Malay proverb about still waters and crocodiles. In this case, what jumped out was that 40-foot dinosaur-eating terror some fossil hunter found in the Sahara.

Man, I was so taken in.

Tuesday 2 February 2010

Readings' Fifth

I've been missing a few Readings sessions due to personal problems, but things got a little better for me to attend the latest one, and a milestone of a session at that. It's Readings' fifth anniversary.

Three cakes were brought for the occasion, including two evidently home-made Red Velvets with lovely white butter-cream.

But it was one session where I was never more ill-prepared. I left home late. I forgot my camera's tripod. I didn't make enough room in the camera's 8GB SDHC card for footage. I was afraid of not having enough batteries. And there wasn't a single thing of suitable height for my camera to stand on.

Readings' fifth had an impressive line-up with a mix of two or more of the following: poets, authors, performers and rebels. Almost everyone spent their allotted 15 minutes, some stretching into 16 or 17, including commentaries. Hearing authors read their own works is a delight, but not as much as when they talk about themselves and their work, as evidenced by Shamini Flint's monologue.

The loud and forthright Elaine Foster said she wouldn't perform, but there was still a bit of drama in her recital of a poem where "the revolution will not be brought to you by Celcom, DiGi and Maxis, nor is it Malaysia Truly Asia," and so on. She would find good company with Peter Hassan Brown, whose voice also carries a long way.

Jo Kukathas read a sombre tale of a loner who lives in a dark room and is fond of his dogs. Readings' founder Bernice Chauly gives us a hint of her roots as she reads from what will be her work of "faction".

From the Little Red Dot comes O Thiam Chin, whose collection of short stories (Never Been Better) is available for sale here. He read a passage from that book (naturally), copies of which were on sale at the venue (ditto). Too bad they weren't offering discounts.

When Kam Raslan reads, it's almost certain that he'll entertain. Especially with a sneak peek at the continuing (mis)adventures of the irrepressible MCKK old boy, Dato' Hamid. Being ambushed by fragrance salesladies is as frightening as he tells it, and hilarious too - as long as it happens to other people.

The dreadlocked and tattooed rebel poet Rahmat Harun was a sight to behold as he greets the audience, "Hi, bro!", waxes lyrical of the Hanging Gardens of Babylon in two languages (with some help from Hishamuddin Rais), and shows us how to fly a kite.

The fifth anniversary event ended with a couple of announcements: NST's Umapagan Ampikaipakan trumpeted (sort of) a book club at BFM89.9, and Bernice's call for help with some charity - I think.

There has also been talk of compiling the prose that has been read on all five years of Readings and CeritaKu (a sister event of Readings at No Black Tie) into a series of books, and a shout-out for contributions has been made. The deadline is 31 March.

Here's to five more years of Readings.

Monday 27 July 2009

Readings@Seksan's, July 2009

Despite having a front-row seat at the latest Readings@Seksan's I was unable to take any still photographs. My digicam was doing videocam duty (and boy, does that drain the batteries), and I also did audio recordings - all with Sharon's permission.

Nope, they won't be published here. It's for a project which might be launched in another month's time, and I probably won't have the rights to publish them elsewhere. And to my chest-beating, hair-wrenching rage, my laptop, GIMP and Windows Media Player won't let me grab screenshots of the videos for pictures.

Which is why I haven't retired the desktop.



It was a hot afternoon at Lucky Garden, the kind of weather that the Meteorological Service says will persist until September, maybe. Rob Spence, a lecturer on English Literature from Manchester, UK stopped by the place. I think he was here for the The International Anthony Burgess Symposium. Pity I couldn't think of anything to ask him. I don't think I should blame the weather.

Amir Muhammad was there to sell New Malaysian Essays 2, the latest compilation of essays from Matahari Books. I informed him that his piece in that compilation will be appearing in a local publication in days - and apologised for the cuts that were made to it. All copies he had with him were apparently snapped up.

Jac SM Kee, one of three feminist activists in the line-up read bits from her contribution to Amir Muhammad's New Malaysian Essays 2, a story about tits and female ghosts and monsters. Former stewardess and beauty queen Yvonne Lee read a chapter of the perils of plastic surgery from her book Vanity Drive - proof of the tenacity of Michael Jackson's spectre.

I had to Google for the title of Dipika Mukherjee's book of poems, The Palimpsest of Exile, which she picked for that day. The word - one of many esoteric ones in her work - is a kind of oft-reused parchment (a piece of animal skin used as paper) which she compares herself to, a product of multiple education systems. I think we all need a bit more variety in our education.

Most of the laughs were supplied by Shamini Flint (nee Mahadevan), another feminist who wrote under a Western surname because it had the combination of "the exotic and the hard" (flint is a kind of stone) that she says sell crime novels.

The former lawyer who quit her job to be a mom - who then started writing to "escape her children" - found inspiration for her crime fiction from CNN, and comfort in Malaysian radio, where she learns that every day "traffic on the Penang Bridge is slow-moving - in both directions." And she does a great monologue - not bad for a feminist whose passions are "easily swayed by commercial interest."

Compared to the quirky and witty Ten (a story of a tomboyish football-crazy girl of ten), (deep breath) Inspector Singh Investigates: A Most Peculiar Malaysian Murder was a bit staid in places, even though well-written and well-edited... I just know, okay? Trust me.

The laughs continued as she read from Ten. A reference to a granny with "teeth that sprouted from her gums like dirty brown mushrooms" drew hearty "hurhurhurs" from Peter Hassan Brown (the man sings and his voice carries a long way, no acoustics required). Though taken aback, Shamini wisely notes that punchlines may not be where you think they are. Those are the best kind, I say.

Paul Gnanaselvam's story of a man searching for char koay teow had a mellowing effect after the bellylaughs from Mrs Flint, and included a free recipe (big prawns, more fishcake slices, less oil, and line with banana leaf afterwards; cockles are optional).

There was some confusion in his name, which was shortened in the poster advertising the event. Fortunately I had a copy of Write Out Loud 3 - signed by several contributors - for reference; his contribution is a ghost story (see? more ghoulish references) called Doiiiiii! (six "i"s). Unfortunately, his name is even shorter in WOL3. Finally found his name spelled in full from the Body2Body event happening next month at Central Market's Annexe.

Amir Sharipuddin's notes on his national service (NS) stint, which he had to explain for Mr Spence's sake, was not so different from the notes of another notable NS graduate. The latter had to remove her posts on the subject, which was deemed too revealing by the folks.

Amir contributed his NS notes to New Malaysian Essays 2, which is laid out in the ruled pages of a notebook. I found him a bit too soft-spoken. Dude, speak up! The voice of the youth is loud and clear! Play the part!



Readings will be held after Hari Raya at the "new" Seksan's for one or two sessions before returning to the old place. What will it look like? September can't come soon enough... uh-oh.

I think I have a plane to catch on that date.

Curses.

Sunday 1 February 2009

Readings' Fourth

Goodness, is it Readings' fourth anniversary already? Time doesn't just fly, it's got an intergalactic warp drive strapped to its back.

Rainy weather kept the party indoors where space is already at a premium, even without the art installations. A micro-bookfest was set up next to the buffet table where the birthday cake and chips were. Attractions included Sharanya Mannivanan's Witchcraft, Ruhayat X's Aweks KL anthology, and Amir Muhammad's new book. The books turned out to be more popular than the food - few seemed to be in the mood to snack. This was true for those who returned from their Chinese New Year holidays.

Writer Yvonne Foong was also there to sell her books and T-shirts. It was a pity she couldn't enjoy the session because of her impaired hearing; the stories were all well-written and largely entertaining - especially the funnier ones. She came by taxi, but when the session was over there was no cab for her address (or rather, no cab wanted to go to her address), so one of the attendees drove her home.

...and I didn't take any pictures of her or her wares. ...Her wares... gah, I forgot to buy a T-shirt...! I can't believe it - although some who know me can...

Shantini Venugopal of Instant Café Theatre read her Karmic Tale, a hilarious cautionary tale about the subterranean parking lots at The Gardens/Mid Valley she penned on FaceBook. Because her printer and laptop aren't on speaking terms, she read the story out of the laptop while the printer sulked at home.

Some of us have probably braved the perils of the modern Malaysian parking lot design (also found at Pavilion KL) for our unsalted butter, vanilla extract and cream crackers. I've personally gotten lost a few times. Can Karmic Tale be expanded into an ad campaign for better parking lots? Preferably by Yasmin Ahmad?

Umapagan Ampikaipakan - who writes for the NST - was next with excerpts from some of his articles. I've read his comments on Bibliobibuli, but never saw him in person. Foot-in-Mouth Syndrome kicked in after introducing myself to him. "You're the one with the (nearly) unpronounceable name," I said (even Sharon needed practice with it).

"That's a bit racist," Amir Muhammad jabbed. "Just because you come from a land of monosyllabic names..." Unintentional, Amir. Honest.

Umapagan's scribblings about the results of the US Presidential Elections was funny and evocative, but somewhat diluted by his rapid-fire, typewriter-style diction.

Brian Gomez read a few passages from his debut novel Devil's Place. I'd written a blurb on the book for a local publication, but looking at it now, I don't think I did it justice. Maybe I should have stuck with, "Fast-paced, violent, vulgar, and laugh-out-loud entertaining. Buy. Now. For Xmas 2009.", but it was a rather high-brow publication that needed something long-winded.

Copies of Devil's Place brought to Readings went like cash rebates for petrol at post offices nationwide - after Gomez's turn at the mike, of course. There's nothing like hearing the author read his own work.

And because this is my own publication, here's what I think of Devil's Place: Fast-paced, violent, vulgar, and laugh-out-loud entertaining. Buy. Now. For Xmas 2009. Because by then all copies will be at the Home Ministry and your copy (or copies) will be worth heaps on eBay or Lelong.com.

The mood changed during Iain Buchanan's turn. His book, Fatimah's Kampung is the poignant story of a village's disappearance hit all the right notes, particularly for those who have read about Singapore's last rural village on the International Herald Tribune. And because Fatimah's Kampung is an illustrated work, it has more storytelling power. Buchanan could do more for the beautiful, rustic rurals than say, the Old Town (kopitiam) ad campaign. FunnyBunny should meet him. They could talk all day - at least.

I didn't take too many pictures of Amir Muhammad, since he's so recogniseable. He dropped by to "read" something from his latest offering, Malaysian Politicians Say the Darndest Things, Volume 2. It was more like showcasing rather than reading, I thought.

This time, the soundbites in Volume 2 are given more side-splitting power by Fahmi Reza's outrageously hilarious scrapbook style graphics - the reason one distributor (or publisher?) declined to touch it. I bought my copy at a bookstore because Amir didn't issue receipts for tax deductions.

...in retrospect, maybe I should have bought my copy at Readings and have it autographed. It would've made a great keepsake. And Volume 2 is just as irreverent as Devil's, if not more...

By the end more people were buying Yvonne's T-shirts or books, and I couldn't pay attention to the last reader, Saiful Nizam bin Shukor (my apologies). And yes, the humidity and time of day were lowering my eyelids. I keep them open; time travels fast if you don't pay attention - before you know it, it'll be Readings' fifth.

In-house entertainment was provided by Peter and Markiza. Missed them? Click the link for their next gigs.

Same time - and place - next year?

Friday 26 December 2008

Feeling Down At The Koi Pond House

Compared to last year, the mood at KY's Xmas eve party was subdued. Some of the usual suspects were missing, but that wasn't all.

Wildguy recalled that the previous ones were bigger. They weren't just parties - they were all-out bashes. With real food. More babes. This year though... . Sure, we're entering the biggest economic recession in living memory, but is that why the atmosphere was relatively down? And no police car stopped by - at least not before I left.

There were chocolates - those you can only buy at an airport. Half the items in the Secret Santa event were lingerie, which livened things up a bit. And the SixthSeal guy dropped his pants (I so did not need to see that). And Wildguy provided entertainment with his take on current affairs.

Suertes summed it up nicely. "We're getting old."

I guess we are. 2005 wasn't that long ago, was it?

Sunday 10 August 2008

Brought To You By Canon®

Sometimes I wonder why I started this in the first place.

With the exception of a few bad Photoshopped graphics, Bites has been mainly text. But I just can't be assed to update nowadays - at least, if I don't have anything substantial to write about.

I've sneered at blogs that are mostly pictures because, well, their photographs usually sucked. And they don't bother to shrink them to the proper dimensions and file size. But with so many now incorporating videos I feel like a Johnny-come-lately in the media explosion craze.

Pretty soon, they say, video will be the norm.

These photos (borked now due to file hosting hiccups) were taken during the last Readings at Seksan, but I could write little about it that hasn't been written before. Sharon Bakar does a good job of chronicling each session she attends. I didn't take any pictures of the Wayang Buku performance because there was too much movement - from the act and my shaky hands.

Dr Shih the historian talked about how the town of Sitiawan in Perak got its name, and shared some tidbits about Sitiawan-born persona non grata Chin Peng. Why is it often the spoiled rich kids who find their life's purpose by sponsoring anarchy?

He had approached me first and introduced himself. He's never attended a reading before. But once he started, it was smooth sailing. Reading is a lot like storytelling, after all.

The wine bottle-uncorking antics of Shahril and I were applauded by an appreciative audience which included Robert Raymer, an American expat who's living in Sarawak and author of Lovers and Strangers Revisited. Turns out he lectured Funnybunny when she was studying English. Much has been said about his writing and generosity.

Nic Wong's first foray into the big big world was to grow big big hair - and lots of it. We are grateful he decided to lop it all off for us before reading here. His art is growing (no pun intended - maybe) from strength to strength; let's just hope it doesn't come with (too many) eccentricities. Poets. You know how they are.

Speaking of which...

Was Sheena Baharudin on the readers' list? I think so (too lazy to check). She apparently came with a few comrades from Poetry Underground to cheer Nic and Kat. She only read one poem about racial discrimination. Has she been mistaken for an Indian before?

She obligingly posed when Sharon whipped out the digicam. It happened so quickly I couldn't catch it.

Soon-to-Be-Dr Jason Leong, author of the funny and honest Twisted Stethoscope, who almost couldn't make it. He had another reading to do at the Mid Valley Megamall. Looking closely, he sort of resembles my former managing director (also abbreviated, interestingly enough, as MD).

Don't you just want to pinch those cheeks?

When I first met Kathleen Choo, I had little idea of just how feisty she was, or how well she carries of her "slams". A suggested second career and a rap lyricist was politely brushed off. Are "all the great poets are male, white and dead"?

Monday 28 July 2008

Artistic Bodacity

Typing this on my new laptop. Feels strangely liberating, even if the keyboard's layout feels awkward. Can't wait to take it on tour, doing the rolling meditation stuff. Moleskines are so last millennium.

This month's Readings is a bit of a departure, even though it feels like the ship already left the port last month. We had an American expat, a historian, three poets and a medical student, plus a musician and stage actor for after-reading entertainment.

It started with a bit of deja vu involving liquor bottles. Unaware the corkscrews had extensions for leverage, Shahril Nizam and I tugged and tugged and tugged till our faces turned red (not just from the exertion). Sharon had to call in an expert, otherwise we couldn't proceed. And MPH's Tan May Lee (may have) photographed the sideshow.

Oh well, at least it was entertaining.

I'll admit that one main reason why I dropped by was to touch base with Kathleen Choo, whom I last saw at a mutual friend's book launch in 2006. Besides being floored by her poetry slammin', I got a chance to see her smaller-than-notebook notebook PC. Does the speed of technological evolution bring to mind malevolent biological agents from a sci-fi horror script?

Nicholas Wong returns! This was the young poet whose presence at a previous Readings was the condition for a veteran's participation - such is his reputation. Nic channeled Pixar by titling one of his pieces "Oogway" [sic], on top of reading a poem he composed (four pages long!) just two hours before.

With some history by Dr Shih, performances by Kathleen, Sheena Baharudin, Nic and the Wayang Buku (Book Theatre) guys, a bit of comedy writing by a doctor-in-waiting, the July Readings just reverberates with sheer awesomeness.

Another deviation in the usual proceedings is an announcement by some Arab dude (by his own admission) about a reading project. Zain also suggested spreading word about the project via the Internet because "Malaysia has a huge blogging community". Don't believe him? Believe Blogger then; it just announced the availability of the Malay interface because, "...Blogger has a large base of users in Malaysia".

Large number of bloggers, yes. Large number of good bloggers? Well... heh.

Sunday 29 June 2008

Flying High With Elmo, et al

After an absence of a few months, I returned to Seksan for a Readings session. There was my resignation, red tape at the old workplace, a two-week pseudo-sabbatical and the adjustment period after my job switch.

Yes. I'd been busy. I needed a break - and an excuse to take my digital camera out for a spin. It couldn't have happened at a better time. The June session featured a star-studded line-up which included ex-airliner captain Elmo Jayawardena (picture, right), Lydia Teh, Jacqueline-Ann Surin and Kam Raslan. Other surprises included the presence of Farish Noor, Eric Forbes of MPH Publishing and Shahril Nizam... .

I've read quite a few of Farish Noor's articles; his Egyptian travelogues were particularly intriguing. He had emerged from a heated exchange of words with a bunch of UMNO people, and he'll be on his way to Indonesia. What? The Indons will be voting soon?

There was supposed to be a book sale or something, but that never materialised. Pity. I did want an autographed copy of Shape of A Pocket (Surin wanted to talk about an MPH readings - wonder if it'll happen?). A lucky draw was held during the intermission, where books were given away. Salman Rushdie's Midnight's Children was among the prizes, the so-called Best of Booker.

(I'd withhold judgement until I've read it, but I think it got BoB because it's Midnight's Children by Salman Rushdie.)

The intermission was special because we had a live band. The boys of Dewangga Sakti put on a great mid-Readings performance, and an encore when the session concluded. Their CDs were also available for sale.

But it didn't exactly get off on a good start. The roar of buzzsaws and a shower of sawdust from the KL Municipal Council's tree-trimmers' work ruined the generally calm Bangsar atmosphere. Sharon tried in vain to get them to buzz off. Although I repeated Sharon's request in a less-civilised tone, they wouldn't budge. They even had the cojones to pose when I brought out the shooter.

I was so loud I surprised myself.

Anyway:

  • The afternoon's Readings took off with Captain Elmo J. He'd written his novels between flights; nowadays he's training other pilots. He read an excerpt from his book, Sam's Story.
  • Lydia Teh read a piece of fiction from a soon-to-be-released work - a departure from her usual brand of non-fiction.
  • Jacqueline Ann-Surin read one of her spiked articles on the controversial topics of religion and Lina Joy from Shape of A Pocket.
  • The author Shahriza Hussein wasn't feeling well, so his friend read an excerpt from his novel, Legacy. Before starting, however, he took some time to add a disclaimer: Legacy is "fiction".
  • Clarissa Tan crossed the Causeway to be here. She took her time with her piece, while - curiously - doing some kind of shuffle. It was hard to focus for a clean shot. There's more good stuff being read this time around.
  • Unfortunately, I couldn't get a single sharp shot of Kam Raslan on the mic with optical zoom; zooming affects the photos, apparently, Only the shots I took without zooming were relatively OK. Much hilarity ensued as Kam recounted a chapter in the Datuk's tales. It does sound funnier when he reads it.

Overall results from my digicam were mixed; light was a major factor, not to mention my unsteady palsied hands. Despite all the homework and research I've done, my sharpshooting attempts were thwarted by my coffee habit. Maybe I should have waited a while more, spent a bit more to get the Powershot A570IS or Lumix FS3 instead.

Never again shall I scorn optical image stabilisation features.

Wednesday 28 May 2008

Fest For The Eyes

Monday, May 26, 2008

Popular Bookfest 2008 was a much better book fest - because there was more floor-space at the KL Convention Centre. There was also stationery, computer peripherals, gifts and... tea? The folks at Purple Cane were hawking all sorts of teas, including a three-figure tagged Golden Oolong. Not my cup of tea. I'm a coffee man.

Of course, there were stage events. Teen author Lim May-Zhee, in a slinky purple dress and mile-long lashes spouted inspiring lines to the young listeners about the beauty of being a young author, thus:

"Writing a book is hard work..."

"You have to do lots of editing... you edit again and again and again..."

"You need to deal with pesky editors and printing staff, who'll mess up your work and you have to do it all over..."

"You have to do lots of PR, talking about your book... it's like taking care of children... so yeah, my books are like my children, so help me and buy my children..."

I cringed a lot.

Amir Muhammad's appearance wasn't too spectacular, either. He was just reading some of the quotes that will appear in Malaysian Politicians Say The Darnedest Things #2. Both authors, in fact, looked like they'd rather be somewhere else. I would've liked to hear some interesting back-stories about their works, in the vein of those "The Making of..." documentaries.

Reminds me of my old job, where the developers were excellent problem-solvers, but bad chroniclers of their work - barring their in-code comments. The schedules didn't allow them to. But then, my ex-colleagues wrote code. I didn't expect to see the same thing in authors.

Tuesday 20 May 2008

Eating For Disaster Victims

"So part of today's proceeds will go to the disaster victims in Burma and China?" I asked the waitress who gave me the change.

"Not part of," she replied. "All of it."

That caught me off-guard. "All the proceeds?"

"Yes."

Patrick Teoh for Prime Minister.

Then I remembered another thing. "There was a little girl going around collecting donations," I said. "Is she authorised to do that?"

The waitress laughed. "Yes, she's been approved by the management."

It started out rather poorly. I thought I memorised the map well enough, but I ended up loitering around The Atria for half an hour. By the time I reached the venue, I was sick with fatigue and hunger, and really damned thirsty.

Patrick Teoh's Damansara Village was holding a charity-drive for the disaster victims in Burmyan and China (I didn't know how it was done until I picked up the tab). Patrons can satisfy their physical, spiritual and emotional hungers in one sitting.

Amazing, the kind of info you pick up from blog aggregators. Previously, FunnyBunny's panic over a disrupted DiGi line was calmed by news of a nation-wide DiGi outage from Project Petaling Street.

I thought things were starting to look up until I saw the words "Steamboat" and "Pulau Ketam seafood".

Typically, a steamboat dinner revolves around a constantly boiling pot of stock and people throwing raw ingredients into it, preferably seafood and stuff you can quickly boil and eat. Eventually, noodles go into the now flavour-rich stock for a satisfying conclusion to a good meal. Nothing is fried, so it's also healthier.

Let me emphasise: people. Steamboat meals are rarely singleton affairs. My lone presence caught the attention of The Man himself. "You should put it all into the pot," he said, indicating the plate of veggies, quail eggs, assorted fishballs and bean curd products. "You can continue to eat as they cook."

The one thing that grabbed my attention was the single live and twitching prawn; too bad it died before I could cook the sucker. Despite my sorry skills, I didn't manage to make my seafood taste like old tennis shoes. Freshly-dead shellfish are a tad firmer and juicier than those from my old memories. Maybe I should do Pulau Ketam again - and do it right this time.

(I've never had boiled tennis shoes, but it's good to know other palatable substitutes are available if I ever get curious.)

Too bad I couldn't order the seafood. I suck at dissecting crabs, and fish heads can be challenging. And it was just little old me at the table.

However, I would suggest sprucing up the bathrooms, and mosquito repellents. And they should have let KY draw the map.

Looove the décor.

Thursday 1 May 2008

Island Adventure

No time to wax lyrical over this latest misadventure. I'm tired, and my head is still in sync with the movements of the waves. I won't be walking in a straight line until I wake up tomorrow.


Pulau Ketam (a.k.a Crab Island) Labour Day adventure! In point form.

  • Boat rides were OK, but wish they'd play more uplifting music instead of Chinese oldies and karaoke discs.
  • It is not so bad when the boats move; it's even worse when they don't.
  • The island is apparently the tourist destination for Klang Valley denizens too cheap to fly AirAsia.
  • Try not to pay too much attention to the floatsam on the water.
  • Who could imagine anything on stilts and concrete pylons could be so secure?
  • Oyster and la-la omelette is made the Penang way - but still not up to par.
  • Live crabs in plastic drums on display in the market district - animal cruelty.
  • The umbrella-hats are real. Resisted the urge to buy one.
  • Kim Hoe Restaurant no longer serves the very, very best crab bee hoon. A fact totally lost upon the holidaying rubes from the asphalt jungle. At least the crabs were nice.
  • Sewage goes into sea; ocean bounty returns to land. Island-style circle of life. Yum.
  • Most locals keep their doors open.
  • On the island, Ah Sui is the Tesco of dessicated shrimp and dried seafood.
  • When in the bathroom, make judicious use of tap water.
  • Tragic to see so many people using the sea as a trash can.
  • Eat light - or not at all - before getting onto a boat.
  • What kind of maniac would spend days in a chalet that's more like a prison cell atop a floating fish farm, doing nothing but fish?
  • Walk slowly and gently on the planks and don't look too closely at the wavelets showing through the gaps and cracks in the timber. Do not run, stomp or jump. Try not to fall in, either. The barramundi (siakap) are not picky eaters.
  • Baby tiger garoupas are cute; red snappers are snappy.
  • GreenWay fish farm tour was conducted mainly in two Chinese dialects. Not very educational. Maybe because I was in an all-Chinese group.
  • Watch your head on boats.
  • Weather behaved itself. And sea breezes can be cooler than air-conditioning.
  • Next time, don't forget the motion-sickness pills. Maybe some sunscreen, too.

Sunday 27 April 2008

Starbucks and Stories

Coffee and conversation with the indomitable Yvonne Foong - and it's the second time I made her wait. This time, it's because I got lost. I hate Subang Jaya. Like everywhere else in the state, the signboards made no sense.

She has a debilitating disease, but it doesn't stop her at all. Earlier she'd written a masterful response to a journalist's poor professional conduct. There was talk about creating a branded charity foundation-or-whatnot. Discussions about psychology, marketing and, of course, blogs.

You do not want her angry at you.

Next time, I'm studying a map - and then, test-driving the route.



There was supposed to be something about this month's LitBloggers' Breakfast with Kunal Basu, but I couldn't be bothered. Besides, I wouldn't want people to think I attend all these meets just so I could post something... .

Some interesting and pertinent points garnered from the meet include:

  • 's chemical. Stories are all chemical. Natural ones produced by your body, of course.
  • Let the story take centerstage. Don't fit stories into themes.
  • Don't give a shit about readers. Write what you want, write what you like. And pray the readers you don't give a shit about will like it too.
  • Research is important (and from his tone of voice it could also be fun). If all else fails, fill the gaps with your imagination. Why else would you call it "fiction", duh?
  • Most lit-fic readers are women; no woman, all (lit-fic authors) cry. In this case, Bob Marley had it wrong.
  • MPH Bangsar can't get their hands on chicken mayo.

Saturday 5 April 2008

And It's Only The First Day

I had some hopes for the biggest book fair held this year at the Putra World Trade Center (PWTC). By the time I left the venue they were utterly dashed. Was I too early, or was the whole affair simply not what it was cracked up to be?

(And damn, the web site isn't very helpful either. You'd think that an e-portal for an event promoting literature and reading would have more details)

The timing sucked, for one. The fair coincided with Bank Rakyat's annual general meeting. The mob scene that confronted me was astounding, bringing me back to the days when the annual Microfest was a huge affair - not that it was any more pleasant. No way of telling who was attending what (although I'm sure the bevies of schoolgirls are most likely lured by the promise of cheaper textbooks). It was loud, chaotic, and somehow, vampiric. Fatigue quickly set in even before I reached the entrance.

My jaded worldview discerned a separation of society classes at the "book fair". The lower level was packed, crowds reaching sardine-can densities at the booths hawking textbooks, tabloids and comics. Plenty of religious material as well. The less-crowded upper level was where the more sophisticated choices were: dictionaries, literary fiction, various non-fiction titles and university-level reference materiel to name a few.

Sad. Tragic. I'm trying but I can't find the exact words for what I felt. This glimpse of Malaysia's literary strata paints a very depressing picture.

Sincerest apologies, but hosting multi-national publishing and distribution companies do not an international book fair make.

Oh, I did notice the hastily-corrected buntings:

Books Empowers.

Fear the Red Pen of Sharon Bakar™.

Sunday 23 March 2008

Bangsar Book Talk Brekkie

While I am contemptuous of some mainland Chinese's eating habits and flaunting of wealth, I wouldn't mind trying some dog - it's supposed to be good for my asthma. Relax, no dogs were harmed in this production.

To be repeated 500 times on a chalkboard: A blog is not a message service.



Saturday, 22 March 2008

This month's MPH LitBloggers' Breakfast Club was one I didn't intend to miss. Chuah Guat Eng (whom I saw at last month's Readings) and Wena Poon were the featured authors.

The first thing I did was home in on the buffet table. My heart sank when I failed to spot any chicken mayo sandwiches. It killed the mood for the coffee. The egg and tuna mayo sandwiches were just as nice, but couldn't they do something to prevent the bread from drying up?

Both authors introduced their works and revealed a bit about the creative process and experiences involved, before getting down to reading from their books.

There were definitely two distinct personalities and storytelling modes at the fore. Wena radiated gregarious enthusiasm as she read and voice-acted Dog Hot Pot, a humourous take on responsibilities, morals and cultural differences revolving around exotic canine delicacies. Every detail is carved out and presented in bold, chiselled features.

Chuah, meanwhile, was the paragon of quiet, regal dignity while reading a passage about two pretty men. The ambiguity in the characters and settings allowed some leeway for the reader's imagination, like the pictures in a colouring book.

Did someone say Chuah was from Rembau?

The Q&A session that followed took an odd turn when Wena asked Chuah a question. Now this is how it should be, I thought with approval. Definitely some yin yang mojo at work.

Both draw upon different sources for their works. Wena's experiences during her travels made Lions a very "global" collection of stories about Singaporeans living abroad (like herself). Chuah's Old House was built on memories and images spun out of the air. A nod at Wena's canine hot pot story came in the form of an anecdote about a stray pup that wandered into Chuah's yard and died mysteriously.

When asked about memoirs that aren't memoirs, Chuah expressed dislike, and reckons books like those should be classified as non-fiction. Wena was of the opinion that too much inclusion of real-life experiences into literary fiction lessens the degree of art involved.

That being said, she also voiced her frustrations in warding off reader assumptions that Lions was partly autobiographical, even though some of the narrators were men. Then Chuah chipped in with another anecdote where readers got the gender and race of the narrator wrong - thanks to the way she writes - but thinks it's cool to let their imagination run wild.

During the schmoozing session that followed, Sharon Bakar told me how she found one of my published articles, and gave me some positive feedback on it. She initially didn't know I wrote the piece; members of her circle know me by my other Internet handle. She also assuaged my doubts on panning a bad book and reservations on reviewing books with objectionable content.

I had to miss out on the Readings later that afternoon because I had other plans. It was a good session, though - a good portent for the rest of the day.